The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,932 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12932 movie reviews
  1. A 3D movie that will intrigue kids and adults alike but might play raggedly in both camps.
  2. Surprisingly hard-hitting and revealing. The topic is a bit specialized to draw a wide audience, but those who see the movie will definitely enjoy the intrigue depicted.
  3. A popcorn movie that reaches back to the fantasy epics of old and forward into the digital future, where the word "unimaginable" no longer exists.
  4. Slick, well-packaged emotional drama.
  5. The first half of the film is a by-the-numbers rock docu. But at the halfway mark, the personalities and psychoses of the performers become as interesting as the history, and the documentary morphs into an involving human drama.
  6. A valuable cautionary tale that serves as a handy correlative to the many fictional films in which the biggest problems depicted about the music biz are the pitfalls of having too much drugs and sex.
  7. A wacky comedy involving a suicidal marketing executive and his highly irreverent shrink, Martin & Orloff ultimately doesn't fully succeed in its comedic aspirations, but it does offer some genuine laughs along the way.
  8. An intensely realized, beautifully shot drama.
  9. The strongest film.
  10. The performances by the highly attractive cast are terrific all around, and the directors have well managed to convey the literally and metaphorically sultry aspects of a hot summer day.
  11. The film lacks narration or music, but the devastating images speak for themselves.
  12. Successfully surmounts nearly all the challenges of making a film about a young person dying. Which means the writer-director avoids pitfalls. It is not cloying or sentimental or falsely optimistic. It avoids bathos and exaggerated emotions. Instead, the film affirms life in surprising and gratifying ways.
  13. Lacks the wonder, surprises and supercool attitude Cameron achieved. "T3" is no weak sister, though. With Arnold Schwarzenegger back as the iconic title character and an often witty, fast-paced script by John Brancato, Michael Ferris and Tedi Sarafian, audiences worldwide will embrace the new film.
  14. This well-made epic boasts carefully researched production values and the talents of classically trained actors, but by literally playing it by the book, the picture loses something dramatic in the translation.
  15. It's Costner's eye-on-the-ball exuberance that carries Dreams past its often mechanical aesthetic paces.
  16. Mostly, Good Boy! exists for the middle section where youngsters and dogs speak the same language. These escapades, all taking place under the adults' radar, generate many sound laughs.
  17. It's a real-life story adapted into a grown-up comedy that is warm, winning and sexy. Call it "The Full Auntie."
  18. Ultimately stronger on characterization and atmosphere than narrative. But its portrait of a society torn apart by, among other things, religious fundamentalism, is all too currently resonant.
  19. Utterly charming and not without those subtle insights into character and culture that mark their (Merchant Ivory) best films.
  20. While the story line often comes uncomfortably close to melodrama, Prey for Rock and Roll"... is an entertaining and sometimes even moving portrait of a veteran band that never quite hits the big time.
  21. The most damning account of the failure of the criminal justice system in America anyone is ever likely to see.
  22. Original and thrilling martial-arts choreography, a lean, hard-driving story and solemn atmosphere make The Princess Blade -- a futuristic tale -- stand way above the pack.
  23. Flirting intriguingly with film noir conventions, the film never really achieves a coherent tone in its depiction of the complicated and sometimes fatal series of events that arise.
  24. The film ambles along at a relaxed pace, well depicting the uneasy relationships among the soldiers and the mixture of boredom and danger that marks their daily existence.
  25. Ends up being of greater historical significance than of any lasting artistic merit.
  26. Although the substance could have used more visual style, Ray tells an uncluttered story and draws strong performances from his actors.
  27. Comes across as Almodovar lite, but the film, from director-screenwriters Ines Paris and Daniela Fejerman, offers some pleasures along the way, including an engaging performance by Leonor Watling ("Talk to Her").
  28. As a director, Lee continues to hone his considerable craft and is unafraid to take creative risks along the way. But after leaving the scripting to others for his past few feature outings, he has returned to the word processor — and it's evident his screenwriting abilities haven't kept pace.
  29. A sensitive and well-observed drama that, while not breaking new ground, marks its director-screenwriter as someone to watch.
  30. Like "Dogville," Neil Young's Greendale uses the deceptively simple "Our Town" foundation on which to build a platform for some highly personal sociopolitical criticisms, but unlike the contentious von Trier picture, the Young variation gets the job done in roughly half the time with a notable absence of histrionics, plus you can tap your toes to it.

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