For 6,554 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,481 out of 6554
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Mixed: 3,754 out of 6554
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Negative: 319 out of 6554
6554
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Bradshaw
It is put together with technical competence, but is entirely cliched and preposterous, and it implodes into its own fundamental narrative implausibility.- The Guardian
- Posted May 23, 2013
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Reviewed by
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Reviewed by
Peter Bradshaw
This is a sweet-natured, but essentially undemanding film from Kore-eda.- The Guardian
- Posted May 23, 2013
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- The Guardian
- Posted May 22, 2013
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Reviewed by
Xan Brooks
The Congress contains tricks aplenty and ideas in abundance. The problem comes in herding these scattered, floating elements towards a satisfying whole.- The Guardian
- Posted May 22, 2013
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Reviewed by
Peter Bradshaw
Only God Forgives will, understandably, have people running for the exits, and running for the hills. It is very violent, but Winding Refn's bizarre infernal creation, an entire created world of fear, really is gripping. Every scene, every frame, is executed with pure formal brilliance.- The Guardian
- Posted May 22, 2013
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Reviewed by
Peter Bradshaw
Director Hugh Hartford does not patronise his stars, although perhaps there is something too gently celebratory and obviously feelgood about the film. These dynamic table-tennis stars put the rest of us to shame.- The Guardian
- Posted May 21, 2013
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- The Guardian
- Posted May 20, 2013
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Reviewed by
Peter Bradshaw
Brilliantly written, terrifically acted, superbly designed and shot; it's a sweet, sad, funny picture about the lost world of folk music which effortlessly immerses us in the period.- The Guardian
- Posted May 20, 2013
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Reviewed by
Catherine Shoard
It's a film which fatally fails to hold your focus: events seem both predictable and mumbled; the monochrome looks grubby, the splashes of colour and blood joke shop cheap.- The Guardian
- Posted May 20, 2013
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Reviewed by
Peter Bradshaw
There are some nice images of the teeming penguin population, and great fun to be had witnessing the love life, and indeed sex life, of penguins. It does have to be said, though, there is a fair bit of Disneyfication going on.- The Guardian
- Posted May 17, 2013
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Reviewed by
Peter Bradshaw
The final notes of irony and repudiation may be laboured and obvious, but this is an intriguingly intuitive and atmospheric movie.- The Guardian
- Posted May 16, 2013
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Reviewed by
Xan Brooks
Danish director Tobias Lindholm spins an exacting drama out of a crisis on this deft, verite-style account of Somali piracy in the Indian ocean. Full credit to A Hijacking for resisting the siren-call of Hollywood histrionics in favour of the nuts-and-bolts.- The Guardian
- Posted May 14, 2013
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Reviewed by
Peter Bradshaw
The result is funny and plausible, with a fair bit of newly modish Bridesmaidsy bad taste, though I kept getting the sense that the romcom template meant Mazer couldn't really let rip with pure comedy pessimism and cynicism in the way he might have liked.- The Guardian
- Posted May 13, 2013
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Reviewed by
Peter Bradshaw
Utterly distinctive and all but unclassifiable, a musique concrète nightmare, a psycho-metaphysical implosion of anxiety, with strange-tasting traces of black comedy and movie-buff riffs. It is seriously weird and seriously good.- The Guardian
- Posted May 10, 2013
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Reviewed by
Peter Bradshaw
It's all a bit absurd, but Legrand handles the absurdity with some style, and there is something clever in making an apparently minor character responsible for a major narrative flourish. An enjoyable spectacle.- The Guardian
- Posted May 6, 2013
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Reviewed by
Peter Bradshaw
It's all watchable and pretty funny, and the big setpiece is the three wildly queeny stewards Joserra, Fajas (Carlos Areces) and Ulloa (Arévalo) going into a drug-fuelled song-and-dance routine: a rendering of the Pointer Sisters' I'm So Excited.- The Guardian
- Posted May 3, 2013
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Reviewed by
Peter Bradshaw
Some of the movie doesn't exactly convince, and some of the scenes have an actors-improv feel to them, but there's always plenty of humour and energy.- The Guardian
- Posted May 3, 2013
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Reviewed by
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Reviewed by
Peter Bradshaw
Director Niels Arden Orpev was in charge of the original "Girl with the Dragon Tattoo," starring Rapace, but fails to create a revenge thriller with anything like the same focus.- The Guardian
- Posted May 3, 2013
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Reviewed by
Andrew Pulver
People are unlikely to charge out of the cinema with quite the same level of glee as they did in 2009; but this is certainly an astute, exhilarating concoction.- The Guardian
- Posted May 1, 2013
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- The Guardian
- Posted Apr 27, 2013
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Reviewed by
Peter Bradshaw
As a demonstration of the banality of evil, The Iceman is certainly effective and Shannon's performance gives the film its power.- The Guardian
- Posted Apr 26, 2013
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Andrew Pulver
Black's performance is a revelation: foregoing his usual repertoire of jiggling, tics and head-waggling craziness, Black ensures Tiede is a satirical creation of considerable substance. Really impressive.- The Guardian
- Posted Apr 26, 2013
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Reviewed by
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Reviewed by
Catherine Shoard
The most intentional fun comes courtesy of N (for Nuptials).- The Guardian
- Posted Apr 26, 2013
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Reviewed by
Peter Bradshaw
What Richard Did is an engrossing and intelligent drama that throbs in the mind for hours after the final credits.- The Guardian
- Posted Apr 25, 2013
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Reviewed by
Xan Brooks
Mandy Lane feels bogus and compromised: an unreconstructed horror romp in the guise of a nerdish intellectual.- The Guardian
- Posted Apr 23, 2013
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Reviewed by
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- Critic Score
Like Snakes on a Plane, this is a film that seems content to sit back and let the title do all the work – the flat direction does little to imbue the proceedings with any feeling of tension or surprise.- The Guardian
- Posted Apr 23, 2013
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Reviewed by
Damon Wise
Though Rob Epstein and Jeffrey Friedman's handsomely mounted period piece evokes the era with impressive detail, Lovelace's journey remains difficult to tell.- The Guardian
- Posted Apr 23, 2013
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Reviewed by
Peter Bradshaw
Does the film tell us anything we didn't know already? And could anyone expect anything but the most straightforward irony in the title? The answer to both questions is no – but there is undoubted technique, and an authorial address to the audience.- The Guardian
- Posted Apr 23, 2013
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- The Guardian
- Posted Apr 22, 2013
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Reviewed by
Andrew Pulver
Bujalski really has pulled off something extraordinary here.- The Guardian
- Posted Apr 22, 2013
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Reviewed by