The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,935 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12935 movie reviews
  1. More character study than sports movie, the people in this film come across very much as flesh-and-blood personalities despite the script's tendency to indulge in cliches and let characters deliver highly emotional speeches.
  2. It's frustrating to see this wonderful-looking, laugh-out-loud funny survival tale fall short of its potential.
  3. Pantoliano brings his usual degree of wily, understated humor to his role and is ably supported by the terrific ensemble, but he's unable to elevate a film that is ultimately as directionless as its protagonist.
  4. Should attract some interest in urban theatrical situations before settling into cult video status.
  5. Takes a surprisingly gritty approach that gives the material some gravitas but also robs it of some of its fun.
  6. Scott Caan, who delivers a derivative but extremely well acted drama.
  7. With his stirring visual sense very much intact here, Salles sets the creepy mood eloquently, but the picture -- ultimately fails to reward all the little shivers with any satisfying jolts.
  8. Ultimately fails to illuminate its subject, though it does offer some evocative moments and terrific music along the way.
  9. Indeed a wary viewer must get past the film's infatuation with celebrity culture to enjoy this movie's charms. But charms it has.
  10. Complex but cold tale.
  11. Hugely ambitious but often failing to live up to those ambitions, Terry Gilliam's long-awaited The Brothers Grimm emerges as a folkloric adventure that intermittently entertains.
  12. A giddy romp that never takes itself seriously in the slightest, and that makes Taipei look like the center of the gay universe.
  13. It is a provocative and potentially rich premise, to be sure, but the execution here is somewhat lacking.
  14. The film never realizes its dramatic potential, choosing to take predictable story paths with obvious characters.
  15. An affecting portrait of a young widow and her two teenage daughters.
  16. Fairly competent but hardly engrossing.
    • 56 Metascore
    • 60 Critic Score
    It's the kind of rollicking rebel-chick flick that should score well in venues that appreciate Quentin Tarantino films.
  17. A cut above the usual level of slasher films, with its overly convoluted plot enhanced by an impressive level of cinematic style. It also places a greater emphasis on surprising plot twists than gore.
  18. Doesn't depart from the inspirational coming-of-age formula. But it has got enough heart and disco-fever exuberance to connect with audiences.
  19. Part parable, part wild west shoot-out, yet totally original, Dear Wendy is a powerful indictment of American gun culture.
  20. Inconsequential but intermittently charming.
  21. A choppily told tribute to the Apollo astronauts that makes striking use of never-before-seen archival images.
  22. Their stories add up to an unflattering picture of how the U.S. chooses its soldiers.
  23. The biggest surprise in Roman Polanski's Oliver Twist is that there are no surprises.
  24. Displays moments of cleverness but not enough to sustain its feature-length running time.
  25. Recycles just about every sentimental ploy and cliche from a raft of horse racing movies.
  26. In The Weather Man, Nicolas Cage doesn't so much play a protagonist, warts and all, as he plays a protagonist who is all warts.
  27. The result falls somewhere between psychodrama and horror. Cult cinema fans should come away satisfied, though the stories are probably too brutal to reach much into the mainstream.
  28. Jarhead refuses to engage in its own point of view toward events it depicts. So the film feels empty and tentative, uncertain of what if anything these events add up to.
  29. Lacks the cinematic panache to elevate it above the level of agitprop. But its all too relevant dissection of its subject is well worth paying attention to.

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