For 6,656 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,521 out of 6656
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Mixed: 3,814 out of 6656
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Negative: 321 out of 6656
6656
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Leslie Felperin
Here is a cheap-ass knockoff of Ocean’s Eleven starring John Travolta that makes the Soderbergh film look like something by Andrei Tarkovsky or Ingmar Bergman.- The Guardian
- Posted Jun 11, 2025
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Reviewed by
Radheyan Simonpillai
Everyone’s stumbling along in a vaguely defined universe, which really only serves as a backdrop to catchy musical numbers that evolve from folk to pop rock.- The Guardian
- Posted Mar 12, 2025
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Reviewed by
Benjamin Lee
Films like Bride Hard, proudly recycling well-known popcorn plots without any attempt at originality, rely on heavy-lifting star power but there’s just none of that here.- The Guardian
- Posted Jun 19, 2025
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Reviewed by
Peter Bradshaw
It is burdened by a trite and naive sentimentality that it doesn’t know how to make realistically plausible or transform into romanticism or idealism.- The Guardian
- Posted May 21, 2025
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Reviewed by
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Reviewed by
Peter Bradshaw
Cine-narcissism like this is always tiresome, and it isn’t any more palatable in a European setting.- The Guardian
- Posted Aug 28, 2025
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Reviewed by
Peter Bradshaw
The madly, bafflingly overwrought and humourless storytelling can’t overcome the fact that everything here is frankly unpersuasive and tedious. Every line, every scene, has the emoting dial turned up to 11 and yet feels redundant.- The Guardian
- Posted May 19, 2025
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Reviewed by
Andrew Lawrence
It takes work to make Murphy entirely unfunny, and this film manages the job one-handed.- The Guardian
- Posted Aug 5, 2025
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Reviewed by
Peter Bradshaw
It is bafflingly complacent in its sentimentality and its sheer, fatuous implausibility, which makes it valueless and meaningless as drama and comedy.- The Guardian
- Posted Jan 14, 2026
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Reviewed by
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Reviewed by
Benjamin Lee
There’s really nothing to see here, just another synthetic simulation of a film and a genre we used to love, less maintenance required and more complete overhaul.- The Guardian
- Posted Oct 8, 2025
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Reviewed by
Peter Bradshaw
This cynically Christmassy movie is leaden, unconvincingly acted and about as welcome as a dead rat in the eggnog.- The Guardian
- Posted Nov 12, 2025
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Reviewed by
Benjamin Lee
For a film so unashamedly silly, it’s also incredibly, tiresomely un-fun and, by the end, laughably earnest, as if we should all be learning a very important lesson.- The Guardian
- Posted May 22, 2026
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Reviewed by
Benjamin Lee
We should be on the edge of our seat but every should-be set piece falls flat, the choreography always feeling a little off and the editing never works as tightly as it should.- The Guardian
- Posted Apr 10, 2026
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Reviewed by
Peter Bradshaw
If Boll and Musk want to make and promote make a film about an establishment stitch-up, then why not a hard-hitting film about the relationship of Jeffrey Epstein and Donald Trump? Meanwhile it’s time for Hammer to return to the trade he followed before this: selling timeshares in the Cayman Islands.- The Guardian
- Posted Jun 30, 2026
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Reviewed by
Xan Brooks
It’s one of those rare, unicorn films that doesn’t have a single redeeming quality. I’m not even sure it qualifies as a documentary, exactly, so much as an elaborate piece of designer taxidermy, horribly overpriced and ice-cold to the touch and proffered like a medieval tribute to placate the greedy king on his throne.- The Guardian
- Posted Jan 30, 2026
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Reviewed by