The New York Times' Scores

For 20,313 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20313 movie reviews
  1. Gently, affectionately and with wit, this lovely movie gives the 1950's its due, but not for a moment does it go overboard and make you want to go back there.
  2. The joy of this unassuming, generous film is that it never sells out its characters' desires or ours.
  3. In the film's briskly paced 72 minutes, any open-minded viewer will discover something about identity and about the comfort these women have obviously found in learning to be their unusual, unfettered selves.
  4. If Before the Fall feels a tad overdetermined, it also feels emotionally honest. Calmly and carefully, Mr. Gansel makes large points with small scenes.
  5. A lollapalooza of delectable cheap thrills.
  6. Land of Plenty, is like a clumsy, well-meaning intervention in a family quarrel. Mr. Wenders may not have the power to heal the rifts his movie acknowledges - and his account of them may not always be persuasive - but there is nonetheless something touching about his heartfelt concern.
  7. If it isn't easy being any of the troubled people wandering through the film, Loggerheads makes it easy not only to believe in them, but to care about them as well.
  8. Stylistically Ushpizin belongs to a classic tradition of raucous Yiddish comedy that is easy to enjoy if taken lightly. At the same time, it sustains a double vision of ultra-Orthodox life.
  9. A significant development turns Susan Kaplan's documentary into a thought-provoking story.
  10. Mr. Bogliano, just 19 at the start of production, has made a promising debut that consistently hits the right creepy points while exhibiting impressive gory effects created with extremely limited resources.
  11. Makes it case expertly and powerfully, but it does not propose a solution. The cumulative effect of the film's message is enormous sadness that hate is so strong and so resistant to reason.
  12. Greg Whiteley's small, tender documentary portrait New York Doll looks at life after rock 'n' roll as experienced by Arthur (Killer) Kane, the original bassist for the legendary glam-punk band the New York Dolls.
  13. Though Three ... Extremes may seem tame to jaded fans of what has been termed New Asian Horror, it serves as a fine introduction to the genre for those who are curious but squeamish.
  14. Within that narrow framework, the film is quite successful, using archival photographs, clips from pornographic films and television commercials, and interviews to evoke the period between June 1969, when the Stonewall riots brought homosexuality out of the shadows, to June 1981, when the AIDS epidemic began.
  15. In the enchanted limbo between waking and sleeping, Zathura feels both real and unreal, like a dream you could shake off at any moment.
  16. A serious film filled with both great and awkward ideas and made as much from the heart as the head.
  17. A wisp of a movie so bursting with good cheer that even its sole meanie is given a personality makeover before the end credits.
  18. Satisfying and memorable film.
  19. At times Good Morning, Night feels as claustrophobic as the apartment itself, and you may feel that the director is handling his volatile material with a bit too much delicacy. But the movie's atmosphere is a curious mixture of obliqueness and intensity.
  20. Posing proudly with their rifles or musing matter-of-factly about their own deaths, the boys are tragic enough. But it's the girls who break your heart, stoic and wise beyond their years.
  21. In a year overcrowded with wonderful performances by lead actors, Mr. Murphy's immensely appealing turn ranks among the strongest.
  22. Has an appealing surface beauty, largely due to the talented cinematographer Virginie Saint Martin, and an equally shallow mystery.
  23. The film uses the situation to evoke a sense of the absurd, sometimes with dry, deadpan humor.
  24. An emotionally and politically loaded allegory.
  25. Often dramatically jumbled and musically muddled - but every time the film seemed ready to tip into awfulness, the sneer on my lips was trumped by the lump in my throat.
  26. The kind of movie most independent films strive in vain to be: a small, beautifully faceted gem.
  27. The Boys of Baraka is so rich that you wish there were more of it.
  28. Transamerica itself does not always live up to its star, but it is touching and sometimes funny, despite its overall air of indie earnestness.
  29. Here, as in so many other documentaries about troubled musicians, the word genius is casually tossed around. But does every unstable, self-destructive artist defiantly living on the edge qualify for that description? In Van Zandt's case, maybe yes.
  30. What follows is a sensationally entertaining escalation of frights, the kind that make you wiggle and squirm as you alternately laugh at your own gullibility and marvel at the filmmaker's cunning and craft.

Top Trailers