The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,932 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12932 movie reviews
  1. It's all Kovacs for 94 minutes. Which means the viewer experiences a perilous tug-of-war between annoyance at the extreme artificiality of the conceit and admiration of the gutsy performance by an actress who must, literally, carry the movie. Annoyance wins out, unfortunately.
  2. Unfortunately, the film lacks the hypnotizing strangeness of Foreman's best stage efforts and also pales in comparison to cinematic works like Matthew Barney's far more ambitious "Cremaster" series.
  3. A less than satisfying cinematic experience.
  4. This non-secular variation on "The Usual Suspects" falls prey to a creeping structural rigor mortis that sets in early.
  5. Actual footage of Afghanistan makes it an interesting experiment, but as a dramatic thriller, the story of an American documaker is not as taut or compelling as it could be; instead, it's often confusing and irritating.
    • 37 Metascore
    • 40 Critic Score
    Poire's comedy often pushes the definition of good taste to its limit. Many of his jokes are vulgar and crass. Too often, they're downright puerile.
  6. Too squeaky-clean to convey the turbulence of the period.
  7. Repellant to look at and fairly inscrutable, the film does at least offer vivid if at times overly broad performances from the three leads.
  8. Crudely shot and edited, the film is most notable for the strong performances by its two leads.
  9. Telling an obviously lived-in tale, this small-scale indie drama suffers from a compendium of cliches.
  10. Finally, there is an answer to the old question, "What's more boring than watching golf on television?" As the new docu 95 Miles to Go reveals, watching Ray Romano watching golf on television is much more boring.
  11. Sets out to be a baby "Big Chill" but plays out like an unsold Fox pilot.
  12. While The Empire in Africa offers a litany of talking heads and shockingly violent images in its exploration of the conflict, it is more confusing and disturbing than enlightening.
  13. For a comedy, it's not really funny.
  14. Perhaps a greater passage of time was needed to provide a more effective historical perspective, but "Tiger" has a bigger problem with a dramatic structure that sags conspicuously in the middle, never to completely correct itself.
  15. Doesn't quite manage to elevate its subject to a sufficiently interesting level for anyone who isn't already one of its frequent visitors. A good stroll inside your nearest city park would provide a more edifying experience.
  16. Filmmakers have long recognized that high school makes a terrific arena for social satire and comedy in films ranging from "Heathers" to "Mean Girls" and "Election." There is a glimmer of such a comedy in Full of It, but this is quickly swamped in overextended gags and broad caricatures.
  17. Lights will put in more appearances at festivals before achieving a brief theatrical window for Kaurismaki devotees to gaze through. Most will do so with discouragement.
  18. O Jerusalem has the virtue of energy, but it suffers from superficiality, particularly with regard to the characterizations.
  19. The dull production obviously sees itself as an updated "Cincinnati Kid" for the World Poker Tour set, but the end result and its characters have all the originality and dramatic depth of a TV telecast.
  20. A failed cinematic experiment mainly notable for its fine starring performance by a pre-"Juno" Ellen Page, The Tracey Fragments provides more evidence (not that any was needed) that an extensive use of split-screen visuals is far more irritating than arresting.
  21. Obviously, Munro is reaching for something about how people allow themselves to get mired in the past. But his characters and situations are so exaggerated and dreary that his point gets quickly lost.
  22. Even the easygoing Broderick can't inject any lift or charm into the story.
  23. While Atwater exerted notable influence on contemporary politics, this account of his career doesn't make for particularly absorbing viewing.
  24. The resulting cat-and-mouse game -- occupies most of the film's running time, to gradually diminishing results.
  25. A coming-of-age tale and a JFK assassination conspiracy movie. The first half of that equation works nicely...But the assassination story line is absurd.
    • 31 Metascore
    • 40 Critic Score
    It's all an earnest effort, three decades too late.
    • 46 Metascore
    • 40 Critic Score
    There are several impressive scenes, but taken as a whole, the film is weighed down by significant creative and technical missteps.
  26. Undeniably offers cheap laughs, its most receptive audiences will likely be found in retirement-community auditoriums.
  27. A slow meander through the mostly stagnant life of a character hardly worth the bother.

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