The Guardian's Scores

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For 6,656 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
  1. Positive: 2,521 out of 6656
  2. Mixed: 3,814 out of 6656
  3. Negative: 321 out of 6656
6656 movie reviews
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  1. The Pirate Fairy
    Business concerns sit close to the surface throughout, unmasked by much in the way of artistry.
    • 56 Metascore
    • 60 Critic Score
    Non-Stop
    Non-stop is the flimsiest of black box recorders, by contrast, that never threatens to make even intermittent sense, but it hangs together on the bulky shoulders of its star.
  3. Cuban Fury
    This comedy never quite relaxes or convinces or comes together, despite a blue-chip pedigree and a great cast.
  4. Her
    I wished I liked it more. It is engagingly self-aware and excruciatingly self-conscious, wearing its hipness on its sleeve; it's ingenious and yet remarkably contrived. The film seems very new, but the sentimental ending is as old as the hills. There are some great moments.
  5. The LEGO Movie
    An unexpected joy.
  6. '71
    It's a film that holds you in a vice-like grip throughout; only wavering towards the end with a faintly preposterous climactic shootout.
  7. A Long Way Down
    A genial, lightweight farce, which largely approximates Hornby's distinctively bittersweet tone.
  8. Mr. Peabody & Sherman
    It's a headspinningly wacky premise, and it takes a little while for the audience to get up to speed, but once this is achieved, there's an awful lot of unexpected fun to be had, boasting zany adventures with various historical figures.
  9. The Grand Budapest Hotel
    With this film, Anderson has built a thoroughly likable vision of a prewar Europe – no more real, perhaps, than the kind of Viennese light-operetta that sustained much of 1930s Hollywood – but a distinctive, attractive proposition all the same. It's a nimblefooted, witty piece, but one also imbued with a premonitory sadness at the coming conflagration.
  10. RoboCop
    A deafening, boring action pile-up that is more Call of Duty than Robocop.
  11. That Awkward Moment
    In the main, it's the usual story – much more rom than com.
  12. May I Kill U?
    All the material about social media looks forced and behind the curve, and nothing about the movie is really convincing or entertaining on any level, making it valueless as drama or satire.
  13. Mitt
    How ironic to realise that the greatest Mitt Romney campaign ad should arrive too late to save him.
  14. White Bird in a Blizzard
    Nothing really adds up to much, past a solid performance from Woodley and the energetic - if out-of-place - turn from Green.
  15. Song One
    Writer-director Kate Barker-Froyland's debut feature is a mournful number, held back by an uncertain performance by Flynn and an alienating reverence for the restorative power of middling indie-folk.
  16. Infinitely Polar Bear
    Infinitely Polar Bear is heartfelt and honest, but it's too cute by half.
  17. Imperial Dreams
    Vitthal's film is full of heart, but overly ambitious. He could have made it easy on himself and steered us down a much more familiar route. Instead he delivers a moralistic story that's pure in its intention and a real slog to watch.
  18. Happy Christmas
    Joe Swanberg's follow-up to Drinking Buddies is short and slight, but undeniably charming.
  19. Camp X-Ray
    Sattler's film leans on its actors too heavily. It heaps too many implausibilities upon their trembling shoulders. After an hour in Camp X-Ray, the strain starts to show.
  20. Boyhood
    What an astonishing achievement; what a beautiful movie.
  21. Calvary
    Calvary boasts a sharp sense of place and a deep love of language. It's puckish and playful, mercurial and clever, rattling with gallows laughter as it paints a portrait of an Irish community that is at once intimate and alienated.
  22. God Help the Girl
    God Help the Girl comes loose and easy, verging on the slipshod. It's warm and generous, verging on the sentimental; a film that crystallises the best and worst of Belle and Sebastian's songwriting skills.
  23. The Raid 2
    The Raid 2's faults are not in Evans's technique – he's unusually adept at capturing the art of violence. Instead, the film suffers from too much potential.
  24. A Most Wanted Man
    It's a professional old-school espionage outing, intricate as clockwork and acted with relish by the ever-watchable Hoffman. But it remains an oddly anonymous enterprise from this talented and distinctive director.
  25. Whiplash
    It's rare to see a film about music that professes its love for the music and its characters equally.
  26. A Coffee In Berlin
    This debut for German writer-director Jan Ole Gerster seemingly aims to transplant a mumblecore aesthetic into Berlin, with all the requisite aimless hipsters, whimsical touches and rambling narrative dips and dives; but someone forgot to add spontaneity or edge.
  27. Maladies
    This is basically a studied and serious film, but there's a feyness to its tone, and a lethargy to its pacing that make it difficult to warm to, even if the principal actors give it their all.
  28. Devil's Due
    It's as substantial as seeing "The Exorcist" redone on Snapchat – and let's not even consider the implication of casting black and Latino performers as Satan's minions, because clearly its makers haven't.
  29. Stranger by the Lake
    The tired old trope "erotic thriller" does no justice to how confrontationally and explicitly sexual this movie is — nor how thrilling, nor how menacing and complex.
  30. 47 Ronin
    Hollywood's latest play for the growing Asian market revisits the ancient Japanese legend of self-sacrifice, hoping to offset its garbled narrative and grinding humourlessness with 3D and Keanu Reeves as a samurai Jesus.
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