For 6,656 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,521 out of 6656
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Mixed: 3,814 out of 6656
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Negative: 321 out of 6656
6656
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Catherine Shoard
Sometimes a film takes your breath away by dint of its brilliance. Sometimes it's on account of its ineptitude. And just occasionally, it's for its shamelessness. Hyde Park on Hudson, for all its captivating shots of cornfields and estimable performances, is the latter.- The Guardian
- Posted Sep 13, 2012
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Reviewed by
Damon Wise
Part of the appeal of this affecting and powerful drama is that it puts the viewer right in the moment at every stage, using authentic locations and tsunami survivors to hammer home the reality of this tragedy.- The Guardian
- Posted Sep 12, 2012
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Reviewed by
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Reviewed by
Peter Bradshaw
What could have been simply bizarre, sentimental or contrived here becomes an utterly absorbing love story.- The Guardian
- Posted Sep 12, 2012
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Reviewed by
Peter Bradshaw
Despite the violence and procedural detail, this is about as gritty as Dixon of Dock Green.- The Guardian
- Posted Sep 10, 2012
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Reviewed by
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Reviewed by
Catherine Shoard
There are scenes of complete brilliance, Walken is better than he's been in years, cute plot loops and grace notes.- The Guardian
- Posted Sep 9, 2012
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Reviewed by
Henry Barnes
Tykwer and the Wachowskis' other twist on this karmic hokum - to cast each of their actors in multiple roles across the stories, regardless of age or race - is less successful.- The Guardian
- Posted Sep 9, 2012
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Reviewed by
Steve Rose
Never has grotesque wealth looked so unenviable, or its removal been so entertaining, as in this garishly watchable riches-to-rags documentary.- The Guardian
- Posted Sep 9, 2012
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Reviewed by
Peter Bradshaw
The Wright/Stoppard Anna Karenina is not a total success, but it's a bold and creative response to the novel.- The Guardian
- Posted Sep 9, 2012
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Reviewed by
Henry Barnes
There's a degree of puffery in the writing, however, that makes this drama untrustworthy.- The Guardian
- Posted Sep 8, 2012
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Reviewed by
Henry Barnes
Once you commit to the lexicon – to the blunderbusses, the silver, the loops that close and the loops let run – you're in for a breathless ride. It's been a patchy summer for sci-fi, absent of anything that really sticks in the mind. Johnson's deep, distinctive film plays on repeat.- The Guardian
- Posted Sep 7, 2012
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- The Guardian
- Posted Sep 7, 2012
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Reviewed by
Henry Barnes
The dancefloor's full of bodies, the bride and groom have been backed into a corner by relatives desperate for their pound of flesh. Pretty much your average wedding, then.- The Guardian
- Posted Sep 4, 2012
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Reviewed by
Andrew Pulver
This fantastically depressing film ought to be shown in school assemblies, or wherever impressionable pre-teens gather to discuss their dreams of media stardom.- The Guardian
- Posted Sep 4, 2012
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Reviewed by
Peter Bradshaw
Exhilarating and moving. This is a very satisfying love story.- The Guardian
- Posted Sep 4, 2012
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Reviewed by
Peter Bradshaw
This is an unrepentantly cynical take on the hope-and-change promised to the US in 2008; this year's election race makes it look even bleaker, an icily confident black comedy of continued disillusion.- The Guardian
- Posted Sep 3, 2012
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Reviewed by
Steve Rose
They could have called it British Pie, but this TV sitcom spin-off updates the teen summer holiday formula surprisingly entertainingly, considering it doesn't subvert it one iota.- The Guardian
- Posted Sep 1, 2012
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Reviewed by
Xan Brooks
The themes may be contentious, but the handling is perfect. If there were ever a movie to cause the lame to walk and the blind to see, The Master may just be it.- The Guardian
- Posted Sep 1, 2012
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Reviewed by
Peter Bradshaw
It's a bit of a flavourless CGI-fest, without the character and comedy of the Arnie version, and it never really gets to grips with the idea of "reality" as a slippery, malleable concept.- The Guardian
- Posted Sep 1, 2012
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Reviewed by
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- Critic Score
It may be just more of the same from Fricke, but with his unique process, another incredible-looking lap around the world is more than welcome.- The Guardian
- Posted Sep 1, 2012
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Reviewed by
Peter Bradshaw
The "breathing" of the title becomes a cleverly recurrent motif, and Markovics's script circles around the themes of death and life in thoughtful and elegant ways: it is a well-carpentered screenplay which bears every sign of having been a labour of love, worked on fruitfully over many years.- The Guardian
- Posted Aug 28, 2012
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Reviewed by
Xan Brooks
Little White Lies unspools as glossy, high-grade tosh, a sun-dappled Big Chill, without the rigour or insight required to make you care about these people and wonder which bed they will eventually wind up in.- The Guardian
- Posted Aug 20, 2012
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Reviewed by
Peter Bradshaw
There's some comedy in there, too, intentional – mostly. As a poignant study of the ageing process, it's on a rough par with "The Best Exotic Marigold Hotel." For The Expendables 3, they might want to consider enlisting Bill Nighy, Tom Wilkinson and Judi Dench.- The Guardian
- Posted Aug 17, 2012
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- The Guardian
- Posted Aug 11, 2012
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Reviewed by
Peter Bradshaw
It has plenty of energy and drive, and Jeremy Renner is really good, better as a Bourne-y agent than Matt Damon, tougher and more grizzled-looking, more convincing as the professional soldier who has grown careworn and disillusioned in the public service.- The Guardian
- Posted Aug 9, 2012
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Reviewed by
Henry Barnes
Ahadu pulls the curtain back on a government that was willing to imprison and torture its electorate.- The Guardian
- Posted Aug 6, 2012
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Reviewed by
Peter Bradshaw
There are some nicely creepy moments, and director and co-writer Nick Murphy interestingly dramatises some of the neuroses feeding the appetite for ghostly phenomena – repressed sexuality, guilt and self-harm.- The Guardian
- Posted Aug 6, 2012
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Reviewed by
Peter Bradshaw
The movie is at its lightest, most charming and most persuasive in the 60s; as it approaches the present, something inescapably preposterous weighs it down, though Honoré carries it off with some flair.- The Guardian
- Posted Aug 4, 2012
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Reviewed by
Xan Brooks
Sit in the front – and don't peer too hard – and Chicken With Plums casts an undeniable spell. It is bold, exotic and distinctive, particularly during the animated angel of death sequence.- The Guardian
- Posted Aug 4, 2012
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Reviewed by
Peter Bradshaw
It's perfectly workable popcorn entertainment for the school holidays.- The Guardian
- Posted Aug 2, 2012
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Reviewed by
Peter Bradshaw
Dreams of a Life is a painful film, a Christmas film with no feelgood message, but one which I think would in fact have interested Charles Dickens. Watching it is an almost claustrophobic experience, but a very powerful and moving one.- The Guardian
- Posted Jul 30, 2012
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