For 6,571 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,490 out of 6571
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Mixed: 3,762 out of 6571
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Negative: 319 out of 6571
6571
movie
reviews
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- By Critic Score
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Reviewed by
Peter Bradshaw
Hoskins’ bullish, black-comic Napoleonism makes this movie: pugnacious, sentimental, a cockney Cagney.- The Guardian
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An engrossing, beautifully filmed and remarkably balanced portrait of a fascinating moment in history, cleverly enhanced by the intercutting of real-life documentary interviews. Reds is everything a historian could want in a movie.- The Guardian
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Reviewed by
Luke Buckmaster
One terrific moment in which Pat sees what he believes are the killer's shoes underneath a toilet stall door and berates him while Pamela climbs into the green van outside is reminiscent of another scene that arrived years later and was also labelled "Hitchcockian" – the footsteps down the hallway confrontation in the Coen brothers' No Country For Old Men.- The Guardian
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- The Guardian
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It's an allegory about the Vietnam war, a study of American character and a national propensity for violence. Southern Comfort is a masterpiece.- The Guardian
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Reviewed by
Peter Bradshaw
For me, it tends to be a recipe in which you can't taste either of the constituent ingredients. The big man-to-wolf transformation scene is still a marvel.- The Guardian
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This is one of the finest films about the process of movie-making, a bleak, complex work that gives Travolta his most challenging role.- The Guardian
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Enjoyable spoof horror in which a vampire lures a horror writer to a nightclub populated by ghouls and the like. [28 Apr 2000]- The Guardian
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Reviewed by
Benjamin Lee
Sarandon’s force and confidence are undeniable, and she easily holds her own against Burt Lancaster.- The Guardian
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Reviewed by
Peter Bradshaw
An unclassifiably brilliant gem of American independent film-making.- The Guardian
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- The Guardian
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Reviewed by
Peter Bradshaw
It is a demanding film, without a doubt – but a passionate one.- The Guardian
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Reviewed by
Peter Bradshaw
I can still remember my 19-year-old self's awe at how Jake provokes a gorgeous, reluctant smile from the incandescently beautiful Moriarty. Throughout university, I was obsessed with this film, and watched it about once a month.- The Guardian
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Reviewed by
Peter Bradshaw
It is an absorbing and satisfying drama, and Hurt’s Merrick is very powerful.- The Guardian
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This grim picture of borstal life packs a real punch. And kick, and headbutt. [13 Feb 2010]- The Guardian
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This ingenious erotic thriller full of unexpected shocks is best seen with no foreknowledge and even better at a second viewing.- The Guardian
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Reviewed by
Peter Bradshaw
The stunts are still awe-inspiring, and there's plenty of laughs. They really were thinking big.- The Guardian
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Reviewed by
Peter Bradshaw
The unhurried pace, extended dialogue scenes and those sudden, sinister inter-titles ("One Month Later", "4pm") contribute to the insidious unease. Nicholson's performance as the abusive father who is tipped over the edge is a thrillingly scabrous, black-comic turn, and the final shot of his face in daylight is a masterstroke...Deeply scary and strange.- The Guardian
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A cast-iron, self-evident hit, but also just a tiny bit boring, perhaps?- The Guardian
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Reviewed by
Xan Brooks
John Huston's hellfire burlesque is one of the great lost films of the 1970s and a movie to stand alongside his Maltese Falcon or The Treasure of the Sierra Madre.- The Guardian
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Reviewed by
Luke Buckmaster
Mad Max has always radiated an otherworldly vibe, a slightly sickly sensation that something at its core is fundamentally wrong.- The Guardian
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Like Woody Allen's "Take The Money and Run", The Jerk is basically designed to allow Martin to use as many of his standup jokes and routines as possible, but his charm and timing makes this cleverly constructed movie seem fantastically loose and easy.- The Guardian
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Reviewed by
Peter Bradshaw
It’s a bit overextended but very watchable with flourishes of exotic invention.- The Guardian
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Mysterious, complex and brilliant: the disquieting portrait of a serial killer, seducer and con-man in Japan whose motivation remains an enigma. [9 Sept 2005, p.13]- The Guardian
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Reviewed by
Peter Bradshaw
This is Herzog's journey to the heart of darkness, a film that specifically echoes his earlier offerings The Enigma of Kaspar Hauser and his South American odyssey Aguirre, Wrath of God.- The Guardian
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Reviewed by
Peter Bradshaw
But what a triumph this film was for Chapman, who gave a convincing, touching performance as the bewildered everyman who decides to make a stand, and in his battle with the evil empire makes a Luke Skywalker-style discovery about his lineage. Life of Brian is an unexpectedly earnest, sweet-natured hymn to the idea of tolerance.- The Guardian
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Reviewed by
Luke Buckmaster
The film itself is a kind of free spirit, and one that has made an indelible print on Australian cinema.- The Guardian
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- The Guardian
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Reviewed by
Xan Brooks
The film is fun and stirring; a robust portrait of youth at the crossroads and a bittersweet salute to the town at its centre.- The Guardian
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Reviewed by
Peter Bradshaw
Editors Terry Rawlings and Peter Weatherley cut the film so cleverly so that we never have a clear notion of what the alien actually looks like until the very last shots.- The Guardian
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