The Guardian's Scores

For 6,554 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
6554 movie reviews
  1. Never has grotesque wealth looked so unenviable, or its removal been so entertaining, as in this garishly watchable riches-to-rags documentary.
  2. The Wright/Stoppard Anna Karenina is not a total success, but it's a bold and creative response to the novel.
  3. There's a degree of puffery in the writing, however, that makes this drama untrustworthy.
  4. Once you commit to the lexicon – to the blunderbusses, the silver, the loops that close and the loops let run – you're in for a breathless ride. It's been a patchy summer for sci-fi, absent of anything that really sticks in the mind. Johnson's deep, distinctive film plays on repeat.
    • 60 Metascore
    • 80 Critic Score
    In a world of compromised adaptations, Dredd is something of a triumph.
  5. The dancefloor's full of bodies, the bride and groom have been backed into a corner by relatives desperate for their pound of flesh. Pretty much your average wedding, then.
  6. This fantastically depressing film ought to be shown in school assemblies, or wherever impressionable pre-teens gather to discuss their dreams of media stardom.
  7. Exhilarating and moving. This is a very satisfying love story.
  8. This is an unrepentantly cynical take on the hope-and-change promised to the US in 2008; this year's election race makes it look even bleaker, an icily confident black comedy of continued disillusion.
  9. They could have called it British Pie, but this TV sitcom spin-off updates the teen summer holiday formula surprisingly entertainingly, considering it doesn't subvert it one iota.
  10. The themes may be contentious, but the handling is perfect. If there were ever a movie to cause the lame to walk and the blind to see, The Master may just be it.
  11. It's a bit of a flavourless CGI-fest, without the character and comedy of the Arnie version, and it never really gets to grips with the idea of "reality" as a slippery, malleable concept.
    • 65 Metascore
    • 80 Critic Score
    It may be just more of the same from Fricke, but with his unique process, another incredible-looking lap around the world is more than welcome.
  12. The "breathing" of the title becomes a cleverly recurrent motif, and Markovics's script circles around the themes of death and life in thoughtful and elegant ways: it is a well-carpentered screenplay which bears every sign of having been a labour of love, worked on fruitfully over many years.
  13. Little White Lies unspools as glossy, high-grade tosh, a sun-dappled Big Chill, without the rigour or insight required to make you care about these people and wonder which bed they will eventually wind up in.
  14. There's some comedy in there, too, intentional – mostly. As a poignant study of the ageing process, it's on a rough par with "The Best Exotic Marigold Hotel." For The Expendables 3, they might want to consider enlisting Bill Nighy, Tom Wilkinson and Judi Dench.
    • 58 Metascore
    • 40 Critic Score
    Star-studded and violent yet empty as a broken whisky bottle.
  15. It has plenty of energy and drive, and Jeremy Renner is really good, better as a Bourne-y agent than Matt Damon, tougher and more grizzled-looking, more convincing as the professional soldier who has grown careworn and disillusioned in the public service.
  16. Ahadu pulls the curtain back on a government that was willing to imprison and torture its electorate.
  17. There are some nicely creepy moments, and director and co-writer Nick Murphy interestingly dramatises some of the neuroses feeding the appetite for ghostly phenomena – repressed sexuality, guilt and self-harm.
  18. The movie is at its lightest, most charming and most persuasive in the 60s; as it approaches the present, something inescapably preposterous weighs it down, though Honoré carries it off with some flair.
  19. Sit in the front – and don't peer too hard – and Chicken With Plums casts an undeniable spell. It is bold, exotic and distinctive, particularly during the animated angel of death sequence.
  20. It's perfectly workable popcorn entertainment for the school holidays.
  21. Dreams of a Life is a painful film, a Christmas film with no feelgood message, but one which I think would in fact have interested Charles Dickens. Watching it is an almost claustrophobic experience, but a very powerful and moving one.
  22. This movie might itself make a modest contribution to rewriting the history of white South Africa.
  23. Let's hope Klayman gets to make a sequel.
  24. We've rarely seen comedy this smart since Woody Allen and Seinfeld left New York.
  25. With a very simple premise, rapper Ice-T – this film's presenter and co-director with Andy Baybutt – has created a very enjoyable and often fascinating movie.
  26. It is up to McConaughey's crooked cop to carry the picture: a sleek, loungingly casual loner whose hunger for violence, like his hunger for fried chicken, is finally and horribly gratified.
  27. The endlessly prolific Takashi Miike returns with this superbly acted revenger's tragedy.

Top Trailers