The Hollywood Reporter's Scores
- Movies
- TV
For 12,932 reviews, this publication has graded:
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51% higher than the average critic
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4% same as the average critic
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45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Lord of the Rings: The Two Towers | |
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| Lowest review score: | Dirty Love |
Score distribution:
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Positive: 6,624 out of 12932
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Mixed: 5,140 out of 12932
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Negative: 1,168 out of 12932
12932
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kirk Honeycutt
A 3D movie that will intrigue kids and adults alike but might play raggedly in both camps.- The Hollywood Reporter
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Stephen Farber
Surprisingly hard-hitting and revealing. The topic is a bit specialized to draw a wide audience, but those who see the movie will definitely enjoy the intrigue depicted.- The Hollywood Reporter
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Kirk Honeycutt
A popcorn movie that reaches back to the fantasy epics of old and forward into the digital future, where the word "unimaginable" no longer exists.- The Hollywood Reporter
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- The Hollywood Reporter
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Richard James Havis
The first half of the film is a by-the-numbers rock docu. But at the halfway mark, the personalities and psychoses of the performers become as interesting as the history, and the documentary morphs into an involving human drama.- The Hollywood Reporter
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Frank Scheck
A valuable cautionary tale that serves as a handy correlative to the many fictional films in which the biggest problems depicted about the music biz are the pitfalls of having too much drugs and sex.- The Hollywood Reporter
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Frank Scheck
A wacky comedy involving a suicidal marketing executive and his highly irreverent shrink, Martin & Orloff ultimately doesn't fully succeed in its comedic aspirations, but it does offer some genuine laughs along the way.- The Hollywood Reporter
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- The Hollywood Reporter
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- The Hollywood Reporter
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Frank Scheck
The performances by the highly attractive cast are terrific all around, and the directors have well managed to convey the literally and metaphorically sultry aspects of a hot summer day.- The Hollywood Reporter
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Frank Scheck
The film lacks narration or music, but the devastating images speak for themselves.- The Hollywood Reporter
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Kirk Honeycutt
Successfully surmounts nearly all the challenges of making a film about a young person dying. Which means the writer-director avoids pitfalls. It is not cloying or sentimental or falsely optimistic. It avoids bathos and exaggerated emotions. Instead, the film affirms life in surprising and gratifying ways.- The Hollywood Reporter
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Kirk Honeycutt
Lacks the wonder, surprises and supercool attitude Cameron achieved. "T3" is no weak sister, though. With Arnold Schwarzenegger back as the iconic title character and an often witty, fast-paced script by John Brancato, Michael Ferris and Tedi Sarafian, audiences worldwide will embrace the new film.- The Hollywood Reporter
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Michael Rechtshaffen
This well-made epic boasts carefully researched production values and the talents of classically trained actors, but by literally playing it by the book, the picture loses something dramatic in the translation.- The Hollywood Reporter
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Duane Byrge
It's Costner's eye-on-the-ball exuberance that carries Dreams past its often mechanical aesthetic paces.- The Hollywood Reporter
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Kirk Honeycutt
Mostly, Good Boy! exists for the middle section where youngsters and dogs speak the same language. These escapades, all taking place under the adults' radar, generate many sound laughs.- The Hollywood Reporter
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Ray Bennett
It's a real-life story adapted into a grown-up comedy that is warm, winning and sexy. Call it "The Full Auntie."- The Hollywood Reporter
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Frank Scheck
Ultimately stronger on characterization and atmosphere than narrative. But its portrait of a society torn apart by, among other things, religious fundamentalism, is all too currently resonant.- The Hollywood Reporter
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Kirk Honeycutt
Utterly charming and not without those subtle insights into character and culture that mark their (Merchant Ivory) best films.- The Hollywood Reporter
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Frank Scheck
While the story line often comes uncomfortably close to melodrama, Prey for Rock and Roll"... is an entertaining and sometimes even moving portrait of a veteran band that never quite hits the big time.- The Hollywood Reporter
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Kirk Honeycutt
The most damning account of the failure of the criminal justice system in America anyone is ever likely to see.- The Hollywood Reporter
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Richard James Havis
Original and thrilling martial-arts choreography, a lean, hard-driving story and solemn atmosphere make The Princess Blade -- a futuristic tale -- stand way above the pack.- The Hollywood Reporter
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Frank Scheck
Flirting intriguingly with film noir conventions, the film never really achieves a coherent tone in its depiction of the complicated and sometimes fatal series of events that arise.- The Hollywood Reporter
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Frank Scheck
The film ambles along at a relaxed pace, well depicting the uneasy relationships among the soldiers and the mixture of boredom and danger that marks their daily existence.- The Hollywood Reporter
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Michael Rechtshaffen
Ends up being of greater historical significance than of any lasting artistic merit.- The Hollywood Reporter
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Michael Rechtshaffen
Although the substance could have used more visual style, Ray tells an uncluttered story and draws strong performances from his actors.- The Hollywood Reporter
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Frank Scheck
Comes across as Almodovar lite, but the film, from director-screenwriters Ines Paris and Daniela Fejerman, offers some pleasures along the way, including an engaging performance by Leonor Watling ("Talk to Her").- The Hollywood Reporter
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Michael Rechtshaffen
As a director, Lee continues to hone his considerable craft and is unafraid to take creative risks along the way. But after leaving the scripting to others for his past few feature outings, he has returned to the word processor — and it's evident his screenwriting abilities haven't kept pace.- The Hollywood Reporter
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Frank Scheck
A sensitive and well-observed drama that, while not breaking new ground, marks its director-screenwriter as someone to watch.- The Hollywood Reporter
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Michael Rechtshaffen
Like "Dogville," Neil Young's Greendale uses the deceptively simple "Our Town" foundation on which to build a platform for some highly personal sociopolitical criticisms, but unlike the contentious von Trier picture, the Young variation gets the job done in roughly half the time with a notable absence of histrionics, plus you can tap your toes to it.- The Hollywood Reporter
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