The Guardian's Scores

For 6,656 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
6656 movie reviews
  1. Here is a cheap-ass knockoff of Ocean’s Eleven starring John Travolta that makes the Soderbergh film look like something by Andrei Tarkovsky or Ingmar Bergman.
  2. Everyone’s stumbling along in a vaguely defined universe, which really only serves as a backdrop to catchy musical numbers that evolve from folk to pop rock.
  3. Films like Bride Hard, proudly recycling well-known popcorn plots without any attempt at originality, rely on heavy-lifting star power but there’s just none of that here.
  4. It is burdened by a trite and naive sentimentality that it doesn’t know how to make realistically plausible or transform into romanticism or idealism.
  5. Cine-narcissism like this is always tiresome, and it isn’t any more palatable in a European setting.
  6. The madly, bafflingly overwrought and humourless storytelling can’t overcome the fact that everything here is frankly unpersuasive and tedious. Every line, every scene, has the emoting dial turned up to 11 and yet feels redundant.
  7. It takes work to make Murphy entirely unfunny, and this film manages the job one-handed.
  8. It is bafflingly complacent in its sentimentality and its sheer, fatuous implausibility, which makes it valueless and meaningless as drama and comedy.
  9. There’s really nothing to see here, just another synthetic simulation of a film and a genre we used to love, less maintenance required and more complete overhaul.
  10. This cynically Christmassy movie is leaden, unconvincingly acted and about as welcome as a dead rat in the eggnog.
  11. For a film so unashamedly silly, it’s also incredibly, tiresomely un-fun and, by the end, laughably earnest, as if we should all be learning a very important lesson.
  12. We should be on the edge of our seat but every should-be set piece falls flat, the choreography always feeling a little off and the editing never works as tightly as it should.
  13. If Boll and Musk want to make and promote make a film about an establishment stitch-up, then why not a hard-hitting film about the relationship of Jeffrey Epstein and Donald Trump? Meanwhile it’s time for Hammer to return to the trade he followed before this: selling timeshares in the Cayman Islands.
  14. It’s one of those rare, unicorn films that doesn’t have a single redeeming quality. I’m not even sure it qualifies as a documentary, exactly, so much as an elaborate piece of designer taxidermy, horribly overpriced and ice-cold to the touch and proffered like a medieval tribute to placate the greedy king on his throne.

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