The New York Times' Scores

For 20,323 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20323 movie reviews
  1. The director, who also served as producer along with Lisa Comforty, his wife, spent 12 years compiling the archival clips and photographs that make up this compact and elegant film.
  2. Intriguing documentary.
  3. With its deliberately overexposed film stock and driving electronic score, Ms. Maccarone's film occasionally suffers from a self-conscious artiness, but at its center is an extraordinary performance by Ms. Tabatabai as Fariba, a young woman whose expectations have been lowered by a lifetime of systematic mistreatment but who still holds out hope for the possibility of both justice and love.
  4. A bracingly honest yet poetic portrait of a man refusing to be defined by the limitations of his body.
  5. Watching the aging, but still spirited, singers come together to express their gratitude for the man who started their careers is often genuinely touching.
  6. In the film's production notes, Mr. Glawogger wonders, "Is heavy manual labor disappearing or is it just becoming invisible?" In this visually impressive but proudly unscientific hymn to progress, the answers are yes and yes.
  7. Only inconsistent pacing and a few minor contrivances that develop late in the film dull its otherwise quietly effective dramatic impact.
  8. The uninitiated viewer can admire it simply for the majesty of its visual poetry.
  9. A delicately funny tale about everyday surrealism.
  10. This pleasant if inconsequential romantic comedy from the Croatian director Hrvoje Hribar is distinguished by its good-natured sensibility and rowdy, slightly fabulous tone: a kind of Eastern European magic realism, without the magic.
  11. Crammed with comments from patrons and performers, La Tropical is a sensual celebration of people for whom dancing is the "most important nonreligious ritual."
  12. What emerges is less the celebration of an institution than a picture of man's relationship to nature that is every bit as beguiling as a Rousseau.
  13. Tells the depressing, often ridiculous and generally enraging story of how and why Mr. Chong, an extremely laid-back and genial camera presence, ended up doing time in the minimum-security Taft Correctional Institution in Taft, Calif.
  14. Affected but elegant, this digital video riff on "Death in Venice" was orchestrated by Lech Majewski, the Polish writer, painter and director of films, plays and operas. His musicality is evident in the fresh and lively flow of images, though his tin ear for dialogue and staleness of theme enervates the composition.
  15. Room is an existential horror film, a parable of the war against terror being waged in Julia's psyche.
  16. As thorough an examination of the sport as you could hope to squeeze into 90 taut, well-organized minutes.
  17. Similar stories in the United States tend to be turned into made-for-television mush. This one is manipulative in its own way, but it casts a sweet spell nonetheless.
    • 70 Metascore
    • 70 Critic Score
    The movie is most engaging when following Mr. Mendelson around his old neighborhood, Borough Park, which, we learn, is simply teeming with bakers whose singing is on a par with their knishes.
  18. The fact that her story of triumph over unimaginable odds doesn't come freighted with mystical and religious bromides makes it all the more inspiring.
  19. Despite its immersion in tragedy and decline, So Much So Fast is leavened by unexpected humor.
  20. Smart, resourceful indie.
  21. Keir Moreano’s muted yet moving record of his father's experience as a volunteer doctor in Vietnam, documents a journey that's substantially more philosophical than medical.
  22. A straightforward, quietly persuasive primer on the climate-change crisis.
  23. It isn't often that you see a film about Israelis and Palestinians that can be called hopeful, but Ronit Avni's assured, thoughtful and clear-eyed documentary certainly qualifies.
  24. As this smart, hard-bitten woman with an eighth-grade education pursues her quest, the documentary portrays the debate between connoisseurship and science as a culture war.
  25. This innovative chronicle of a truly modern romance also conveys, in a painful, darkly humorous way, a variety of ultra-identifiable truths, including the loneliness often suffered by big-city inhabitants and the complexities of sexual intimacy.
  26. A perceptive and beautifully acted drama.
  27. Delicate, bittersweet comedy.
  28. Julian P. Hobbs directs by getting out of the way of his star's soulful eyes and considerable talent, allowing Mr. Mays to feed on the tension between the rationality of his character's courtroom argument and the utter lunacy of his beliefs.
  29. Ellington fans will certainly relish the many vintage clips scattered throughout.

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