The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,935 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12935 movie reviews
  1. Having made a number of well-regarded, female-focused short films, the Icelandic director graduates to features with a sure grasp of naturalistic performance and an eye for character-shaping landscape.
  2. Less relentlessly bleak than Winter's Bone, which along with Frozen River is an obvious inspiration here, the life-on-the-margins drama makes a fine, tense vehicle for Tessa Thompson, who in the last few years has stood out in a variety of genres.
  3. Despite some narrative cliches, the painstaking way that the movie documents a very dark period in Cambodian history is a noteworthy achievement.
  4. Egg
    After a creaky start, Egg comes through with terrific performances from Reiner and especially Hendricks, and with some scenes of piercing honesty.
  5. Though its structure doesn't always work to maximum effect, the grim picture gets more involving as it goes and benefits from a hell of a cast.
  6. It periodically exhibits flabbiness throughout its overlong running time and sometimes has the contrived air of a promotional video. But it nonetheless serves as a powerful portrait of its subjects who overcame severe adversity and continue to make music.
  7. A work of admirable journalistic seriousness.
  8. It is Monaghan who keeps the movie on track, capturing Judy’s fire along with her sometimes aggravating tenacity. This honest actress is incapable of idealizing the characters she plays, and her modest, energetic performance makes Saint Judy — which might have been a dry textbook lesson — engaging and moving.
  9. Handsomely made in the customarily fastidious style of most period biographical dramas, Tolkien is strongly served by Hoult, who, after four X-Men outings (and a supporting role in last year's The Favourite), demonstrates that it's high time he moved on from that sort of thing to more interesting and challenging dramatic characterizations.
  10. Although its plethora of painfully awkward comic moments will produce shudders of recognition for anyone who's been in a long-term relationship, its sweetly sentimental ending makes The Unicorn a perfectly acceptable date movie.
  11. Paddleton sneaks up on you, wresting its way into your heart even while you're trying to resist its overly determined quirkiness.
  12. The film's emotional intelligence gets it past the occasional false note, and the strength of its central performances keeps us engaged even when the characters themselves might not deserve our sympathy.
  13. There’s enough fun, writerly glee and actors enjoying their little rampages to make Velvet Buzzsaw a decent distraction for a couple of hours, but also something of a schizophrenic case all its own.
  14. Made with the intelligence and good taste one expects from Ejiofor, the involving film cares about much more than the sweeping images of triumph with which it inevitably closes.
  15. Admirably, the director maintains the documentary illusion throughout, opting for a third act that finds exactly the right, understated tone, neither glorifying Rike’s role, nor underplaying the character’s more than obvious compassion.
  16. For those with only a glancing knowledge or none at all, this is as good an introduction as you could want.
  17. The strength of the film is its appealing characters brought to life by strong actresses.
  18. More unsettling than frightening, it's still a trip worth taking.
  19. [It] will evoke comparisons for many with The Babadook, and while this is more generically conventional than Jennifer Kent's breakout thriller, it still taps potently into parental anxieties and primal fears.
  20. It’s very funny and offers up plenty of heartwarming fodder for the sentimental among us.
  21. Poehler's adept at showcasing not just the comic gifts of her cast, whose decades-long friendships began in improv theaters and at SNL, but also the joyful vamping that connects their characters.
  22. This unearthed cinematic nugget provides further evidence, not that any was necessary, of the legendary performer's magnetism and musical virtuosity.
  23. Pete Davidson is so on-target you might forget all the lines he's flubbed on Saturday Night Live.
  24. Light is just as faithful to formula as Bend It Like Beckham and just as reliant on its lead's likability; here, newcomer Viveik Kalra radiates enough guileless enthusiasm to carry viewers past the film's rough patches.
  25. A Vigilante offers some grim, imaginary satisfactions in support of real survivors who need whatever help we can give.
  26. Honey Boy is not a self-justifying cri de coeur or a prankish exercise in narcissism, but a sensitive, sincere portrait of a child actor's dysfunctional upbringing and its devastating fallout.
  27. Though its micro view limits its usefulness in big discussions of public policy — it's easy to imagine American partisans using it as evidence both for and against government-run health care — it is a vivid reminder that all such policies are lived out by millions of individuals, who die every day when things aren't well run.
  28. Hood (Eye in the Sky), his co-screenwriters Sara and Gregory Bernstein and a seasoned ensemble of Brit stage and screen pros deliver a straightforward, solidly old-fashioned slice of real-life espionage, journalistic and legal intrigue that gets the job done in engrossing, clear-eyed fashion even if it lacks much in the way of stylistic verve.
  29. Voracious genre consumers should get off on trying to decipher the densely textured film's murky ambiguities.
  30. Aided by down-to-earth portrayals and a compelling cinematographic throughline that echoes the both ordinary and complex nature of this kind of violence, Share blurs genre lines between coming-of-age drama and thriller. It’s psycho-drama lite, grounded in a quietly intense portrait of how a girl, her family and a small town grapple with the ugliness of sexual violence.

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