For 6,577 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,494 out of 6577
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Mixed: 3,764 out of 6577
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Negative: 319 out of 6577
6577
movie
reviews
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- The Guardian
- Posted Feb 1, 2021
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Allen's best film for some time. As an examination of middle-aged, middle-class Manhattan mores, in fact, it is well nigh unbeatable. [22 Oct 1992, p.6]- The Guardian
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Peter Bradshaw
This film is a gruelling experience and Dirk Bogarde’s coup de grâce is the most horrible effect of all.- The Guardian
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Peter Bradshaw
Quite simply, I just defy anyone with red blood in their veins not to respond to the crazy bravura of Tarantino’s film-making, not to be bounced around the auditorium at the moment-by-moment enjoyment that this movie delivers.- The Guardian
- Posted May 21, 2019
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Peter Bradshaw
A very charming, beautifully wrought, if somehow depthless film - eccentric but heartfelt, and thought through to the tiniest, quirkiest detail in the classic Anderson style.- The Guardian
- Posted May 16, 2012
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Peter Bradshaw
There’s a terrific charm and sweetness in this debut from Iraqi film-maker Hasan Hadi.- The Guardian
- Posted Feb 11, 2026
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This is a noble attempt to shed light on a woman's inner struggle for existence. [02 Jul 2011, p.43]- The Guardian
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Peter Bradshaw
For many, the movie could as well do without the supernatural element, and I admit I’m one of them; I’d prefer to see a real story with real jeopardy work itself out. But there is energy and comic-book brashness- The Guardian
- Posted Apr 10, 2025
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- The Guardian
- Posted Jul 19, 2018
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- The Guardian
- Posted Dec 6, 2023
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Benjamin Lee
Her film reaches the audience-friendly highs of a studio comedy while retaining an indie sensibility, both in its visuals and its tone, and coupled with the script’s rooted awareness of the moment we’re now in, it feels fresh, a film that will be rewatched and quoted, held on a pedestal by those who understand its necessity.- The Guardian
- Posted Mar 20, 2019
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Xan Brooks
John Huston's hellfire burlesque is one of the great lost films of the 1970s and a movie to stand alongside his Maltese Falcon or The Treasure of the Sierra Madre.- The Guardian
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Peter Bradshaw
Boyega carries the film with a compelling authority of his own.- The Guardian
- Posted Oct 3, 2020
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Cath Clarke
Part of the film’s genius is in how the images are put together, sometimes to absurd effect, at other times unnervingly.- The Guardian
- Posted Jan 11, 2022
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Peter Bradshaw
This, the film says, is what it really feels like to be on the receiving end of the law in a case like this: a calm, professional, technocratic but relentless display of overwhelming power.- The Guardian
- Posted Feb 24, 2023
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Peter Bradshaw
This film has what its title implies: a heartbeat. It is full of cinematic life.- The Guardian
- Posted May 26, 2017
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Peter Bradshaw
Sirāt is a path to nowhere, an improvised spectacle in the Sahara; it is very impressive in the opening 10 minutes but valueless as it proceeds, and a pointless mirage of unearned emotion.- The Guardian
- Posted Nov 26, 2025
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Peter Bradshaw
The film may not be perfect, but its courage – and relevance – are beyond doubt.- The Guardian
- Posted May 25, 2024
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Peter Bradshaw
The ending of this film does not entirely measure up to the standard of tough realism set in the rest of the drama, but what a great performance from Riseborough.- The Guardian
- Posted Jan 30, 2023
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Leslie Felperin
Although the story unfolds at a steady pace over two hours, the filmmaking is sufficiently elegant and metronomically efficient as to make every minute gripping, especially after the tragic twist halfway through the story.- The Guardian
- Posted Jun 13, 2017
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Peter Bradshaw
Here is the bruised-plum role that put Jack Nicholson into the biggest of big leagues.- The Guardian
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Peter Bradshaw
Jimmy Ellis’s story really is stranger than fiction.- The Guardian
- Posted Dec 3, 2015
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Paul MacInnes
This is a thoroughly engrossing and densely textured drama, showing Farhadi's cool skill in dissecting the Iranian middle classes and the unhappiness of marriage.- The Guardian
- Posted Mar 15, 2016
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Despite the twists, turns and exceptionally complex detail of the Watergate scandal, All the President’s Men manages to make it both comprehensible and watchable – with a few flashy fictional touches to gussy up the facts.- The Guardian
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Probably the funniest mobster movie ever...A sublime meld of black satire, high camp and happy farce.- The Guardian
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Jordan Hoffman
It’s worth mentioning again that, somehow, this movie, with all its full-frontal historical horror, is still loaded with laughs.- The Guardian
- Posted Jan 21, 2016
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Andrew Lawrence
Is God Is may borrow from an old narrative formula, but it reframes it into something sharper and more searching. It shows that stories rooted in Black trauma don’t have to be pulled down by it. Vibrancy and texture are what give a killing spree its stakes, after all, and this one ends with an understated affirmation of the human spirit. How’s that for a twist.- The Guardian
- Posted May 14, 2026
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Peter Bradshaw
Something in its mandarin blankness and balletic vastness, and refusal to trade in the emollient dramatic forms of human interest and human sympathy. Kubrick leaves usual considerations behind with his readiness to imagine a post-human future.- The Guardian
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Peter Bradshaw
It may only be a repeat of earlier ideas and plotlines, but compare it to the fourth films in other franchises and Pixar’s latest is an amusing and charming gem.- The Guardian
- Posted Jun 13, 2019
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Peter Bradshaw
The film is forthright and intelligent on the difficulties and complexities involved in the discussion.- The Guardian
- Posted Jun 25, 2020
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