The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,889 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12889 movie reviews
  1. This film will not resolve the question of whether technological “progress” represents an advance or a decline in civilization, but it certainly will provoke conversations about that issue. And the focus on a real person over a period of years certainly adds pungency to the debate.
  2. Even if Werewolf lacks bite as an allegorical horror thriller, it works pretty well as a psychological study of tender young minds struggling to relearn their humanity after years of brutal mistreatment by inhuman adults. The unschooled cast are unusually natural and convincing for child actors, and technical credits are generally superior.
  3. Some may find this a path too well trodden by other movies, but what's refreshing is to see it through the eyes of a female protagonist for a change.
  4. Essentially a two-hander though enlivened by incisive secondary character turns along the way, it's a drama made with tremendous feeling, an unhurried, contemplative tale peppered with nail-biting set-pieces.
  5. As it is, the family pic's light tone never lets its themes of addiction, abandonment and poverty hit home, instead focusing on its hero's unlikely accomplishment and the brotherhood of sport.
  6. A critique of post-millennial journalism is one of several ideas raised but mostly abandoned in this genre pastiche, which never really coalesces despite some promising elements.
  7. Enjoyably over-the-top, well-played and in some passages an homage to those acid, preposterous Ealing comedies, Weasel Tale’s script cleverly pits two kinds of actors against one another — traditional movie star vs entrepreneurial whiz kid — to see who comes out on top, and the result is often sharp, funny and never dull, though it could have shed about 20 minutes.
  8. In today’s saturated media environment, it’s heartening to be reminded that exposure to theater can be a lifeline for the kids who need it most. Giving Voice is the best kind of "feel-good" doc: one that organically moves you in a way you didn’t see coming.
  9. There is really much to enjoy in this paradoxical but grippingly paced film.
  10. The most problematic aspect of the film is that Hogan displays none of the cheeky charm and charisma that made him an international star. Although still obviously in great physical condition, he mainly walks through the film looking tired and pained, as if embarrassed to be taking part in such a labored self-reflexive exercise. On the other hand, you can't really blame him.
  11. Despite the high-stakes drama, there's nary a compelling moment throughout, and some of the characterizations, especially Stormare's villainous Sanitation Department honcho, are so absurdly one-note that it's hard not to think that the film is meant as parody.
  12. The light touch, the structural economy and lyrical voice that buoyed the gentle four-character piece on stage become cloying and strained in this clumsy expansion.
  13. Shifting with grace and narrative equilibrium between the Arctic and a mission returning from Jupiter, this is a desolate elegy for a diseased planet and a prayer for the creation of life elsewhere in the universe. Flanked by a strong supporting cast, Clooney delivers a thoughtful reflection on the toll of environmental devastation.
  14. Structurally, the documentary is a mess and I'm not convinced it quite lands on the story it wants to tell, but it's engaging and enraging nonetheless.
  15. This thought-provoking drama is long but well-paced, full of incident but at the same time intimate — though shocking violence occurs just offscreen. Illuminated by deeply nuanced performances and characters to care about, it positions itself somewhere between the loving but messed-up families of Edward Yang and Ken Loach.
  16. In the end, Baby God does little more than check one more name on a list of predators.
  17. Intentionally provocative, artistically uncompromising and self-consciously polemical, La Leyenda Negra attempts to inform by incitement, challenging audiences to concede to an unvarnished view of migrant life in working-class Los Angeles.
  18. Martha and Sadie may be imperfect, but they’re perfectly suited as best friends discovering how to value each other, and themselves, when adversity strikes. Perhaps the same could be said of Kotcheff and Leder, whose teamwork has convincingly converted the challenges of producing their first feature into a remarkably unique accomplishment.
  19. It's short, sweet and effective, tying together the divergent threads of the decades-spanning Small Axe project on a note both poignant and personal.
  20. Benefiting from copious amounts of home movies and old photographs (for all his air of mystery, White apparently was an obsessive chronicler of his own life), the filmmaker expertly leads the viewer through a complicated, time-shifting scenario that consistently upends our expectations.
  21. The dialogue suffers from a strained, turgid quality, most resembling a daytime soap opera.
  22. For both diehard and casual fans, Marshall's entertainingly packaged film delivers a nostalgic tour back over the decades that shines a deserving spotlight on the group's artistry, an element too frequently overshadowed by their phenomenal chart reign.
  23. The race to hold on to an identity being fragmented by technology, imagined so hauntingly in Eternal Sunshine of the Spotless Mind, is pure genre formula here, which isn't to say it's not fun.
  24. By concentrating too much on the physical hammer’s adventures in the closing reels, Mielants loses sight of the might of the hammer as a metaphor.
  25. It's full of wry observations about the confusion of relationships — female friendships in particular — along with droll insights about a writer's inspiration and whether drawing from real life constitutes a license or a betrayal. In addition to wonderful performances from an ace cast, especially Bergen in divinely flinty form, the production is a technical jewel.
  26. Mayor is a study in politics both micro and macro, showing what happens when the two come fatefully crashing together.
  27. The canvas may be strewn with glitter and glory, but beneath the surface Syversen provides a chilling look at how religion can be used to ignore deeper personal traumas, convincing youngsters to turn to god when they should perhaps be turning to therapy or something more probing.
  28. The starry casting and heavy hand of director Ryan Murphy do the featherweight material few favors, with inert dramatic scenes and overblown musical numbers contributing to the general bloat. The movie's most undeniable value is in the representation it provides to LGBTQ teens via a high school dance that is every emotionally isolated queer kid's rainbow dream.
  29. It may seem very on the nose that the word "disaster" is right there in the title, but then nothing seems too leaden for this fiasco.
  30. At just a fraction over an hour, the film doesn't match the narrative scope of Mangrove or Red, White and Blue. Nor does it have the enveloping intimacy of Lovers Rock, the only Small Axe entry not based on a true story. But its understated celebration of resilience and hope makes the compelling snapshot very much in keeping with the deeply personal nature of this project for McQueen.

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