For 20,323 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
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| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,408 out of 20323
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Mixed: 8,448 out of 20323
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Negative: 2,467 out of 20323
20323
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lawrence Van Gelder
The director, who also served as producer along with Lisa Comforty, his wife, spent 12 years compiling the archival clips and photographs that make up this compact and elegant film.- The New York Times
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- The New York Times
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Reviewed by
Dana Stevens
With its deliberately overexposed film stock and driving electronic score, Ms. Maccarone's film occasionally suffers from a self-conscious artiness, but at its center is an extraordinary performance by Ms. Tabatabai as Fariba, a young woman whose expectations have been lowered by a lifetime of systematic mistreatment but who still holds out hope for the possibility of both justice and love.- The New York Times
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Reviewed by
Jeannette Catsoulis
A bracingly honest yet poetic portrait of a man refusing to be defined by the limitations of his body.- The New York Times
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Reviewed by
Laura Kern
Watching the aging, but still spirited, singers come together to express their gratitude for the man who started their careers is often genuinely touching.- The New York Times
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Reviewed by
Stephen Holden
In the film's production notes, Mr. Glawogger wonders, "Is heavy manual labor disappearing or is it just becoming invisible?" In this visually impressive but proudly unscientific hymn to progress, the answers are yes and yes.- The New York Times
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Reviewed by
Laura Kern
Only inconsistent pacing and a few minor contrivances that develop late in the film dull its otherwise quietly effective dramatic impact.- The New York Times
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Reviewed by
Stephen Holden
The uninitiated viewer can admire it simply for the majesty of its visual poetry.- The New York Times
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- The New York Times
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Reviewed by
Nathan Lee
This pleasant if inconsequential romantic comedy from the Croatian director Hrvoje Hribar is distinguished by its good-natured sensibility and rowdy, slightly fabulous tone: a kind of Eastern European magic realism, without the magic.- The New York Times
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Reviewed by
Jeannette Catsoulis
Crammed with comments from patrons and performers, La Tropical is a sensual celebration of people for whom dancing is the "most important nonreligious ritual."- The New York Times
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Reviewed by
Nathan Lee
What emerges is less the celebration of an institution than a picture of man's relationship to nature that is every bit as beguiling as a Rousseau.- The New York Times
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Manohla Dargis
Tells the depressing, often ridiculous and generally enraging story of how and why Mr. Chong, an extremely laid-back and genial camera presence, ended up doing time in the minimum-security Taft Correctional Institution in Taft, Calif.- The New York Times
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Nathan Lee
Affected but elegant, this digital video riff on "Death in Venice" was orchestrated by Lech Majewski, the Polish writer, painter and director of films, plays and operas. His musicality is evident in the fresh and lively flow of images, though his tin ear for dialogue and staleness of theme enervates the composition.- The New York Times
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Reviewed by
Nathan Lee
Room is an existential horror film, a parable of the war against terror being waged in Julia's psyche.- The New York Times
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Reviewed by
Stephen Holden
As thorough an examination of the sport as you could hope to squeeze into 90 taut, well-organized minutes.- The New York Times
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Reviewed by
Neil Genzlinger
Similar stories in the United States tend to be turned into made-for-television mush. This one is manipulative in its own way, but it casts a sweet spell nonetheless.- The New York Times
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- Critic Score
The movie is most engaging when following Mr. Mendelson around his old neighborhood, Borough Park, which, we learn, is simply teeming with bakers whose singing is on a par with their knishes.- The New York Times
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Reviewed by
Stephen Holden
The fact that her story of triumph over unimaginable odds doesn't come freighted with mystical and religious bromides makes it all the more inspiring.- The New York Times
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Jeannette Catsoulis
Despite its immersion in tragedy and decline, So Much So Fast is leavened by unexpected humor.- The New York Times
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- The New York Times
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Reviewed by
Jeannette Catsoulis
Keir Moreano’s muted yet moving record of his father's experience as a volunteer doctor in Vietnam, documents a journey that's substantially more philosophical than medical.- The New York Times
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Laura Kern
A straightforward, quietly persuasive primer on the climate-change crisis.- The New York Times
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Anita Gates
It isn't often that you see a film about Israelis and Palestinians that can be called hopeful, but Ronit Avni's assured, thoughtful and clear-eyed documentary certainly qualifies.- The New York Times
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Stephen Holden
As this smart, hard-bitten woman with an eighth-grade education pursues her quest, the documentary portrays the debate between connoisseurship and science as a culture war.- The New York Times
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Laura Kern
This innovative chronicle of a truly modern romance also conveys, in a painful, darkly humorous way, a variety of ultra-identifiable truths, including the loneliness often suffered by big-city inhabitants and the complexities of sexual intimacy.- The New York Times
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- The New York Times
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- The New York Times
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Reviewed by
Jeannette Catsoulis
Julian P. Hobbs directs by getting out of the way of his star's soulful eyes and considerable talent, allowing Mr. Mays to feed on the tension between the rationality of his character's courtroom argument and the utter lunacy of his beliefs.- The New York Times
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Reviewed by
Neil Genzlinger
Ellington fans will certainly relish the many vintage clips scattered throughout.- The New York Times
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Reviewed by