The Hollywood Reporter's Scores
- Movies
- TV
For 12,932 reviews, this publication has graded:
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51% higher than the average critic
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4% same as the average critic
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45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Lord of the Rings: The Two Towers | |
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| Lowest review score: | Dirty Love |
Score distribution:
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Positive: 6,624 out of 12932
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Mixed: 5,140 out of 12932
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Negative: 1,168 out of 12932
12932
movie
reviews
- By Date
- By Critic Score
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- Critic Score
So has "Percy Jackson" successfully cracked the "Potter" code? In terms of overall quality, not even close. Still, the film's carefully calibrated mixture of CGI-enhanced spectacle, diverting (and blood-free) action sequences and adolescent angst could make it a modest hit with the eight to 12-year-old set.- The Hollywood Reporter
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Reviewed by
Kirk Honeycutt
This is a movie not built for subtlety, but it does tackle a subject American movies have mostly avoided -- that of racial profiling and the plight of Muslim-Americans.- The Hollywood Reporter
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Reviewed by
Deborah Young
Morbidly fascinating Swedish doc about Berlusconi's Italy hits the mark.- The Hollywood Reporter
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Reviewed by
Frank Scheck
Family dysfunction has proved a rich resource for documentary filmmakers in recent years, but "October" lacks the narrative drive and emotional resonance of such examples of the genre as "Tarnation" and "Capturing the Friedmans."- The Hollywood Reporter
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The film's good points, though, are marred by a slow start and a nerve-jangling soundtrack.- The Hollywood Reporter
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Reviewed by
Michael Rechtshaffen
Travolta has/is a blast in an action-thriller-comedy that otherwise comes up short.- The Hollywood Reporter
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Kirk Honeycutt
The film, while heartfelt and directed by multiple-Oscar nominee Lasse Hallstrom, is dramatically stillborn.- The Hollywood Reporter
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Pitched cannily at World Beat fans as well as martial-arts zealots, this Luc Besson production aims to please and nails its targets with more speed and style than most of its higher-priced competition.- The Hollywood Reporter
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Overall, the film is somber, gripping and at times achieves an epic sweep as a dark chapter on the Chinese diaspora.- The Hollywood Reporter
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Reviewed by
James Greenberg
Frozen delivers enough thrills and gory chills to satisfy the horror film crowd, but is not written, directed or acted well enough to be a first-rate thriller.- The Hollywood Reporter
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Ray Bennett
The film gets seriously weird as it goes along, but without losing its sense of direction or taste for offbeat humor.- The Hollywood Reporter
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Ray Bennett
The observational detail is impressive and the two men's growing affection is well-drawn but Takerman's depiction of the conventions and strictures of religion and the impulses of two closeted gay men are too understated to achieve universality.- The Hollywood Reporter
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The main drawback to this noble effort, just nominated for the foreign-language Oscar, is that the two-hour film is unrelievedly grim and tense.- The Hollywood Reporter
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Michael Rechtshaffen
An intense Mel Gibson performance anchors this brutally effective crime thriller.- The Hollywood Reporter
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Stephen Farber
The latest demonstration of the impossibility of making a good movie from a bad script is provided by When in Rome, a romantic comedy approved by the previous regime at Disney.- The Hollywood Reporter
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Sheri Linden
The movie is a letdown, stringing together pointless episodes to little effect. It's the kind of thinly conceived, quirk-for-quirk's-sake indie that gives indies a bad name.- The Hollywood Reporter
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Kirk Honeycutt
More than delivers on the excitement and terror of this existential flirtation with one's own mortality. Where it falters is trying to link this event to Nazi-era politics and a feeble love story.- The Hollywood Reporter
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Frank Scheck
The film has enough entertaining action and sly humor to please its target audience.- The Hollywood Reporter
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- The Hollywood Reporter
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Andre Techine's many admirers will not be disappointed by his latest offering, The Girl on the Train, but they might be hard-pressed to define it.- The Hollywood Reporter
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Frank Scheck
Perhaps best suited for younger audiences, who will be more receptive to a vital history lesson only if it's given a music video-style treatment.- The Hollywood Reporter
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Ray Bennett
Amiel's greatest achievement is that Creation is a deeply human film with moments of genuine lightness and high spirits to go with all the deep thinking.- The Hollywood Reporter
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Dwayne Johnson's energetic performance enlivens an otherwise by-the-numbers family comedy.- The Hollywood Reporter
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Reviewed by
Frank Scheck
An Argentine comedy that, despite some interestingly offbeat moments, is unlikely to reach much commercial traction on these shores.- The Hollywood Reporter
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Kirk Honeycutt
A fanciful and melancholy portrait of exiled Russian poet Joseph Brodsky.- The Hollywood Reporter
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Reviewed by
Kirk Honeycutt
The Hughes Brothers' measured, well-paced direction complements the comic-book simplicity of this narrative.- The Hollywood Reporter
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Ray Bennett
The film belongs to Jarvis, however, and she makes the most of it with expressive features that convey Mia's mixed-up emotions from raging temper to sweet vulnerability. She will go far.- The Hollywood Reporter
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Most of The Spy Next Door is pretty tired stuff from "Pacifier"-style slapstick to comic relief delivered by, of all people, erstwhile country star Billy Ray Cyrus.- The Hollywood Reporter
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Reviewed by
Ray Bennett
The film's action takes place mainly in one room, with the five characters posturing like angry macho men but slowly revealing their arrested development and juvenile ignorance of life in general and women in particular.- The Hollywood Reporter
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The Spierigs have assembled a strong cast, but even their best efforts -- notably by Neill, whose Bromley is the ultimate vampire squid, tentacles wrapped around the face of this scary new world -- can't pump any real life into the bloodless script.- The Hollywood Reporter
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