The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,933 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12933 movie reviews
  1. Ultimately lacks the textural depth and emotional precision that marks the work of obvious influences here like Robert Altman, but it does offer a pungent slice of contemporary Israeli life that should prove resonant for audiences interested in the social complexities of the region.
  2. While the film sometimes plays like an hour TV medical drama padded to reach feature length, Sawant achieves touching, naturalistic performances from a fine ensemble cast.
  3. The characters are so over-the-top with emotional pain -- that they are hardly credible as characters.
  4. Director-screenwriter Kuryla displays some talent and an audaciously daring sensibility but ultimately fails to display the assured cinematic style that would make the unsavory proceedings more palatable.
  5. An elongated, rather aimless portrait that doesn't fully convey the essence of its titular subject.
  6. Only one of the three episodes of the anthology film Eros delivers on the title's promise.
  7. Unfortunately, this feature, originally made for Italian television, doesn't quite do justice to its stirring subject.
  8. Although not without a certain cheeky, outrageous charm, Chris Kennedy's film isn't nearly as much fun as it seems to think it is.
  9. A promotional video masquerading as a documentary.
  10. Its observations seem more suited to the op-ed pages of a magazine than the big screen.
  11. The film doesn't quite manage to sustain interest for the duration of its 86-minute running time. But it does exert a certain voyeuristic fascination, thanks in no small part to the eccentricities of its central figure.
  12. While it does render scientific and philosophical principles in a highly accessible format, the film is nonetheless a real chore to sit through.
  13. While the experience may have been highly rewarding for its participants, viewers may be less than enthralled.
  14. Feels padded in some places, truncated in others. It also feels too respectful, especially when its subject is such a deep thinker and questioner of authority.
  15. Visual artist and filmmaker Matthew Barney's follow-up to his acclaimed "Cremaster" film series continues this provocateur's penchant for outrageous imagery and numbing non-narratives.
    • 55 Metascore
    • 50 Critic Score
    Aspires to the poetic but falls short because of a lack of dynamism.
  16. Soulful performance by non-pro Pape Sidy Niang as the bicycle-riding police officer Z, gives the film a poetic tone, but cumulative impact is diffused rather than enhanced by the fractured form.
  17. Although reasonably compelling to watch and featuring fine performances from its charismatic and attractive lead performers, it ultimately displays little reason for being other than to serve as a transatlantic cinematic calling card.
  18. First-time filmmaker Josh Gilbert, whose skills behind the camera are rudimentary, might be a bit too close to his subject to do disinterested viewers justice; he clearly is a fan and is making no effort to show both sides of the story he reports.
  19. Ultimately adds up to less than the sum of its parts. But it possesses a visual power, as well as a lingering resonance, that gives it a certain distinction.
  20. For more than half the film's running time, it's an engaging one. Centering on the boys' hardscrabble formative years, first-time director Breno Silveira delivers an assured first hour before losing grasp of his material.
  21. While the film is made in English by a mostly Greek crew, Buzz"seems geared to foreign audiences. The film's "historians" spend too much time explaining things about Hollywood that are common knowledge to many Americans.
  22. While Highway Courtesans has many relevant points to make about the subjugation of women in impoverished societies, it lacks the focus and narrative momentum to sustain its admittedly brief running time.
  23. A meticulously observed story about fathers and sons within the Argentine Jewish community...What the film desperately lacks, however, is any meaningful conflict. Thus, there is little story here.
  24. The film doesn't really manage to sustain attention through its brief running time. But it is heartening to see that the filmmaker, now in his mid-80s, is as passionately engaged as ever.
  25. The result isn't an unpalatable pudding but rather a fair-to-middling children's film that is half CG-animation and half live-action.
  26. The filmmaker clearly has a gift for incisive characterizations and dialogue, but the overall impact of the vignettes is muted by an overall artificiality.
  27. In her brave first feature, Bosnian writer-director Jasmila Zbanic tackles the theme of war's aftermath.
  28. A performance film, but sadly the majority of the performers are not the acts that have played at the long-running pop festival over 35 years, but the exhibitionists who make up the crowd.
  29. A frequently charming, if ultimately slight, coming-of-age tale.

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