For 6,576 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,493 out of 6576
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Mixed: 3,764 out of 6576
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Negative: 319 out of 6576
6576
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Henry Barnes
It's fun to watch Whedon pitch his heroes against each other. Child's play, maybe, but entertaining all the same.- The Guardian
- Posted Apr 22, 2012
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Andrew Pulver
Binoche rises above the lubricious material by giving a thoroughly detailed and committed performance as the journalist.- The Guardian
- Posted Apr 21, 2012
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Peter Bradshaw
It feels as if you've seen it many times before. Bill Nighy isn't in it, for example, and yet afterwards I had an intense memory of Bill Nighy being in it, the way amputees can feel their toes itching.- The Guardian
- Posted Apr 19, 2012
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Henry Barnes
Pearce has fun; world-weary in the style of a 15-year-old told one too many times to tidy his room – but shoddy special effects and the surface-level sass of the president's daughter leave this one spinning in low orbit.- The Guardian
- Posted Apr 19, 2012
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Andrew Pulver
What results is an immensely detailed overview of Marley's life and times, from the hillside Jamaican shack where he grew up to the snowy Bavarian clinic where he spent his last weeks in a fruitless attempt to cure the cancer that killed him in 1981, aged 36.- The Guardian
- Posted Apr 15, 2012
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Peter Bradshaw
However smart and sophisticated this film is, it may disappoint those who, in their hearts, would still like to be genuinely scared.- The Guardian
- Posted Apr 12, 2012
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Peter Bradshaw
One of those agonisingly well-intentioned films whose heart is in the right place, but everything else is wrong.- The Guardian
- Posted Apr 9, 2012
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Paul MacInnes
The film doesn't merit chinstroking: it's stuffed with Troma-style riffs around schlock, gore and human effluvia, bookended by Shallow Grave-like sections full of cynical machinations. The parts barely relate, never mind work together.- The Guardian
- Posted Apr 9, 2012
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Peter Bradshaw
With its pale, washed-out colour palette, its eerily slow, almost somnambulist pacing and occasionally bizarre emotional demonstrations, Post Mortem is strangely gripping.- The Guardian
- Posted Apr 8, 2012
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Xan Brooks
If it's possible for a picture to be at once ideal and imperfect, then Damsels fits the bill.- The Guardian
- Posted Apr 5, 2012
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Peter Bradshaw
The slightly slushy tone of celebration rather obtusely fails to engage with the nihilist, pessimist nature of Tatsumi's work. Anyway, an intriguing event.- The Guardian
- Posted Apr 4, 2012
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Peter Bradshaw
Nanni Moretti's new film is occasionally amusing, but is also a frustrating and directionless experience.- The Guardian
- Posted Apr 3, 2012
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Peter Bradshaw
It's evasive and feeble; Julia Roberts is not a properly funny or satisfying villain, and yet neither is she the interestingly flawed, even sympathetic figure she might have been if the film had kept the all-important question she asks the mirror.- The Guardian
- Posted Apr 2, 2012
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Andrew Pulver
It's not terrible, by any means: just not nearly as funny or cruel as its killer premise suggests.- The Guardian
- Posted Apr 1, 2012
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Henry Barnes
Dunham, who pads through much of this extremely well-written, often funny and very touching film in the semi-nude, doesn't give a damn about any of it.- The Guardian
- Posted Mar 29, 2012
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Peter Bradshaw
It is a sombre, thoughtful, restrained and often powerful piece of work.- The Guardian
- Posted Mar 29, 2012
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Peter Bradshaw
This Is Not a Film is a compelling personal document, a quietly passionate statement of artistic intent, and an uncompromising testament to his belief in cinema.- The Guardian
- Posted Mar 29, 2012
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Peter Bradshaw
It is effortlessly and unassumingly funny – and terrifically smart.- The Guardian
- Posted Mar 29, 2012
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Peter Bradshaw
Bill Nighy and Toby Kebbell liven things up in the supporting cast.- The Guardian
- Posted Mar 29, 2012
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Peter Bradshaw
Could Nasheed be the political Prospero to save the island – and the planet? Well, now he is out of power, and the Copenhagen summit was a disappointment. Perhaps his advocacy will help to bring the climate change issue back into political fashion.- The Guardian
- Posted Mar 29, 2012
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Peter Bradshaw
This is really very humdrum stuff compared to the electric strangeness of "Intact."- The Guardian
- Posted Mar 25, 2012
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Peter Bradshaw
Brutal, bloody and presided over by a portrait of Her Majesty the Queen, the Canadian ice hockey in this movie is a cross between Rollerball and a prison riot: harking back to the robust certainties of Paul Newman's 1977 bonecruncher "Slap Shot."- The Guardian
- Posted Mar 25, 2012
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Peter Bradshaw
The gimmick behind this excruciating propagandist movie about the US special forces' war on terror is that it features not actors but actual Navy Seals.- The Guardian
- Posted Mar 22, 2012
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Peter Bradshaw
The film is unafraid of emotion, unafraid of plunging into basic human ideas: the need for trust, and the search for love.- The Guardian
- Posted Mar 22, 2012
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Peter Bradshaw
Rachel Weisz performs with enormous intelligence and restraint.- The Guardian
- Posted Mar 18, 2012
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Peter Bradshaw
Dejah, with her seen-it-all-before smirk, is not a very sympathetic heroine, and Kitsch is stolid and dull. And as for the red planet, the answer to David Bowie's famous question is no. What a sadd'ning bore it is.- The Guardian
- Posted Mar 18, 2012
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Peter Bradshaw
It's indulgent, but Macdonald's performance is attractive and relaxed.- The Guardian
- Posted Mar 18, 2012
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Peter Bradshaw
It's a thriller in which the twists become so absurd that it becomes a kind of caper, but without the humour.- The Guardian
- Posted Mar 18, 2012
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Peter Bradshaw
It's a bit sucrose, especially at the beginning, but this traditional, sweet-natured family film will tug on the heartstrings.- The Guardian
- Posted Mar 16, 2012
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Peter Bradshaw
There is release at the end of this fine film, but no euphoria; just a sense of having come through a period of evil, the memory of whose darkness will never entirely lift.- The Guardian
- Posted Mar 16, 2012
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