The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,888 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12888 movie reviews
  1. A spare, claustrophobic film.
  2. There's some nice low-key work amid the uneven performances, but the Montana-shot film's key strength is its sense of place.
  3. An affecting portrait of a young widow and her two teenage daughters.
  4. Viewers hoping to understand the senseless phenomenon of football hooliganism would do better to rent Alan Clarke's nearly 20-year-old "The Firm."
    • 56 Metascore
    • 60 Critic Score
    It's the kind of rollicking rebel-chick flick that should score well in venues that appreciate Quentin Tarantino films.
  5. Well-meaning and enlightening documentary.
  6. A dreary indie ensemble drama about six thirtysomethings coping with the emotional aftermath of their friend's suicide, the ultra-talky and static Walking on the Sky would barely pass muster as an Off-Off-Broadway offering.
  7. Highly informative and likely to increase enrollment at film schools.
  8. Touch the Sound is at least as inspiring and in some ways more rewarding, thought-provoking and subtly visceral.
  9. Transporter 2 really does deliver the goods.
  10. A gloriously lead-footed excursion into time travel with all the accoutrements of 1950s science fiction: an absurd plot, cliched characters, corny effects and a race against time to save mankind.
  11. Nick Cannon, playing an L.A. cop who goes undercover as a prep school student, provides the few sparks this wan action-comedy can muster.
  12. His (Fernando Meirelles) impressionistic, guerilla style of filmmaking works surprisingly well in capturing the hypnotic urgency of le Carre's fiction. And his viewpoint is less British and more Third World.
  13. It is a provocative and potentially rich premise, to be sure, but the execution here is somewhat lacking.
  14. The result isn't particularly mesmerizing, but it does offer a well-rounded portrait that will be of particular interest to photography lovers.
  15. Hugely ambitious but often failing to live up to those ambitions, Terry Gilliam's long-awaited The Brothers Grimm emerges as a folkloric adventure that intermittently entertains.
  16. A bottomless pit of lame characters, horror-film cliches and improbable monsters.
  17. An entirely dispensable, soapy caricature of a love story that comes complete with a jukebox full of music industry cliches plus Ashlee Simpson's big feature film debut.
  18. A wheel-spinner. The more the film stresses and strains to be funny, the unfunnier it gets.
  19. Dirty Deeds is as feeble as a teen comedy can get.
  20. Bram Stoker would be, well, horrified.
  21. A giddy romp that never takes itself seriously in the slightest, and that makes Taipei look like the center of the gay universe.
  22. Although comparisons to the memory-challenged machinations of "Memento" are inevitable, the plotting here takes a more traditionally linear path.
  23. While all this might have made for a potent short subject, the abstract visual monotony begins to wear thin shortly into the 98-minute running time.
  24. A Spanish-language black comedy with a frenetic style that plays out like regurgitated Tarantino and Guy Ritchie.
  25. Sticking to one joke in an unconscionably long film makes for a very stale, witless and repetitive comedy.
  26. Red Eye has a devilish charm. It pulls just about every nail-biting, edge-of-your-seat trick imaginable, yet gets away with it through what is, admittedly, a clever and original gimmick.
  27. A plucky little bird that just won't fly.
  28. A love story that veers uneasily between mysticism and melodrama.
  29. This ultra-violent revenge thriller is far more notable for its baroque excesses than coherence or credibility.

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