The Guardian's Scores

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For 6,554 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
  1. Positive: 2,481 out of 6554
  2. Mixed: 3,754 out of 6554
  3. Negative: 319 out of 6554
6554 movie reviews
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  1. The Lazarus Effect
    You’ve seen this movie before with peppier actors, and not tethered to a visually uninteresting set that looks like a remainder from a 10-year-old episode of CSI.
  2. Catch Me Daddy
    Opinions will divide as to the film's final moments: some may find it all too much, and the film does not quite digest everything it wants to encompass. But there an energy and boldness in the debut work from Daniel Wolfe.
  3. Eastern Boys
    Robin Campillo’s drama is sweet and neat, as ambitious as it is gripping.
  4. Hot Tub Time Machine 2
    If there was just one extended sequence that crackled with originality you could at least say it has its moments, but, truly, there’s nothing besides repeated use of swear words in lieu of wit.
  5. The DUFF
    What’s terrific about The Duff is that Casey and Jessica may not have intentionally befriended the less attractive Bianca as a way to make themselves look better, but they don’t exactly deny that she serves that purpose.
  6. McFarland USA
    There’s more to this movie than sweeping music and celebrating in slow motion. It all stems from Costner’s remarkable, taciturn performance as Coach White.
    • 67 Metascore
    • 60 Critic Score
    Cinderella
    Branagh and Weitz stick lovingly to the legend throughout; and while it might have been nice to see the new-model Cinderella follow Frozen’s progressive, quasi-feminist lead, the film’s naff, preserved-in-amber romanticism is its very charm.
  8. Fifty Shades of Grey
    Johnson’s Ana squeezes believability out of one of the more silly romantic entanglements in recent popular culture. It’s all there in her face, which Taylor-Johnson frames in close-up. She’s fully aware this scenario is ridiculous, but can’t seem to turn away from its lunacy.
  9. Knight of Cups
    There are moments of visual brilliance here, moments of reverence and even grandeur. He is always distinctive, and anything he does must be of interest. But his style is stagnating into mannerism, cliche and self-parody.
  10. Queen of the Desert
    It is grown-up, respectable and historical, perfectly competently made, lots of accents and period dressing-up … and just the tiniest bit dull.
  11. Mr. Holmes
    It is an elegant if slight piece of work, touching and intriguing by turns, but hampered structurally in that it relies on two separate flashback sections.
  12. Jupiter Ascending
    It’s all very chaotic and entertaining, like a bizarre cult sci-fi TV show that somehow survived a threat of mid-season cancellation.
  13. The SpongeBob Movie: Sponge Out of Water
    It isn’t just the sheer density of jokes that is impressive, but the diversity.
  14. Entertainment
    The on-stage moments of Entertainment are revelatory but, unfortunately, some of the in-between meat of the film doesn’t quite connect.
    • 66 Metascore
    • 80 Critic Score
    Cop Car
    The movie culminates in a tense, protracted standoff that keeps the audience on edge for way longer than is comfortable. I mean that as a compliment.
  16. Last Days in the Desert
    A smart and beautiful meditation of fathers and sons (and the Father and Son) that is slow but never boring.
    • 68 Metascore
    • 60 Critic Score
    People Places Things
    Clement’s unique comic timing and his character’s wonderful artwork add to this film, whose aim is to communicate how relationships work, rather than to create fake movie magic.
  18. The Stanford Prison Experiment
    Director Kyle Patrick Alvarez deserves all the praise in the world for the way he cranks up this pressure cooker script. The Stanford Prison Experiment begins with giggles but ends in full psychological break.
  19. Mistress America
    Mistress America eventually travels down roads of broken trust and acceptance of reality, but please don’t let those heavy themes suggest this movie is anything other than pure delight. The primacy of the joke rules the day.
  20. Brooklyn
    Without Ronan’s performance, Brooklyn might have left a sugary taste. But she is the ingredient that brings everything together: her calm poise anchors almost every scene and every shot.
    • 47 Metascore
    • 60 Critic Score
    Stockholm, Pennsylvania
    The premise is ripped from the headlines; the treatment is delicate and astute. Then we take a turn. Stockholm, Pennsylvania veers into movie-of-the-week melodrama and never finds its way safely back to shore.
  22. True Story
    No one in the film is particularly likeable, and while the global implications about epistemology are interesting, the specifics of this particular case, at least rendered here, are quite dull.
  23. What Happened, Miss Simone?
    Clearly there is entertainment value in this documentary, but it’s very much of a “behind the music” calibre.
  24. The Wolfpack
    Not since Grey Gardens has a film invited us into such a strange, barely-functioning home and allowed us to gawk without reservation. This is a nosy movie, but it is altogether fascinating.
    • 74 Metascore
    • 80 Critic Score
    Me and Earl and the Dying Girl
    High-school students have plenty of growing pains to offload, and Gomez-Rejon clearly knows what makes them tick. His film is at once buzzy, fun and confronting.
  26. Tinker Bell and the Legend of the NeverBeast
    Though our heroine remains more self-reliant than most Disney princesses, the film is too mild to constitute any kind of statement.
  27. Mississippi Grind
    Writer-director team Anna Boden and Ryan Fleck (It’s Kind of A Funny Story, Half Nelson) must be applauded for refusing to let their shaggy dog tale line up with any predictable storyline.
  28. Project Almanac
    Despite the uncomfortable sexism and altogether predictable nature of the film, I’d be lying if I said it wasn’t modestly entertaining.
  29. The D Train
    Think about that one insufferable guy you knew in school who comments on everything you put on Facebook. Now try and imagine spending an entire movie’s run time with him.
  30. The Voices
    Satrapi's disreputable little creepshow finally doesn't amount to a hill of beans. Maybe that's fine. The Voices provides an enjoyably trashy antidote to the traditional Sundance fare of soulful drama and crusading documentary.
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