For 20,324 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,408 out of 20324
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Mixed: 8,449 out of 20324
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Negative: 2,467 out of 20324
20324
movie
reviews
- By Date
- By Critic Score
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- The New York Times
- Posted Dec 22, 2013
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Reviewed by
Jeannette Catsoulis
Messy in parts and at least 15 minutes too long, Personal Tailor is also cunningly acted and lushly photographed (by Zhao Xiaoshi) in dazzling candy-bright colors.- The New York Times
- Posted Dec 19, 2013
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Reviewed by
Stephen Holden
The cosmic and the microscopic are casually — and delicately — juxtaposed in All the Light in the Sky, an evocative, slightly melancholic movie.- The New York Times
- Posted Dec 19, 2013
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Reviewed by
Neil Genzlinger
The movie looks great, the writing is peppered with moments of wit, and there’s even an educational component built in as dinosaur facts are displayed on the screen.- The New York Times
- Posted Dec 19, 2013
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Reviewed by
A.O. Scott
Intent on showing that Arbor and Swifty live in a world of radically limited possibilities, barely sustained by their families and failed by the state, Ms. Barnard locks them into a narrative prison. Their fates seem predetermined less by their circumstances than by the iron will and limited imagination of their creator.- The New York Times
- Posted Dec 19, 2013
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Manohla Dargis
The story is nearly obscured by its schematic design (everyone doesn’t just have his or her reasons; he or she is also guilty), but there are mysteries, surprises and complexities, notably in the representation of the children and in Ms. Bejo’s thorny, layered performance with its strata of neediness, resentment and hope.- The New York Times
- Posted Dec 19, 2013
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A.O. Scott
The film dwells on the logistical and bureaucratic details of the process, and if it does not exactly write a fresh chapter in the history of art, it stands as an exemplary study in the sociology of art administration.- The New York Times
- Posted Dec 17, 2013
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Reviewed by
Manohla Dargis
At once a brilliant conceptual gag and a deeply sincere romance, Her is the unlikely yet completely plausible love story about a man, who sometimes resembles a machine, and an operating system, who very much suggests a living woman.- The New York Times
- Posted Dec 17, 2013
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A.O. Scott
It’s a frequently amusing, occasionally hilarious, rarely unpleasant grab bag of mild mockery and inspired lunacy, decked out with cameos from beloved comic performers and random celebrities.- The New York Times
- Posted Dec 17, 2013
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Stephen Holden
Instead of being contemptuous and sardonic, the portrait of inchoate adolescent longing in Paradise: Hope is poignant.- The New York Times
- Posted Dec 17, 2013
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Nicolas Rapold
With a character who can essentially say and do whatever she wants, you might expect a bit more.- The New York Times
- Posted Dec 13, 2013
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- The New York Times
- Posted Dec 12, 2013
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Reviewed by
Jeannette Catsoulis
A documentary that presents the sexual exploitation of young women as a systemic cancer that feeds on public misconception as much as male appetites.- The New York Times
- Posted Dec 12, 2013
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Miriam Bale
In addition to the copious flashbacks, there is an overly generous heaping of styles on display.- The New York Times
- Posted Dec 12, 2013
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Jeannette Catsoulis
Too slight to persuade, The Unbelievers is also too poorly made to entertain. The rational roots of atheism deserve a much better movie than this.- The New York Times
- Posted Dec 12, 2013
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Anita Gates
Beatocello’s Umbrella could have been a terrible movie. In theory and largely in execution, it is little more than a promotional video for Kantha Bopha, a group of hospitals in Cambodia, and Dr. Richner, who has run them since the early 1990s. But what a guy!- The New York Times
- Posted Dec 12, 2013
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Jeannette Catsoulis
A muddled supernatural thriller that fails to capitalize on either its horrific prologue or eerie location.- The New York Times
- Posted Dec 12, 2013
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Neil Genzlinger
Mr. Walker is convincing as a man battling grief, exhaustion and, occasionally, an intruding outside world where lawlessness has taken hold.- The New York Times
- Posted Dec 12, 2013
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Stephen Holden
In their intensity, the actors’ incisive, impeccably coordinated performances are pitched slightly above normal conversation but not so much that “What’s in a Name?” shatters credibility.- The New York Times
- Posted Dec 12, 2013
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Manohla Dargis
While there’s much to admire in how Mr. Tucci and Ms. Eve perform Mr. LaBute’s artful, apocalyptic duet, this is one seriously out-of-date tune.- The New York Times
- Posted Dec 12, 2013
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Manohla Dargis
There are, once again, too many busy, uninterestingly staged battles that lean heavily on obvious, sometimes distracting digital sorcery. But there are also pacific, brooding interludes in which the actors — notably Mr. Freeman, an intensely appealing screen presence — remind you that there’s more to Middle-earth than clamor and struggle.- The New York Times
- Posted Dec 12, 2013
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Manohla Dargis
Mr. Bale, like some other stars who embrace playing ugly, feels as if he’d been liberated by all the pounds he’s packed on and by his character’s molting looks, an emancipation that’s most evident in his delicately intimate, moving moments with Ms. Adams and Ms. Lawrence.- The New York Times
- Posted Dec 12, 2013
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A.O. Scott
The best parts of Saving Mr. Banks offer an embellished, tidied-up but nonetheless reasonably authentic glimpse of the Disney entertainment machine at work.- The New York Times
- Posted Dec 12, 2013
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Stephen Holden
This modest film observes evacuees from Futaba, a small town near the Fukushima Daiichi nuclear power plant, making do in their temporary shelter. Partly because this version of the movie was drastically edited to 96 minutes from 145, it feels sketchy and disjointed.- The New York Times
- Posted Dec 10, 2013
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Jeannette Catsoulis
Trying to gather too much into his net, Mr. Stewart gets a little lost, but his bottom line could not be clearer: When the oceans die, so do we.- The New York Times
- Posted Dec 5, 2013
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Reviewed by
Miriam Bale
Mr. Verrette shows talent in conveying complex emotions, yet he’s handicapped by his grand ambition and an inability to do simple scenes well.- The New York Times
- Posted Dec 5, 2013
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Reviewed by
Jeannette Catsoulis
For all the shooting, knifing and nattering about sleeper cells, the film feels weirdly static and terminally tired.- The New York Times
- Posted Dec 5, 2013
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Reviewed by
Stephen Holden
After barely stirring to life, Night Train to Lisbon mercifully expires.- The New York Times
- Posted Dec 5, 2013
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Jeannette Catsoulis
Mr. Clark finds unexpected heart amid cliché and frigidity.- The New York Times
- Posted Dec 5, 2013
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Reviewed by
Miriam Bale
A wondrous and slightly deranged story about oddballs embracing their differences.- The New York Times
- Posted Dec 5, 2013
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Reviewed by