For 6,554 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,481 out of 6554
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Mixed: 3,754 out of 6554
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Negative: 319 out of 6554
6554
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Benjamin Lee
There are no left turns or bumps along the way, just a smooth straightforward journey from cliche to cliche, boredom setting in fast.- The Guardian
- Posted Jul 16, 2020
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Reviewed by
Benjamin Lee
It’s an intimate portrait that at times borders on meandering but it remains free of judgment throughout, with Einhorn and Davis using their background as journalists to let the story happen without coercion or commentary.- The Guardian
- Posted Jul 14, 2020
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Peter Bradshaw
Amstell creates a detailed ecosystem of in-jokes from the worlds of media and film, and from that cynical context he conjures a miraculously heartfelt love story, sweet and poignant in all its awkwardness.- The Guardian
- Posted Jul 14, 2020
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Reviewed by
Peter Bradshaw
The stranger-than-fiction weirdness and emotional dysfunction are what’s interesting here, and the film doesn’t quite take the lid off it.- The Guardian
- Posted Jul 13, 2020
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Peter Bradshaw
This bizarre and sometimes scary film from Iceland has a way of keeping you off balance and on the edge of your seat.- The Guardian
- Posted Jul 13, 2020
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Ellen E Jones
Not much about this film is original, but the buddy-pairing of two equally competent criminals is something we haven’t seen too often.- The Guardian
- Posted Jul 13, 2020
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Ellen E Jones
For all its rough edges, there’s a pure-hearted passion for movie-making evident here, that’s often awol in slicker productions.- The Guardian
- Posted Jul 13, 2020
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Peter Bradshaw
This documentary is a bit reticent on the subject of racism. It’s not a subject that Trejo addresses, other than to say that cops who used to pull him over now do so to get selfies. Yet it’s an amazing true-life success story.- The Guardian
- Posted Jul 9, 2020
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Luke Buckmaster
Fundamental to Relic’s psychological oomph are three excellent performances, perfectly complementing that sticky-icky ambience.- The Guardian
- Posted Jul 9, 2020
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Peter Bradshaw
A very absorbing and valuable documentary about the creation of this artwork, which relates to Ai’s honourable record of using art as memorialist-activism.- The Guardian
- Posted Jul 9, 2020
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Benjamin Lee
It’s a goofy, drunken scrap of escapism and while the romantic comedy is not fully back, despite think pieces assuring us that it is, Palm Springs energetically reminds us, yet again, that it’s never really going away.- The Guardian
- Posted Jul 8, 2020
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Reviewed by
Benjamin Lee
Like the structure at its centre, Spaceship Earth is a smart concept that never really takes off.- The Guardian
- Posted May 7, 2020
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Reviewed by
Benjamin Lee
It sleepily hits the beats we expect but without the emotion or passion required to make them land, a by-the-numbers exercise from someone with barely enough energy to count.- The Guardian
- Posted Mar 4, 2020
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Peter Bradshaw
As well as death and tragedy, war is full of absurdity, indignity, chaos, all sorts of bizarre and embarrassing things that don’t get mentioned in the official record. Greyhound is content with its keynote of sombre reverence.- The Guardian
- Posted Jul 6, 2020
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Reviewed by
Peter Bradshaw
The adjective in the title is right. It gets old pretty quickly.- The Guardian
- Posted Jul 3, 2020
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Leslie Felperin
This is a fan-servicing but not necessarily hagiographic documentary.- The Guardian
- Posted Jul 3, 2020
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Benjamin Lee
It’s imperfect, sometimes frustratingly so, but also just about fun enough for yet another tipsy Friday night locked down indoors, its sun-drenched setting proving alluring and yet cruelly out of reach.- The Guardian
- Posted Jul 3, 2020
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Ellen E Jones
The characters are paper-thin and, even on paper, their motivations don’t make much sense.- The Guardian
- Posted Jul 2, 2020
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- Critic Score
The inspired calculation of action and agonised human reaction is irresistible and inescapable. It is a film that leaves the audience shattered and exhausted.- The Guardian
- Posted Jul 1, 2020
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- Critic Score
It keeps all the power of a live performance while simultaneously adding a filmic pizzazz including some breathtaking aerial shots. There is extraordinary direction – again under Kail – so that the cameras capture the mise en scène of theatre without losing any of the closeup intimacy of film.- The Guardian
- Posted Jun 30, 2020
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Peter Bradshaw
Homemade is a diverting but indulgent collection, and the experiences of genuine hardship don’t shine through very much.- The Guardian
- Posted Jun 29, 2020
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Leslie Felperin
It is 80 minutes of pure woodwork-musicianship-upcycling erotica for a very specialist but passionate market.- The Guardian
- Posted Jun 27, 2020
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Peter Bradshaw
The film is forthright and intelligent on the difficulties and complexities involved in the discussion.- The Guardian
- Posted Jun 25, 2020
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Reviewed by
Peter Bradshaw
The interest of this garrulous, convivial documentary creeps up on you by degrees.- The Guardian
- Posted Jun 25, 2020
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Luke Buckmaster
Clearly marketed as inoffensive feel-good pap, I didn’t go into the film expecting a nuanced commentary on the racing industry. But nor did I expect what often felt like a thinly veiled 98-minute advertisement, interspersed with occasional moments of warmth and humanity.- The Guardian
- Posted Mar 12, 2020
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Reviewed by
Peter Bradshaw
The movie is not a disaster, just weirdly pointless.- The Guardian
- Posted Jun 24, 2020
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Reviewed by
Peter Bradshaw
The supposed satirical attitude of Irresistible can’t conceal the fact that it’s contrived, unfunny and redundant.- The Guardian
- Posted Jun 22, 2020
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Lanre Bakare
It’s a brazen celebration of Jackson, which unlike Lee’s other documentary work doesn’t look under the hood to tell the whole story and examine some of the more uncomfortable inner workings.- The Guardian
- Posted Jun 22, 2020
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Peter Bradshaw
Lee wants to clear away the tabloid smoke and spite, and bring the focus back to Jackson's professionalism, his craftsmanship, his artistry and his pop genius; the movie defiantly insists that Jackson was and is superior to his detractors.- The Guardian
- Posted Jun 20, 2020
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Charles Bramesco
We all share universals like hurt and hope, it’s just that their expression differs for McConnell. Like the act of childbirth itself, something that has happened trillions of times and yet always feels intimately personal, he’s one of us and one of a kind.- The Guardian
- Posted Jun 18, 2020
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