The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,935 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12935 movie reviews
  1. Perhaps the nature of the story is such that the film can’t help but be obvious and quite melodramatic at times, but it gets better as it goes along and builds to a moving finish.
  2. If certain pieces of the last act are less convincing than what precedes it, the themes underlying the illicit emigration resonate with the viewer's knowledge that, in the real world, two of these Cubans actually did escape.
  3. Prisoners can at times be a hard film to watch, but thanks to all the talent involved, it’s even harder to shake off.
  4. Solid performances are undercut by lack of storytelling integrity in this plodding biopic.
  5. The actress (Amanda Plummer) delivers a beautifully understated, emotive turn that gives this otherwise opaque movie some much needed heart.
  6. For all its thoughtful analysis, the film is more anecdotal than truly enlightening. While its cheerleading approach to the problem is admirable, it seems more designed to appeal to the heart than the head.
  7. The film is that rare modern horror movie that doesn’t simply fabricate its scares with the standard bag of postproduction tricks. Instead it builds them via a bracing command of traditional suspense tools... This is polished film craft.
  8. Getaway seems built for non-English speaking territories in which dialogue is as disposable as Bulgarian police cars. If only those audiences were as dumb as the action itself.
  9. At once the most realistic and beautifully choreographed film ever set in space, Gravity is a thrillingly realized survival story spiked with interludes of breath-catching tension and startling surprise.
  10. Unfortunately, writer-director Scott Walker's film is a muddled and strangely inert one, generating little of the suspense or anguish its subject requires; despite its high-profile cast.
  11. A couple of scenes toward the end do generate the suspense that the whole movie needed. But the impact is too muted, and an air of tired familiarity ultimately curdles the entire enterprise.
  12. Co-directors Jason Lapeyre and Robert Wilson balance humor and fun with a little fear in a thoroughly accessible way.
  13. The real defeat in this ambling fairy tale of hardship, abandonment and resilience is that two potentially winning central characters -- and the tender young actors who play them -- are let down by a programmed screenplay that’s short on narrative muscle.
  14. The democratic nature of the project and its exploration here jibes with the story of the Vogels, who (to put it mildly) don't conform to the stereotype of the filthy-rich art patron.
  15. There’s no denying the inherent emotional power of watching Wampler, aided by two experienced climbers, endure his arduous quest to climb a mountain twice the height of the Empire State Building.
  16. The filmmaker documents the proceedings in refreshingly matter-of fact-fashion, thankfully avoiding the temptation to overly sentimentalize or mine cheap humor and contrived suspense from the proceedings.
    • 40 Metascore
    • 30 Critic Score
    Director Suri Krishnamma has taken it upon himself to create one of the most depressing films of the year.
  17. Annette Haywood-Carter’s slow-paced film features a plethora of colorful characters and incidents that register with little dramatic impact.
  18. The filmmakers’ intent to depict them as “normal guys” mostly succeeds, primarily due to their not inconsiderable charm.
  19. Despite the overstuffed assortment of vampires, werewolves, warlocks and demons of all shapes and sizes, The Mortal Instruments seldom feels like anything more than a shameless, soulless knockoff.
  20. Though full of material that will move sports fans, some questions of emphasis and lack of polish make the film less galvanizing than it might've been.
  21. While its theme of youthful empowerment inevitably strikes an emotional chord, the film never manages to achieve any dramatic steam, plodding along in mildly diverting but essentially bland fashion.
  22. Even as a quasi-experimental work of subjective surrealism, Escape From Tomorrow is massively erratic and isn't particularly original. But it must also be said that its take on Disney World, as well as many of its individual images, are indelible and won’t be easily forgotten.
  23. Evans directs energetically, and the personable actors help to keep us involved, but the picture skims stubbornly along the surface.
  24. In the absence of sympathetic characters, a little humor would have gone a long way here.
  25. Although it offers some insight into his distinctive technique, it could have gone much further. But viewers will appreciate spending time with this cheerful, unassuming man, and will enjoy seeing the artist acknowledged by celebrities who owe him so much
  26. It’s not bad, but it’s ineffectual -- shuffling from one semi-satirical vignette to the next and then veering into soul-searching territory while generating only mild engagement.
  27. The film doesn’t fully succeed in elucidating its complex issues. But the wide-spread problem it explores is clearly undeniable, and at the very least this rough-hewn but provocative documentary will hopefully inspire further discussion.
  28. The film delivers almost exactly what fans of the first installment are hoping for.
  29. Capturing the spirit of an artist and the quickly-fading moment in media history when his work could have real nationwide impact, Michael Stevens' Herblock: The Black & The White pays homage to the great editorial cartoonist with testimonials from a who's-who of D.C. journalists and opinion-makers.

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