The Guardian's Scores

For 6,571 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
6571 movie reviews
    • 51 Metascore
    • 60 Critic Score
    Offbeat comedy-drama about a former New York judge convinced he is Sherlock Holmes. Amiable, if a little too clever for its own good. [04 Jan 2000, p.36]
    • The Guardian
    • 54 Metascore
    • 60 Critic Score
    Schizophrenic performance from the estimable Walter Matthau, playing the central characters of three Neil Simon stories set in New York's Plaza Hotel. His barely contained rage as the dad who finds his daughter refusing to come out of the bathroom on her wedding day is particularly good, but the jokes are thinly rationed. [19 Nov 2005, p.53]
    • The Guardian
  1. There's no mistaking its chilling charisma and style. [11 Jun 1999, p.15]
    • The Guardian
  2. There is a tenous narrative logic - in which Jodorowsky himself, dressed in cowboy black, must gun down four desert-dwelling killers - which gives the film a measure of watchability. But it's hardly deep.
  3. A brilliantly textured film to be savoured.
  4. Billy Wilder's distinctive, irreverent slant on the world's greatest "consulting detective" holds up reasonably well 32 years on; you wouldn't expect anything directed by Wilder and scripted by his long-time associate IAL Diamond to be anything less than funny and watchable, and this is both.
    • 83 Metascore
    • 80 Critic Score
    Pennebaker's film, running just under an hour, is revelatory in getting under the skin of the main players. And the director's opening revelation will exasperate musical-theatre nerds as we hear that this was the pilot for a whole series on original cast recordings that never got made. [15 Sep 2021]
    • The Guardian
  5. This superbly composed film comes as close to perfection as it gets.
  6. Erotic languour turns gradually into fear and then horror in this gripping and superbly controlled psychological thriller from 1969.

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