For 20,335 reviews, this publication has graded:
-
46% higher than the average critic
-
5% same as the average critic
-
49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
-
Positive: 9,412 out of 20335
-
Mixed: 8,455 out of 20335
-
Negative: 2,468 out of 20335
20335
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Vincent Canby
The Fortune Cookie is no more sunny--and, if possible, even less romantic--than Kiss Me, Stupid, Mr. Wilder's last film and a comedy of unrelieved vulgarity, but it has style and taste.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
J. Hoberman
The movie has its share of logical inconsistencies, although to dwell on them is to ignore its deliberate ambiguities and considerable panache.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Jeannette Catsoulis
A charming blend of science and conjecture, Fantastic Fungi wants to free your mind.- The New York Times
- Posted Oct 10, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Elisabeth Vincentelli
Jonathan Butterell’s film, now streaming on Amazon, is a charmer, every bit as sunny, confident and ultimately compelling as Jamie himself.- The New York Times
- Posted Sep 17, 2021
- Read full review
-
Reviewed by
-
- Critic Score
The film is never less than engaging, and it’s just about always clever.- The New York Times
- Posted Sep 26, 2019
- Read full review
-
-
Reviewed by
Glenn Kenny
The documentary also reminds viewers of why Friedkin has earned this tribute. For all his career ups and downs, he has remained devoted to making genuinely challenging and exciting work, and has succeeded more often than not. The documentary serves as a strong incitement to dig into it.- The New York Times
- Posted Aug 22, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
The picture abounds with amazing landscapes and trenchant but quietly articulated commentaries on tourism and Jamaica’s other economies, or lack thereof, in this era.- The New York Times
- Posted Aug 22, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
While its mode of argumentation gets weaker as the standard-issue boy-meets-girl-meets-carpe-diem plot progresses, the appealing cast and brisk running time help “Jexi” not wear out its welcome.- The New York Times
- Posted Oct 11, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Janet Maslin
Mr. Whaley has to work too hard to be antic in the early, Ferris Bueller-type scenes, but he gets much better in more easygoing moments. The gorgeous Ms. Connelly is more model than actress, but by those standards she is relatively lively.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
A Marvel movie, for sure. But a pretty interesting one, partly because it’s also a Ryan Coogler film, with the director’s signature interplay of genre touchstones, vivid emotions (emphasized by Ludwig Goransson’s occasionally tooth-rattling score) and allegorical implications.- The New York Times
- Posted Nov 10, 2022
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
It all moves along so amiably, and offers such consistently delightful visuals, that the conventional plot points, up to and including an inevitable “but I can explain” bit, are entirely digestible.- The New York Times
- Posted Nov 7, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
The actors draw out both the spiritual and the psychological dimensions of their characters. The interplay, a duet with sweet and eccentric harmonies, is fascinating to observe, even as it undermines the overall structure of the narrative.- The New York Times
- Posted Nov 26, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Jeannette Catsoulis
Making the most of his limited budget, not unusual for the prolific Fessenden, he has produced possibly his most coherent and visually polished work to date. The makeup effects and lead performances are excellent, and Fessenden’s signature cheek (two strip-club employees are called Stormy and Melania) never tips into silliness.- The New York Times
- Posted Sep 12, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Janet Maslin
Not a worm is left unturned in Ken Russell's buoyant, mischievous and predictably overwrought new film.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Teo Bugbee
Britt-Marie Was Here is a relatively unchallenging yet ultimately pleasant watch.- The New York Times
- Posted Sep 19, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Bosley Crowther
The V.I.P.s is, gratifyingly, a lively, engrossing romantic film cut to the always serviceable pattern of the old multi-character Grand Hotel, and some of the other people in it are even more exciting than the two top stars.- The New York Times
- Read full review
-
Reviewed by
-
- Critic Score
It is a nightmare world view, but it is a world view, and The Panic in Needle Park never pretends that it is subject to moral condemnations, or to easy cure or the insights of urban sociology.- The New York Times
- Read full review
-
- The New York Times
- Read full review
-
-
Reviewed by
Ben Kenigsberg
A close-range film about distance, the short, poignant documentary “I’m Leaving Now” unfolds like a character study.- The New York Times
- Posted Sep 5, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Jason Zinoman
Hammond, who describes his face as so bland that it becomes a canvas for so many others, emerges as a riveting, eccentric character: Fragile, lyrical and haunted, like a doomed figure out of Tennessee Williams.- The New York Times
- Posted Sep 12, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Ben Kenigsberg
While it is generally engaging to learn about the influences of the screenwriter Dan O’Bannon or the artistic process of H.R. Giger (who designed the alien), the documentary is at its least fawning when it focuses on technique.- The New York Times
- Posted Oct 3, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
An unusually compelling domestic drama with sharp ears, a sharp eye, and up to a point, sharp teeth.- The New York Times
- Posted Feb 24, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
It’s an ugly story shrewdly told, with a sense of humor and also a deeper feeling for history.- The New York Times
- Posted Nov 6, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Caryn James
Though ''Roxy Carmichael'' is never as fresh or powerful as it might have been, it is a sweetly engaging film in the Barry Levinson school: just when you think it might fall into a bottomless pit of sentimentality, it stops short.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
This sports underdog story, which is based on true events, has several features endemic to the genre. But Dream Horse, an unabashed crowd-pleaser directed by Euros Lyn, earns its smiles and cheers.- The New York Times
- Posted May 20, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Ben Kenigsberg
If Red Penguins doesn’t always strike a satisfying balance between the glib and the grim, the broader topic — the commercialization of hockey — affords it a novel lens on Russia’s economic transition.- The New York Times
- Posted Aug 5, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
Anderson expresses a fan’s zeal and a collector’s greed for both canonical works and weird odds and ends, a love for old modernisms that is undogmatic and unsentimental. Which is not to say unfeeling.- The New York Times
- Posted Oct 20, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Amy Nicholson
Let There Be Carnage flourishes in high-energy moments and feeds off low expectations; it’s the mold in the Avengers’ shower.- The New York Times
- Posted Sep 30, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Bosley Crowther
As a straight piece of blackmail melodrama, it is a good bit below the British par. But as a frank and deliberate exposition of the well-known presence and plight of the tacit homosexual in modern society it is certainly unprecedented and intellectually bold.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Janet Maslin
An anarchic, often hilarious adventure in dial-spinning, a collection of brief skits and wacko parodies that are sometimes quite clever, though they're just as often happily sophomoric, too.- The New York Times
- Read full review
-
Reviewed by