The Guardian's Scores

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For 6,577 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
  1. Positive: 2,494 out of 6577
  2. Mixed: 3,764 out of 6577
  3. Negative: 319 out of 6577
6577 movie reviews
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  1. Rye Lane
    Unsubtle and on-the-nose though it undoubtedly is, there is also an amiable, upbeat energy.
  2. Landscape with Invisible Hand
    A bafflingly botched misfire ... Quite what the film is and who it’s for remains a head-scratcher, a stilted jumble of somethings boiling down to nothing.
  3. Passages
    Rogowski makes for a believably odious yet charming cad while Whishaw and Exarchopoulos neatly underplay their heartbreak, subtly showing the toll of putting up with someone who mistreats you and then putting up with yourself for allowing it.
  4. Theater Camp
    For all the grand gestures of musical theater, there’s an odd flatness to Theater Camp, a half-hearted and lackluster comedy from a group of Hollywood friends set at a summer performing arts community.
  5. A Thousand and One
    There are many things working well in Rockwell’s debut, Taylor’s performance chief among them, but the end result doesn’t match her character’s formidable strength.
  6. Pamela, a love story
    Gentle, friendly, faintly bleary – and sans makeup – Pamela Anderson is an authentically likable screen presence in this intimate, if somehow elusive, documentary portrait from Ryan White; it is about her life and times and the super-strength misogyny she has faced from liberals and satirists in the long endgame of her celebrity career.
  7. You People
    Mercifully, Murphy adds a dose of sharpness to the project, wrapping his lines in a delivery so sleek and spirited you’d almost think they were funny. And as for the central couple? The one that just wants to get married, culture clash be damned? They’re nice. So nice. Too nice.
  8. Pathaan
    The film sags a little towards the end, with a few too many implausible action sequences: characters jumping out of helicopters and fighting on top of speeding SUVs, the choreography glossing over the basics of gravity and physics. Still, the cheers kept coming.
  9. Spoiler Alert
    Ineffective leading duo and rote script hamper otherwise affecting true story of a couple tackling terminal illness
  10. All the Beauty and the Bloodshed
    Goldin shows that maybe there is always more bloodshed than beauty.
  11. The Fabelmans
    The Fabelmans left me with a floating feeling of happiness.
  12. Gandhi Godse Ek Yudh
    Gandhi Godse Ek Yudh is, at the end of the day, a mediocre effort. Deepak Antani’s Gandhi and Chinmay Mandlekar’s Godse do share a startling resemblance with the real historical figures, but their characterisation in this fanciful piece of fiction lacks any real conviction.
  13. Flora and Son
    An immensely charming Hewson makes it all seem effortless, though, even as Carney’s manipulative string-pulling threatens to get a bit too forceful, an instinctive and quick-witted actor who drags the film’s sillier, flightier moments back to earth.
  14. Eileen
    Oldroyd never seems entirely sure just how pulpy and weird his material is, unable to decide how far to push, the odd stylistic flourish and burst of lurid music ultimately feeling incongruous in a film that’s otherwise visually quiet.
  15. Project Wolf Hunting
    The slaughter does start to get monotonous, but the film rallies in its final third.
  16. Oscar Peterson: Black + White
    This is a documentary that discreetly does not concern itself much with Peterson’s personality, and concentrates on the music, which is entirely worthwhile.
  17. The Wandering Earth II
    At nearly three hours long, The Wandering Earth II is packed with expository science talk, which gets more convoluted and tiring as the clock ticks on.
  18. Past Lives
    Song is a writer of elegant restraint and as the final act progressed, I worried that perhaps this restraint might end up a little too delicate for the years that have preceded and the feelings that have amassed. But then in a bar scene for the ages, we find ourselves floored, a slow buildup that finally hits like a bus.
  19. You Hurt My Feelings
    Holofcener and Louis-Dreyfus again make for perfectly pitched partners.
  20. Sometimes I Think About Dying
    Ridley though is consistent and sort of revelatory, an actor who has struggled to find her footing post-franchise as is often the case, delivering a surprisingly nuanced and deeply felt performance.
  21. Renegades
    Unfortunately, the dialogue sounds as if it was written by one of those newfangled AI chatbots, or maybe an actual human being who aspires to write as well as an AI chatbot but is not there yet.
  22. Shadow Master
    Shadowy it is indeed, but mastery is more questionable.
  23. Magazine Dreams
    Killian’s spiral is intense and unpleasant but we’re not left at the end with much other than respect for technique. The film, like Killian, is all muscle.
  24. The Starling Girl
    The Starling Girl, anchored by a bristling performance from the always solid Scanlen, is at its best when it hews to the combustible suspense of a teenage girl glimpsing her own instincts – for honesty, for autonomy, and most threateningly for pleasure.
  25. Fair Play
    It’s a film of many, many high-volume arguments but Dynevor and Ehrenreich remarkably avoid even the slightest sign of histrionic excess, expertly carrying over their sexual chemistry to the couple’s more horrible moments – a pair you buy in moments of love as much as you do in moments of hate.
  26. Cat Person
    The chillingly unanswered questions of the story are all given the most obvious answers imaginable and relatability is carelessly tossed aside, along with logic and investment.
  27. Dreaming Walls: Inside the Chelsea Hotel
    It’s a melancholy, dreamy study.
  28. Bank of Dave
    It’s a film with a decent bit of charm, and it’s hard to argue with the greed-is-bad message.
  29. Shotgun Wedding
    It may be a bit corny, but Hammer keeps the funny lines coming and it has some pep that George Clooney and Julia Roberts’ recent romcom effort Ticket to Ride didn’t.
  30. I Love My Dad
    However grotesquely culpable Chuck has been, you find yourself wanting to hug him. It’s a clever comic trick to bring off.
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