The Guardian's Scores

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For 6,656 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
  1. Positive: 2,521 out of 6656
  2. Mixed: 3,814 out of 6656
  3. Negative: 321 out of 6656
6656 movie reviews
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  1. The Wolverine
    The flat hammerblows of The Wolverine bear little relation to the zing and pop of Matthew Vaughn's colourful treatment. Inconsistency is inevitable in a world that's constantly being dug up and done over, but it leaves us no time to fall in love with anything being flung at us.
  2. Blood
    Originality may be out of Blood's jurisdiction, but it manages to plod on, dutifully walking a tired old beat.
  3. Broken
    There are some good ideas, strong moments and a blue-chip cast in Broken, the feature-film debut from award-winning theatre and opera director Rufus Norris. But they somehow don't come together successfully.
  4. Blancanieves
    It is extremely pleasurable to watch, and shows every sign of having been extremely pleasurable to make.
  5. Citadel
    Foy's talent lies in suggesting horror, not delivering it.
  6. The Lone Ranger
    The spirits fly in and out of The Lone Ranger at random. It's nice to see them come and go. I just wish they'd stay for longer.
  7. Sweetgrass
    This beautiful and hypnotic documentary shows the agony and the ecstasy of herding sheep up into Montana's Beartooth mountains for the summer pasture.
  8. The Stone Roses: Made of Stone
    Meadows is clearly not interested in lifting the biographical lid on anyone, just getting alongside the band, and picking up on their energy, vulnerability and excitement. He has no agenda; he just loves the Stone Roses, and it's a great, heartfelt tribute.
  9. Pacific Rim
    Pacific Rim's wafer-thin psychodrama and plot-generator dialogue provides little for the human component to get their teeth into.
  10. Fruitvale Station
    The robust acting and sharp sense of the Bay Area milieu glides us nicely over the film's few soft patches.
  11. The Wall
    Julian Roman Pölsler's bewitching debut manages to be at once a creepy sci-fi parable, a feminist Robinson Crusoe and a clear-eyed ode to the wonders of nature experienced in solitude. Walden pond with added wall.
  12. Pussy Riot: A Punk Prayer
    This documentary by Mike Lerner and Maxim Pozdorovkin argues that Pussy Riot suffered an old-fashioned Soviet show trial, and what emerges is the effrontery and hypocrisy of Putin's attempt to associate these three young women with the Bolsheviks' suppression of religion.
  13. Paris-Manhattan
    By itself, this would just be one of those workmanlike relationship films the French turn out by the yard; but all the Allen stuff throws its mediocrity into sharp relief.
  14. Chasing Mavericks
    The script's a drowner, the acting's awash. Again and again Butler returns to the sea. He just about survives the buffeting.
  15. The Internship
    There is a creepy, undead feel to this lumbering comedy set in the offices of Google, and Owen Wilson and Vince Vaughn have a distinct Baron Samedi look in their eyes.
  16. Now You See Me
    Overcooked, overcomplicated and underinteresting, this heist caper turns into a mess.
  17. A Field in England
    Wheatley's new film is grisly and visceral, an occult, monochrome-psychedelic breakdown taking place somewhere in the West Country during the civil war.
  18. The Crash Reel
    A crash reel – a greatest hits of a boarder's most dramatic falls – is meant to entertain. But Walker takes the cheap thrills of the format and flips it painfully on its head.
  19. This Is the End
    Some funny stuff, but a rental/download only.
  20. Renoir
    A syrupy drizzle of tasteful prettiness covers this cloying movie about the painter Pierre-Auguste Renoir (Michel Bouquet) and his film-maker son Jean Renoir (Vincent Rottiers).
  21. Stand Up Guys
    Some nice touches, though it needs to be indulged.
  22. The East
    The East – a sleek thriller clogged by its noble message – heads south. It becomes sanctimonious, makes you contrary. I left craving a Big Mac.
  23. Venus and Serena
    The sisters themselves reveal a little, mostly because of Serena's unguarded imperiousness; but as a study of sports supercelebrity it's a tad subdued.
  24. Despicable Me 2
    Nothing here to challenge anything from the Pixar golden age, but Despicable Me 2 is a sweet-natured family film.
  25. Thanks for Sharing
    Shame was erotic compulsion turned into opera, full of sombre vibrato. Thanks for Sharing is probably the more realistic, as well as more mainstream, and there's a generous pinch of very funny lines, mostly bestowed on Robbins.
    • 60 Metascore
    • 80 Critic Score
    Breathe In
    The story of the ingenue who enters the fold and awakens deep feelings is nothing new, but Doremus makes it all utterly captivating. He mines just the right amount of drama and spontaneous comedy from each moment and the foreshadowing is perfectly weighted.
  27. Adore
    An incredibly provocative piece of work, featuring a brave and vulnerable performance by Naomi Watts (who seems perhaps a little too young) and a career-high acting masterclass from Robin Wright (who is cast perfectly).
  28. Snitch
    Good intentions are all but submerged in nonsense.
  29. Before Midnight
    Before Midnight is intimate and intelligent, and also undemanding in the best possible way,
  30. The Look of Love
    This is a shallow but watchable movie, and it nicely conveys the world of semi-respectable Soho porn, sadder and tattier than its sleazier end, with its desperate champagne lunches and dreary afternoon hangovers.
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