The New York Times' Scores

For 20,335 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20335 movie reviews
  1. The Fortune Cookie is no more sunny--and, if possible, even less romantic--than Kiss Me, Stupid, Mr. Wilder's last film and a comedy of unrelieved vulgarity, but it has style and taste.
  2. The movie has its share of logical inconsistencies, although to dwell on them is to ignore its deliberate ambiguities and considerable panache.
  3. A charming blend of science and conjecture, Fantastic Fungi wants to free your mind.
  4. Jonathan Butterell’s film, now streaming on Amazon, is a charmer, every bit as sunny, confident and ultimately compelling as Jamie himself.
    • 48 Metascore
    • 70 Critic Score
    The film is never less than engaging, and it’s just about always clever.
  5. The documentary also reminds viewers of why Friedkin has earned this tribute. For all his career ups and downs, he has remained devoted to making genuinely challenging and exciting work, and has succeeded more often than not. The documentary serves as a strong incitement to dig into it.
  6. The picture abounds with amazing landscapes and trenchant but quietly articulated commentaries on tourism and Jamaica’s other economies, or lack thereof, in this era.
  7. While its mode of argumentation gets weaker as the standard-issue boy-meets-girl-meets-carpe-diem plot progresses, the appealing cast and brisk running time help “Jexi” not wear out its welcome.
  8. Mr. Whaley has to work too hard to be antic in the early, Ferris Bueller-type scenes, but he gets much better in more easygoing moments. The gorgeous Ms. Connelly is more model than actress, but by those standards she is relatively lively.
  9. A Marvel movie, for sure. But a pretty interesting one, partly because it’s also a Ryan Coogler film, with the director’s signature interplay of genre touchstones, vivid emotions (emphasized by Ludwig Goransson’s occasionally tooth-rattling score) and allegorical implications.
  10. It all moves along so amiably, and offers such consistently delightful visuals, that the conventional plot points, up to and including an inevitable “but I can explain” bit, are entirely digestible.
  11. The actors draw out both the spiritual and the psychological dimensions of their characters. The interplay, a duet with sweet and eccentric harmonies, is fascinating to observe, even as it undermines the overall structure of the narrative.
  12. Making the most of his limited budget, not unusual for the prolific Fessenden, he has produced possibly his most coherent and visually polished work to date. The makeup effects and lead performances are excellent, and Fessenden’s signature cheek (two strip-club employees are called Stormy and Melania) never tips into silliness.
  13. Not a worm is left unturned in Ken Russell's buoyant, mischievous and predictably overwrought new film.
  14. Britt-Marie Was Here is a relatively unchallenging yet ultimately pleasant watch.
  15. The V.I.P.s is, gratifyingly, a lively, engrossing romantic film cut to the always serviceable pattern of the old multi-character Grand Hotel, and some of the other people in it are even more exciting than the two top stars.
    • 74 Metascore
    • 70 Critic Score
    It is a nightmare world view, but it is a world view, and The Panic in Needle Park never pretends that it is subject to moral condemnations, or to easy cure or the insights of urban sociology.
    • 66 Metascore
    • 70 Critic Score
    Uncommonly silly little film, but it is great fun to watch.
  16. A close-range film about distance, the short, poignant documentary “I’m Leaving Now” unfolds like a character study.
  17. Hammond, who describes his face as so bland that it becomes a canvas for so many others, emerges as a riveting, eccentric character: Fragile, lyrical and haunted, like a doomed figure out of Tennessee Williams.
  18. While it is generally engaging to learn about the influences of the screenwriter Dan O’Bannon or the artistic process of H.R. Giger (who designed the alien), the documentary is at its least fawning when it focuses on technique.
  19. An unusually compelling domestic drama with sharp ears, a sharp eye, and up to a point, sharp teeth.
  20. It’s an ugly story shrewdly told, with a sense of humor and also a deeper feeling for history.
  21. Though ''Roxy Carmichael'' is never as fresh or powerful as it might have been, it is a sweetly engaging film in the Barry Levinson school: just when you think it might fall into a bottomless pit of sentimentality, it stops short.
  22. This sports underdog story, which is based on true events, has several features endemic to the genre. But Dream Horse, an unabashed crowd-pleaser directed by Euros Lyn, earns its smiles and cheers.
  23. If Red Penguins doesn’t always strike a satisfying balance between the glib and the grim, the broader topic — the commercialization of hockey — affords it a novel lens on Russia’s economic transition.
  24. Anderson expresses a fan’s zeal and a collector’s greed for both canonical works and weird odds and ends, a love for old modernisms that is undogmatic and unsentimental. Which is not to say unfeeling.
  25. Let There Be Carnage flourishes in high-energy moments and feeds off low expectations; it’s the mold in the Avengers’ shower.
  26. As a straight piece of blackmail melodrama, it is a good bit below the British par. But as a frank and deliberate exposition of the well-known presence and plight of the tacit homosexual in modern society it is certainly unprecedented and intellectually bold.
  27. An anarchic, often hilarious adventure in dial-spinning, a collection of brief skits and wacko parodies that are sometimes quite clever, though they're just as often happily sophomoric, too.

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