The Guardian's Scores

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For 6,656 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
  1. Positive: 2,521 out of 6656
  2. Mixed: 3,814 out of 6656
  3. Negative: 321 out of 6656
6656 movie reviews
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  1. Borgman
    There's the frustrating sense of ideas bubbling too low beneath the surface, of mordant jokes serving as an end rather than a means.
  2. Blood Ties
    This hoary, hackneyed old cop-opera...is served with such relish that the fun proves infectious.
  3. Bastards
    Denis's drama intrigues more than it actually delivers...Sleight of hand is all well and good. But sooner or later a film must pay up.
  4. As I Lay Dying
    Franco's As I Lay Dying is a worthwhile movie, approached in an intelligent and creative spirit. The ensemble work from the actors is generally very strong, with a star turn from Nelson as the prematurely aged patriarch, and the story is presented lucidly and confidently.
  5. All Is Lost
    Redford delivers a tour de force performance: holding the screen effortlessly with no acting support whatsoever.
  6. Nebraska
    Nebraska may not be startlingly new, and sometimes we can see the epiphanies looming up over the distant horizon; the tone is, moreover, lighter and more lenient than in earlier pictures like Sideways. But it is always funny and smart.
  7. Shield of Straw
    It is put together with technical competence, but is entirely cliched and preposterous, and it implodes into its own fundamental narrative implausibility.
  8. Like Father, Like Son
    This is a sweet-natured, but essentially undemanding film from Kore-eda.
  9. Heli
    The film functions as clammy thriller as well as poetic agitprop.
  10. The Congress
    The Congress contains tricks aplenty and ideas in abundance. The problem comes in herding these scattered, floating elements towards a satisfying whole.
  11. Only God Forgives
    Only God Forgives will, understandably, have people running for the exits, and running for the hills. It is very violent, but Winding Refn's bizarre infernal creation, an entire created world of fear, really is gripping. Every scene, every frame, is executed with pure formal brilliance.
  12. Ping Pong
    Director Hugh Hartford does not patronise his stars, although perhaps there is something too gently celebratory and obviously feelgood about the film. These dynamic table-tennis stars put the rest of us to shame.
  13. In the Fog
    In the Fog is an intense, slow-burning and haunting drama.
  14. Inside Llewyn Davis
    Brilliantly written, terrifically acted, superbly designed and shot; it's a sweet, sad, funny picture about the lost world of folk music which effortlessly immerses us in the period.
  15. Twixt
    It's a film which fatally fails to hold your focus: events seem both predictable and mumbled; the monochrome looks grubby, the splashes of colour and blood joke shop cheap.
  16. Adventures of the Penguin King
    There are some nice images of the teeming penguin population, and great fun to be had witnessing the love life, and indeed sex life, of penguins. It does have to be said, though, there is a fair bit of Disneyfication going on.
  17. The Bling Ring
    The final notes of irony and repudiation may be laboured and obvious, but this is an intriguingly intuitive and atmospheric movie.
  18. A Hijacking
    Danish director Tobias Lindholm spins an exacting drama out of a crisis on this deft, verite-style account of Somali piracy in the Indian ocean. Full credit to A Hijacking for resisting the siren-call of Hollywood histrionics in favour of the nuts-and-bolts.
  19. I Give It a Year
    The result is funny and plausible, with a fair bit of newly modish Bridesmaidsy bad taste, though I kept getting the sense that the romcom template meant Mazer couldn't really let rip with pure comedy pessimism and cynicism in the way he might have liked.
  20. Berberian Sound Studio
    Utterly distinctive and all but unclassifiable, a musique concrète nightmare, a psycho-metaphysical implosion of anxiety, with strange-tasting traces of black comedy and movie-buff riffs. It is seriously weird and seriously good.
  21. You Will Be My Son
    It's all a bit absurd, but Legrand handles the absurdity with some style, and there is something clever in making an apparently minor character responsible for a major narrative flourish. An enjoyable spectacle.
  22. I'm So Excited
    It's all watchable and pretty funny, and the big setpiece is the three wildly queeny stewards Joserra, Fajas (Carlos Areces) and Ulloa (Arévalo) going into a drug-fuelled song-and-dance routine: a rendering of the Pointer Sisters' I'm So Excited.
  23. Gimme the Loot
    Some of the movie doesn't exactly convince, and some of the scenes have an actors-improv feel to them, but there's always plenty of humour and energy.
  24. Dead Man Down
    Director Niels Arden Orpev was in charge of the original "Girl with the Dragon Tattoo," starring Rapace, but fails to create a revenge thriller with anything like the same focus.
  25. Star Trek Into Darkness
    People are unlikely to charge out of the cinema with quite the same level of glee as they did in 2009; but this is certainly an astute, exhilarating concoction.
  26. 1st Night
    Grant plays it with manic glee and full-throated gusto.
  27. The Iceman
    As a demonstration of the banality of evil, The Iceman is certainly effective and Shannon's performance gives the film its power.
  28. Bernie
    Black's performance is a revelation: foregoing his usual repertoire of jiggling, tics and head-waggling craziness, Black ensures Tiede is a satirical creation of considerable substance. Really impressive.
  29. The ABCs of Death
    The most intentional fun comes courtesy of N (for Nuptials).
  30. What Richard Did
    What Richard Did is an engrossing and intelligent drama that throbs in the mind for hours after the final credits.
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