For 20,335 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,412 out of 20335
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Mixed: 8,455 out of 20335
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Negative: 2,468 out of 20335
20335
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Nicolas Rapold
His film can feel overly cerebral—a bit like being plunged into a seminar—and the text cards do a lot of explanatory heavy lifting. But Cognet’s forensic approach does insist on memorializing these events in an important, physically specific way and, intentionally or not, queasily anticipates a world without any living eyewitnesses to these horrors.- The New York Times
- Posted Jul 14, 2022
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Lisa Kennedy
Canfield’s debut feature is infused with its own measure of that gentling spirit. It is also blessedly low on piousness.- The New York Times
- Posted Jul 21, 2022
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- The New York Times
- Posted Jul 21, 2022
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Reviewed by
A.O. Scott
There is some sex and plenty of gore, but mostly an atmosphere of feverish, lurid melodrama leavened with winks of knowing humor and held together by Goth’s utterly earnest and wondrously bizarre performance.- The New York Times
- Posted Sep 15, 2022
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Reviewed by
Ben Kenigsberg
The Swimmers tells this story as an inspirational (but rarely sugarcoated) crowd-pleaser. Within those terms, it hits its marks.- The New York Times
- Posted Nov 23, 2022
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- The New York Times
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Reviewed by
Austin Considine
Takiuchi’s Yuko, in turns motherly and mercenary, is bewitchingly enigmatic: What drives her? Why does she still live with her father? Mercifully, we receive little back story; it’s enough that she is an ambitious woman, choked by ruthless double standards surrounding sex and autonomy.- The New York Times
- Posted Jul 28, 2022
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Robert Daniels
Emergency Declaration, a piercing thriller from the South Korean writer-director Han Jae-rim, manages to deliver excitement and melodrama out of a ludicrous story line.- The New York Times
- Posted Aug 12, 2022
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Reviewed by
Janet Maslin
The Ghost and the Darkness, a lion-hunting story set in 19th-century Africa, is the rare Hollywood action-adventure that becomes more surprising and exotic as it moves along. While it begins on an unpromisingly starchy note, the film soon picks up speed, color and nicely nonchalant humor as it tells a true story about near-mythic beasts.- The New York Times
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Janet Maslin
The film's view of Eddie Dodd is occasionally on the facile side, but Mr. Woods's performance is crackling and passionate enough to give the character depth despite that; it's also laced with snappish, self-mocking humor that Mr. Woods delivers particularly well. This performance is so razor-sharp that Eddie can be seen coming alive with each little triumph, reveling in each little maneuver and taking each little disappointment terribly hard. His enthusiasm is irresistible.- The New York Times
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A.O. Scott
Bones and All is a ragged hybrid of genres and styles, an elevated exploitation movie, a succession of moods — anxious, horny, dreamy, sad — in search of a metaphor. Or maybe the metaphor is obvious.- The New York Times
- Posted Nov 17, 2022
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Reviewed by
Natalia Winkelman
Cinema prizes a good man making history, but this story’s heroes are manifold.- The New York Times
- Posted Sep 29, 2022
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Reviewed by
Calum Marsh
It’s a winning setup, and the director, Daryl Wein, escalates the action shrewdly, with clever rom-com engineering.- The New York Times
- Posted Dec 8, 2022
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Reviewed by
Janet Maslin
If Assayas doesn't always transport his film's events beyond the all too commonplace, his understatement can also yield moments of quiet simplicity.- The New York Times
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Ben Kenigsberg
While starchy in presentation, Exposing Muybridge makes clear that its subject’s images still have a lot to show us.- The New York Times
- Posted Aug 4, 2022
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Reviewed by
Lawrence Van Gelder
While the animated characters, bright colors and an appealing Randy Newman score may keep the children content, Cats Don't Dance is no saccharine fantasy. Its Hollywood references and dark satire constitute its real strengths.- The New York Times
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Reviewed by
Ben Kenigsberg
Evans has made a lively and illuminating tribute, and not always an unduly flattering one.- The New York Times
- Posted Aug 4, 2022
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Reviewed by
Beatrice Loayza
We tend to look at the sex lives of sex workers as endlessly fascinating, but in Bliss the line of work is instead part of a larger take on the hurdles of modern romance.- The New York Times
- Posted Aug 5, 2022
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Reviewed by
Natalia Winkelman
There is little story beyond the snatches of conversation we receive, but Human Flowers of Flesh brims with visual and aural detail from the rocky coasts and gurgling reefs.- The New York Times
- Posted Apr 13, 2023
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Reviewed by
Amy Nicholson
Do Revenge, directed by Jennifer Kaytin Robinson, is a playful, sharp-fanged satire that feels like the ’90s teen comedy hammered into modern emojis: crown, knife, fire, winky face.- The New York Times
- Posted Sep 15, 2022
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Reviewed by
Natalia Winkelman
Even when the movie wants for tension, it brims with playful style.- The New York Times
- Posted Sep 8, 2022
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Reviewed by
Claire Shaffer
The film achieves its goal in raising awareness for these volunteer efforts, casting a spotlight on a chronically overlooked crisis.- The New York Times
- Posted Aug 15, 2022
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Reviewed by
Manohla Dargis
While Dalíland occasionally edges into caricature, its take on Gala’s role in the marriage, her temperament and feverish attention to money is happily more complicated.- The New York Times
- Posted Jun 8, 2023
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Reviewed by
Glenn Kenny
The verbal analysis here isn’t always profound — one interviewee trots out the banal phrase “the conversation we should be having” — but the narrative as presented in archival footage (Kaepernick did not sit for an interview for this film) is exemplary.- The New York Times
- Posted Sep 1, 2022
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Reviewed by
Glenn Kenny
The movie, directed by Jon Weinbach, offers several eye-opening mini-narratives on the way to a rematch with Argentina.- The New York Times
- Posted Oct 6, 2022
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Reviewed by
Bosley Crowther
It is written, produced and directed by Mr. Johnson with a clean documentary clarity, and played with superlative flexibility and emotional power by Joanne Woodward in the main role.- The New York Times
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Reviewed by
Jason Zinoman
Lee Cronin, who directed Evil Dead Rise with many more colors of bodily fluid, is a meticulous creator of stunning shots. His camera doesn’t move. It dances, shifting, spinning, occasionally knocked on its side like a running back in a collision.- The New York Times
- Posted Apr 21, 2023
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Reviewed by
Lisa Kennedy
A Jazzman’s Blues is packed with outsize emotions, but also grand themes.- The New York Times
- Posted Sep 23, 2022
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Reviewed by
Elisabeth Vincentelli
Despite these flashes of timidity and an overlong running time, the musical is a fun romp with plenty of, ahem, killer tunes.- The New York Times
- Posted Sep 15, 2022
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Reviewed by
Lisa Kennedy
There’s a bittersweetness to Craig and Harrigan’s friendship and good chemistry between the leads.- The New York Times
- Posted Oct 6, 2022
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