The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,932 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12932 movie reviews
  1. Satisfying for devoted fans and might even win a convert or two.
  2. A vigorous, fast-paced tale that entwines plot with character and psychology set against an incredibly exotic backdrop.
  3. With writer-director del Toro given free license to go where his singular vision takes him, Hellboy II plays like Guillermo's Greatest Hits with even hotter visual effects.
  4. This first feature by veteran visual effects supervisor Eric Brevig has its transporting, if benign, charms.
  5. Eddie Murphy's amusingly out of this world in this otherwise tired vehicle.
  6. Engrossing and well-researched documentary.
  7. Another among this year's crop of features that demonstrates that having a cast with indie cred can sometimes do little to buoy a film's miscalculated execution.
  8. What it lacks is a villain, and magic without danger is simply a parlor trick, which is what the film becomes.
  9. At times "Days" seems more of a social commentary on the shrinking middle class than the will-they-or-won't-they-make-it story at the heart of the film.
  10. It's all a bit bizarre. One soldier tellingly calls it "one big reality TV show," and the movie never makes clear whether such training does any good.
  11. A biographical documentary doesn't get any better than this.
  12. The film is an ambitious mix of slapstick, black comedy and stinging social commentary.
  13. Alda actually is kind of interesting as the mentally unstable uncle, but Broderick appears to be sleepwalking. Madsen has little to do, and everyone else plays things far too broadly.
  14. A tightly packed entertainment. It explodes through familiar teen-transition territory with dark ironies, but, all the while, touches are sentiments.
  15. Spicing up the entire package is a screenplay by Canet and Philippe Lefebvre that bristles with wit and energy.
  16. The visual effects are stellar, but the true star is Smith, who again demonstrates acting chops as well as effortless charisma in a vehicle that's only occasionally worthy of his superhuman skills.
  17. Even the easygoing Broderick can't inject any lift or charm into the story.
  18. The visual design of Wall-E is arguably Pixar's best. Stanton, who wrote the script with Jim Reardon from a story he concocted with Peter Docter, creates two fantastically imaginative, breathtakingly lit worlds.
  19. This over-the-top, ultraviolent, hyperkinetic action thriller pretty much has it all.
  20. An invigorating, funny, and moving portrait of a Hollywood hero.
  21. Obviously, Munro is reaching for something about how people allow themselves to get mired in the past. But his characters and situations are so exaggerated and dreary that his point gets quickly lost.
  22. This is a slap-dash effort whose producers threw money and stunts onscreen instead of the satirical gags and one-liners that made the old spy spoof so memorable.
  23. Not only does the film stumble badly from one skit to another, the skits themselves have too much dead air.
  24. Beautifully acted and written so its themes are touched upon glancingly rather than with full force.
  25. Offers solid, kid-friendly storytelling.
  26. The film does not lack for ambition both in terms of its themes and artistic design. Consequently, his (Jenkins) feature debut, while not flashy, shows promise. Clearly, here is a young filmmaker who wants to tell stories rather than deliver shocks and sensation.
  27. Expired is a remarkable romance of no easy answers; to wit, like real life.
  28. The movie seems more like a '50s science fiction film of extreme paranoia or an episode of "The Twilight Zone" that even at a swiftly paced 90 minutes feels padded.
  29. "Iron Man" has more wit and style, but Hulk is a neat thrill ride with an intelligent script by Zak Penn and smart, well-paced direction by the French director of "The Transporter" series, Louis Leterrier.
  30. Even a klutz could hardly make a bad movie about these compelling figures. Thankfully though, Guido Santi and Tina Mascara are superb filmmakers, fully alive in their terrific film Chris & Don: A Love Story to all the undercurrents of art, social class, sexual orientation, challenging relationships and, most especially, the touching love story at the heart of their film.

Top Trailers