The Hollywood Reporter's Scores
- Movies
- TV
For 12,935 reviews, this publication has graded:
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51% higher than the average critic
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4% same as the average critic
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45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Lord of the Rings: The Two Towers | |
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| Lowest review score: | Dirty Love |
Score distribution:
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Positive: 6,626 out of 12935
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Mixed: 5,141 out of 12935
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Negative: 1,168 out of 12935
12935
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
Perhaps the nature of the story is such that the film can’t help but be obvious and quite melodramatic at times, but it gets better as it goes along and builds to a moving finish.- The Hollywood Reporter
- Posted Sep 2, 2013
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Reviewed by
John DeFore
If certain pieces of the last act are less convincing than what precedes it, the themes underlying the illicit emigration resonate with the viewer's knowledge that, in the real world, two of these Cubans actually did escape.- The Hollywood Reporter
- Posted Sep 1, 2013
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Reviewed by
Stephen Farber
Prisoners can at times be a hard film to watch, but thanks to all the talent involved, it’s even harder to shake off.- The Hollywood Reporter
- Posted Aug 31, 2013
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Reviewed by
David Rooney
Solid performances are undercut by lack of storytelling integrity in this plodding biopic.- The Hollywood Reporter
- Posted Aug 30, 2013
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Reviewed by
Frank Scheck
The actress (Amanda Plummer) delivers a beautifully understated, emotive turn that gives this otherwise opaque movie some much needed heart.- The Hollywood Reporter
- Posted Aug 29, 2013
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Reviewed by
Frank Scheck
For all its thoughtful analysis, the film is more anecdotal than truly enlightening. While its cheerleading approach to the problem is admirable, it seems more designed to appeal to the heart than the head.- The Hollywood Reporter
- Posted Aug 29, 2013
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David Rooney
The film is that rare modern horror movie that doesn’t simply fabricate its scares with the standard bag of postproduction tricks. Instead it builds them via a bracing command of traditional suspense tools... This is polished film craft.- The Hollywood Reporter
- Posted Aug 29, 2013
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Reviewed by
John DeFore
Getaway seems built for non-English speaking territories in which dialogue is as disposable as Bulgarian police cars. If only those audiences were as dumb as the action itself.- The Hollywood Reporter
- Posted Aug 28, 2013
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Reviewed by
Todd McCarthy
At once the most realistic and beautifully choreographed film ever set in space, Gravity is a thrillingly realized survival story spiked with interludes of breath-catching tension and startling surprise.- The Hollywood Reporter
- Posted Aug 28, 2013
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John DeFore
Unfortunately, writer-director Scott Walker's film is a muddled and strangely inert one, generating little of the suspense or anguish its subject requires; despite its high-profile cast.- The Hollywood Reporter
- Posted Aug 26, 2013
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Stephen Farber
A couple of scenes toward the end do generate the suspense that the whole movie needed. But the impact is too muted, and an air of tired familiarity ultimately curdles the entire enterprise.- The Hollywood Reporter
- Posted Aug 25, 2013
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Reviewed by
John DeFore
Co-directors Jason Lapeyre and Robert Wilson balance humor and fun with a little fear in a thoroughly accessible way.- The Hollywood Reporter
- Posted Aug 23, 2013
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Reviewed by
David Rooney
The real defeat in this ambling fairy tale of hardship, abandonment and resilience is that two potentially winning central characters -- and the tender young actors who play them -- are let down by a programmed screenplay that’s short on narrative muscle.- The Hollywood Reporter
- Posted Aug 23, 2013
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Reviewed by
John DeFore
The democratic nature of the project and its exploration here jibes with the story of the Vogels, who (to put it mildly) don't conform to the stereotype of the filthy-rich art patron.- The Hollywood Reporter
- Posted Aug 22, 2013
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Reviewed by
Frank Scheck
There’s no denying the inherent emotional power of watching Wampler, aided by two experienced climbers, endure his arduous quest to climb a mountain twice the height of the Empire State Building.- The Hollywood Reporter
- Posted Aug 22, 2013
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Reviewed by
Frank Scheck
The filmmaker documents the proceedings in refreshingly matter-of fact-fashion, thankfully avoiding the temptation to overly sentimentalize or mine cheap humor and contrived suspense from the proceedings.- The Hollywood Reporter
- Posted Aug 22, 2013
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Director Suri Krishnamma has taken it upon himself to create one of the most depressing films of the year.- The Hollywood Reporter
- Posted Aug 22, 2013
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Reviewed by
Frank Scheck
Annette Haywood-Carter’s slow-paced film features a plethora of colorful characters and incidents that register with little dramatic impact.- The Hollywood Reporter
- Posted Aug 21, 2013
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Reviewed by
Justin Lowe
The filmmakers’ intent to depict them as “normal guys” mostly succeeds, primarily due to their not inconsiderable charm.- The Hollywood Reporter
- Posted Aug 21, 2013
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Michael Rechtshaffen
Despite the overstuffed assortment of vampires, werewolves, warlocks and demons of all shapes and sizes, The Mortal Instruments seldom feels like anything more than a shameless, soulless knockoff.- The Hollywood Reporter
- Posted Aug 20, 2013
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John DeFore
Though full of material that will move sports fans, some questions of emphasis and lack of polish make the film less galvanizing than it might've been.- The Hollywood Reporter
- Posted Aug 20, 2013
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Frank Scheck
While its theme of youthful empowerment inevitably strikes an emotional chord, the film never manages to achieve any dramatic steam, plodding along in mildly diverting but essentially bland fashion.- The Hollywood Reporter
- Posted Aug 20, 2013
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Reviewed by
Todd McCarthy
Even as a quasi-experimental work of subjective surrealism, Escape From Tomorrow is massively erratic and isn't particularly original. But it must also be said that its take on Disney World, as well as many of its individual images, are indelible and won’t be easily forgotten.- The Hollywood Reporter
- Posted Aug 19, 2013
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Reviewed by
Stephen Farber
Evans directs energetically, and the personable actors help to keep us involved, but the picture skims stubbornly along the surface.- The Hollywood Reporter
- Posted Aug 19, 2013
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Reviewed by
John DeFore
In the absence of sympathetic characters, a little humor would have gone a long way here.- The Hollywood Reporter
- Posted Aug 19, 2013
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Reviewed by
John DeFore
Although it offers some insight into his distinctive technique, it could have gone much further. But viewers will appreciate spending time with this cheerful, unassuming man, and will enjoy seeing the artist acknowledged by celebrities who owe him so much- The Hollywood Reporter
- Posted Aug 18, 2013
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Reviewed by
David Rooney
It’s not bad, but it’s ineffectual -- shuffling from one semi-satirical vignette to the next and then veering into soul-searching territory while generating only mild engagement.- The Hollywood Reporter
- Posted Aug 16, 2013
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Reviewed by
Frank Scheck
The film doesn’t fully succeed in elucidating its complex issues. But the wide-spread problem it explores is clearly undeniable, and at the very least this rough-hewn but provocative documentary will hopefully inspire further discussion.- The Hollywood Reporter
- Posted Aug 15, 2013
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Reviewed by
John DeFore
The film delivers almost exactly what fans of the first installment are hoping for.- The Hollywood Reporter
- Posted Aug 14, 2013
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Reviewed by
John DeFore
Capturing the spirit of an artist and the quickly-fading moment in media history when his work could have real nationwide impact, Michael Stevens' Herblock: The Black & The White pays homage to the great editorial cartoonist with testimonials from a who's-who of D.C. journalists and opinion-makers.- The Hollywood Reporter
- Posted Aug 13, 2013
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