For 6,554 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,481 out of 6554
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Mixed: 3,754 out of 6554
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Negative: 319 out of 6554
6554
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Steve Rose
Never has grotesque wealth looked so unenviable, or its removal been so entertaining, as in this garishly watchable riches-to-rags documentary.- The Guardian
- Posted Sep 9, 2012
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Reviewed by
Peter Bradshaw
The Wright/Stoppard Anna Karenina is not a total success, but it's a bold and creative response to the novel.- The Guardian
- Posted Sep 9, 2012
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Reviewed by
Henry Barnes
There's a degree of puffery in the writing, however, that makes this drama untrustworthy.- The Guardian
- Posted Sep 8, 2012
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Reviewed by
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Reviewed by
Henry Barnes
Once you commit to the lexicon – to the blunderbusses, the silver, the loops that close and the loops let run – you're in for a breathless ride. It's been a patchy summer for sci-fi, absent of anything that really sticks in the mind. Johnson's deep, distinctive film plays on repeat.- The Guardian
- Posted Sep 7, 2012
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Reviewed by
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- The Guardian
- Posted Sep 7, 2012
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Reviewed by
Henry Barnes
The dancefloor's full of bodies, the bride and groom have been backed into a corner by relatives desperate for their pound of flesh. Pretty much your average wedding, then.- The Guardian
- Posted Sep 4, 2012
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Reviewed by
Andrew Pulver
This fantastically depressing film ought to be shown in school assemblies, or wherever impressionable pre-teens gather to discuss their dreams of media stardom.- The Guardian
- Posted Sep 4, 2012
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Peter Bradshaw
Exhilarating and moving. This is a very satisfying love story.- The Guardian
- Posted Sep 4, 2012
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Reviewed by
Peter Bradshaw
This is an unrepentantly cynical take on the hope-and-change promised to the US in 2008; this year's election race makes it look even bleaker, an icily confident black comedy of continued disillusion.- The Guardian
- Posted Sep 3, 2012
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Reviewed by
Steve Rose
They could have called it British Pie, but this TV sitcom spin-off updates the teen summer holiday formula surprisingly entertainingly, considering it doesn't subvert it one iota.- The Guardian
- Posted Sep 1, 2012
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Xan Brooks
The themes may be contentious, but the handling is perfect. If there were ever a movie to cause the lame to walk and the blind to see, The Master may just be it.- The Guardian
- Posted Sep 1, 2012
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Reviewed by
Peter Bradshaw
It's a bit of a flavourless CGI-fest, without the character and comedy of the Arnie version, and it never really gets to grips with the idea of "reality" as a slippery, malleable concept.- The Guardian
- Posted Sep 1, 2012
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- Critic Score
It may be just more of the same from Fricke, but with his unique process, another incredible-looking lap around the world is more than welcome.- The Guardian
- Posted Sep 1, 2012
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Reviewed by
Peter Bradshaw
The "breathing" of the title becomes a cleverly recurrent motif, and Markovics's script circles around the themes of death and life in thoughtful and elegant ways: it is a well-carpentered screenplay which bears every sign of having been a labour of love, worked on fruitfully over many years.- The Guardian
- Posted Aug 28, 2012
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Reviewed by
Xan Brooks
Little White Lies unspools as glossy, high-grade tosh, a sun-dappled Big Chill, without the rigour or insight required to make you care about these people and wonder which bed they will eventually wind up in.- The Guardian
- Posted Aug 20, 2012
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Reviewed by
Peter Bradshaw
There's some comedy in there, too, intentional – mostly. As a poignant study of the ageing process, it's on a rough par with "The Best Exotic Marigold Hotel." For The Expendables 3, they might want to consider enlisting Bill Nighy, Tom Wilkinson and Judi Dench.- The Guardian
- Posted Aug 17, 2012
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- The Guardian
- Posted Aug 11, 2012
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Reviewed by
Peter Bradshaw
It has plenty of energy and drive, and Jeremy Renner is really good, better as a Bourne-y agent than Matt Damon, tougher and more grizzled-looking, more convincing as the professional soldier who has grown careworn and disillusioned in the public service.- The Guardian
- Posted Aug 9, 2012
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Reviewed by
Henry Barnes
Ahadu pulls the curtain back on a government that was willing to imprison and torture its electorate.- The Guardian
- Posted Aug 6, 2012
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Reviewed by
Peter Bradshaw
There are some nicely creepy moments, and director and co-writer Nick Murphy interestingly dramatises some of the neuroses feeding the appetite for ghostly phenomena – repressed sexuality, guilt and self-harm.- The Guardian
- Posted Aug 6, 2012
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Reviewed by
Peter Bradshaw
The movie is at its lightest, most charming and most persuasive in the 60s; as it approaches the present, something inescapably preposterous weighs it down, though Honoré carries it off with some flair.- The Guardian
- Posted Aug 4, 2012
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Reviewed by
Xan Brooks
Sit in the front – and don't peer too hard – and Chicken With Plums casts an undeniable spell. It is bold, exotic and distinctive, particularly during the animated angel of death sequence.- The Guardian
- Posted Aug 4, 2012
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Reviewed by
Peter Bradshaw
It's perfectly workable popcorn entertainment for the school holidays.- The Guardian
- Posted Aug 2, 2012
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Reviewed by
Peter Bradshaw
Dreams of a Life is a painful film, a Christmas film with no feelgood message, but one which I think would in fact have interested Charles Dickens. Watching it is an almost claustrophobic experience, but a very powerful and moving one.- The Guardian
- Posted Jul 30, 2012
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Reviewed by
Peter Bradshaw
This movie might itself make a modest contribution to rewriting the history of white South Africa.- The Guardian
- Posted Jul 26, 2012
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- The Guardian
- Posted Jul 23, 2012
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Reviewed by
Steve Rose
We've rarely seen comedy this smart since Woody Allen and Seinfeld left New York.- The Guardian
- Posted Jul 20, 2012
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Reviewed by
Peter Bradshaw
With a very simple premise, rapper Ice-T – this film's presenter and co-director with Andy Baybutt – has created a very enjoyable and often fascinating movie.- The Guardian
- Posted Jul 19, 2012
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Reviewed by
Peter Bradshaw
It is up to McConaughey's crooked cop to carry the picture: a sleek, loungingly casual loner whose hunger for violence, like his hunger for fried chicken, is finally and horribly gratified.- The Guardian
- Posted Jul 18, 2012
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Reviewed by
Peter Bradshaw
The endlessly prolific Takashi Miike returns with this superbly acted revenger's tragedy.- The Guardian
- Posted Jul 16, 2012
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Reviewed by