For 6,581 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,495 out of 6581
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Mixed: 3,767 out of 6581
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Negative: 319 out of 6581
6581
movie
reviews
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Reviewed by
Leslie Felperin
It is 80 minutes of pure woodwork-musicianship-upcycling erotica for a very specialist but passionate market.- The Guardian
- Posted Jun 27, 2020
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Reviewed by
Catherine Shoard
Gerwig's performance is full of depth and nuance; self-conscious without being mawkish, clever behind the kook.- The Guardian
- Posted Feb 19, 2013
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Reviewed by
Peter Bradshaw
Running at just 71 minutes, Socrates left me wondering if it was slightly underdeveloped as a feature project. But plenty of glossier and more finished films don’t have its beating compassionate heart.- The Guardian
- Posted Sep 8, 2020
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Reviewed by
Peter Bradshaw
It’s an impressively contrived film, almost a machine for winning awards, a monochrome reverie of midlife yearning.- The Guardian
- Posted Oct 8, 2021
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Xan Brooks
Danish director Tobias Lindholm spins an exacting drama out of a crisis on this deft, verite-style account of Somali piracy in the Indian ocean. Full credit to A Hijacking for resisting the siren-call of Hollywood histrionics in favour of the nuts-and-bolts.- The Guardian
- Posted May 14, 2013
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Leslie Felperin
If you’re in the right headspace, the whole thing is quite entrancing. Still, it’s also an extremely rarefied sort of entertainment.- The Guardian
- Posted Dec 3, 2024
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Peter Bradshaw
Itō is an amazing personality: an intelligent, courageous journalist who may have changed the course of Japanese history.- The Guardian
- Posted Oct 22, 2024
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- The Guardian
- Posted Feb 16, 2024
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Reviewed by
Peter Bradshaw
A valuable introduction to the movies and to the man.- The Guardian
- Posted Nov 10, 2020
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Reviewed by
Peter Bradshaw
What we have is a straightforward murder mystery, but it is told with gusto and humour.- The Guardian
- Posted Nov 29, 2019
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Ponsoldt elicits remarkably strong performances from his two young leads, who display a depth of feeling that's breathtaking in its simplicity and honest. There's an inherent chemistry here that's both disarming and refreshing.- The Guardian
- Posted Feb 28, 2013
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- The Guardian
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- The Guardian
- Posted Jul 9, 2025
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Reviewed by
Leslie Felperin
Graham uses darkness and a very sparse score/soundscape to create a truly disturbing work that relies not so much on gore as the uncanny in its most potent form: stillness, pools of darkness and just-visible figures.- The Guardian
- Posted Feb 14, 2021
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- Critic Score
Rams is as curiously captivating as the bleak landscape in which the two protagonists site themselves.- The Guardian
- Posted Sep 16, 2015
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Reviewed by
Andrew Pulver
This story is not about consummation, but about reconciliation; it's a recognition that we want wrongs to be righted, that good will prevail, and that the faithless will be punished or reformed.- The Guardian
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Reviewed by
Peter Bradshaw
A startling piece of film-making, floating free of the conventional demands of period and narrative.- The Guardian
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Reviewed by
Jordan Hoffman
Mixing droll animation, stock footage and a restrained number of talking head interviews, the director Penny Lane’s biography has all the whimsy of a tall tale, until a late change in tone surprises with genuine emotion. Nuts! is really a kick.- The Guardian
- Posted Feb 17, 2016
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Reviewed by
Peter Bradshaw
Moment by moment, line by line and scene by scene, Challengers delivers sexiness and laughs, intrigue and resentment, and Guadagnino’s signature is there in the intensity, the closeups and the music stabs.- The Guardian
- Posted Apr 12, 2024
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Benjamin Lee
Cage is remarkably restrained (bar one unnecessary scream), delicately deconstructing what we’ve come to expect from him. His trademark tics are gone, his voice that much softer, his swagger replaced by an unsureness, an aggressive blare that’s faded into calm.- The Guardian
- Posted Jul 12, 2021
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Reviewed by
Benjamin Lee
It’s a haunting little film that ends with a somewhat overwhelming poignancy.- The Guardian
- Posted Aug 17, 2017
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Peter Bradshaw
It’s fierce, open and angry, unironised and unadorned, about a vital contemporary issue whose implications you somehow don’t hear on the news.- The Guardian
- Posted May 17, 2019
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Reviewed by
Leslie Felperin
Lisa Rovner’s superb documentary pays a deeply deserved, seldom-expressed tribute to the female composers, musicians and inventors from the brief history of electronic music.- The Guardian
- Posted Apr 23, 2021
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Reviewed by
Benjamin Lee
Sorkin’s heavily heightened sense of drama works best when the stakes are equally aligned but, despite the film constantly informing you of just how incredibly important everything all is, it’s disappointingly difficult to truly care about what’s taking place.- The Guardian
- Posted Sep 6, 2015
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Reviewed by
Andrew Pulver
What results is an immensely detailed overview of Marley's life and times, from the hillside Jamaican shack where he grew up to the snowy Bavarian clinic where he spent his last weeks in a fruitless attempt to cure the cancer that killed him in 1981, aged 36.- The Guardian
- Posted Apr 15, 2012
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Reviewed by
Peter Bradshaw
What a unique talent Giamatti is; it’s a pleasure to see him play a movie lead, his first for a while, and his prominence in this really good film is a signal that the cinema could be moving back to a more approachable world of authentic drama and analogue talent.- The Guardian
- Posted Jan 18, 2024
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Reviewed by
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- The Guardian
- Posted Sep 9, 2025
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Reviewed by
Peter Bradshaw
Ahmed’s performance clarifies the drama and delivers the meaning of Ruben’s final epiphany. He gives the film energy and point.- The Guardian
- Posted Apr 8, 2021
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Jordan Hoffman
Ciro Guerra’s gorgeous picture just has that ripped-from-your-dreams sensibility, where surprising turns float alongside a story you feel like you’ve known your whole life. Embrace of the Serpent is the type of film we’re always searching for, yet seems so obvious once we’ve found it.- The Guardian
- Posted Feb 18, 2016
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Reviewed by
Benjamin Lee
Working through one’s own strife as a form of autofiction can often lead to self-indulgence but Kaphar has crafted something that deserves to exist outside of his inner circle, an emotionally wrenching drama set to resonate with those who have also had to confront the complicated equation of radical forgiveness.- The Guardian
- Posted Jan 22, 2024
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