For 6,577 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,494 out of 6577
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Mixed: 3,764 out of 6577
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Negative: 319 out of 6577
6577
movie
reviews
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- Critic Score
The Conversation is an immaculate thriller, a study in paranoia and loneliness, long in gestation, partly inspired by Antonioni's Blow-Up, and released as the Watergate scandal was unfolding.- The Guardian
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Reviewed by
Peter Bradshaw
There is such artistry and audacity in this new film by the 30-year-old Chinese director Bi Gan. Long Day’s Journey Into Night, a hallucinatory experience whose sinuous camera movements take you on a long journey into memory and fear and a night full of dreams.- The Guardian
- Posted Dec 23, 2019
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Olivier has made a superbly dramatic film, in which by variations of tempo, by superb acting on the part of the awe-inspiring cast, and by a wonderful knack of indicating the side-shows while maintaining the main theme of Richard's own drama, he has cheated the clock. His long film never, or hardly ever, seems long.- The Guardian
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Wild Strawberries, which, while scarcely a bag of laughs, has a compassionate view of life that best illustrates the more optimistic side of Bergman's puzzled humanity.- The Guardian
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- The Guardian
- Posted Apr 25, 2023
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Peter Bradshaw
Ingmar Bergman's dark masterpiece effortlessly sees off the revisionists and the satirists; it is a radical work of art that reaches back to scripture, to Cervantes and to Shakespeare to create a new dramatic idiom of its own.- The Guardian
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Peter Bradshaw
Pure evil is all around in this unnervingly subtle, sophisticated movie; an eerie oppression in the air.- The Guardian
- Posted Oct 14, 2021
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Peter Bradshaw
The film is pitched with insouciant ease and a lightness of touch at both children and adults without any self-conscious shifts in irony or tone: it’s humour with the citrus tang of top-quality thick-cut marmalade.- The Guardian
- Posted Oct 31, 2017
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Andrew Pulver
Despite the opaque story line, their film is a glittering, perfectly honed artifice; but what pushes it into the Coen premier league is the sense that, as with Fargo, there's something very personal going on here.- The Guardian
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Peter Bradshaw
The Death Of Stalin is superbly cast, and acted with icy and ruthless force by an A-list lineup. There are no weak links. Each has a plum role; each squeezes every gorgeous horrible drop.- The Guardian
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Strangers is full of marvellous set pieces and uses the architecture of Washington to dramatic effect.- The Guardian
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Peter Bradshaw
This film, so apparently forbidding and opaque the way many Ceylan films initially are, has in fact something engrossing in its garrulous and wide-ranging quality: a literary quality in fact.- The Guardian
- Posted May 21, 2023
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Peter Bradshaw
Hard Truths is a deeply sober, sombre, compassionate drama about a black British family, with flashes of fun and happiness that are emollient if not exactly redemptive.- The Guardian
- Posted Sep 7, 2024
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Leslie Felperin
Putting aside the worthiness of its politics, this is also a crackling, tense thriller, graced with beautifully measured performances, that explores with wisdom and sorrow the best and worst in human nature.- The Guardian
- Posted Oct 26, 2015
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Xan Brooks
Those familiar with McDonagh’s work will be unsurprised to learn that Three Billboards is a bold and showboating affair, robustly drawn and richly written; a violent carnival of small-town American life. Yet it has a big, beating heart, even a rough-edged compassion for its brawling inhabitants.- The Guardian
- Posted Sep 9, 2017
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Phil Hoad
Sadly, the problems affecting the Raineys, the African American family whose north Philadelphia home accommodates this heartening documentary, are all too familiar: poverty, drugs, gun violence.- The Guardian
- Posted Dec 7, 2017
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Peter Bradshaw
It remains breathtakingly good. There is a miraculous, unforced ease and naturalness in the acting and direction; it is classic movie storytelling in the service of important themes.- The Guardian
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Henry Barnes
Things to Come is a smart, earnest undertaking: an exploration of the insecurity that can hit any of us, at any age, when we start to question the life we’ve built.- The Guardian
- Posted Feb 15, 2016
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Andrew Pulver
With this film, Anderson has built a thoroughly likable vision of a prewar Europe – no more real, perhaps, than the kind of Viennese light-operetta that sustained much of 1930s Hollywood – but a distinctive, attractive proposition all the same. It's a nimblefooted, witty piece, but one also imbued with a premonitory sadness at the coming conflagration.- The Guardian
- Posted Feb 6, 2014
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Adrian Horton
At its best, writer/director Clint Bentley and co-writer Greg Kwedar have crafted a gorgeous and poignant film of quiet, bruised life in a fragile place, anchored by a magnificently sensitive and restrained performance from the still-underrated Edgerton.- The Guardian
- Posted Jan 29, 2025
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Xan Brooks
In fits and starts, this is a stunning picture. At its best, Winter Sleep shows Ceylan to be as psychologically rigorous, in his way, as Ingmar Bergman before him.- The Guardian
- Posted May 24, 2014
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Peter Bradshaw
For one star to get an award, a handful of defeated nominees have to swallow their pain, as the spotlight moves away from them. For one star to deliver the shock of the new, another one has to receive the shock of the old. A Star Is Born turns that transaction into a love story.- The Guardian
- Posted Aug 31, 2018
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Reviewed by
Peter Bradshaw
Citizenfour is a gripping record of how our rulers are addicted to gaining more and more power and control over us – if we let them.- The Guardian
- Posted Oct 13, 2014
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It keeps all the power of a live performance while simultaneously adding a filmic pizzazz including some breathtaking aerial shots. There is extraordinary direction – again under Kail – so that the cameras capture the mise en scène of theatre without losing any of the closeup intimacy of film.- The Guardian
- Posted Jun 30, 2020
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Benjamin Lee
It’s a difficult, often quite brutal, viewing experience, as it needs to be given the subject matter, not only because of the fractured storytelling but because of the devastating lead performance from Hopkins.- The Guardian
- Posted Feb 1, 2020
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Reviewed by
Peter Bradshaw
Foxtrot is a movie from Israeli writer-director Samuel Maoz that is structurally fascinating yet also structurally flawed: its accumulations of ambiguity and mystery are jettisoned by a whimsical final reveal.- The Guardian
- Posted Feb 27, 2019
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Andrew Pulver
Filmed with a luminous brilliance by cinematographer Freddie Francis, The Innocents is the apotheosis of old-school Brit spookiness.- The Guardian
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Peter Bradshaw
This is fiercely powerful storytelling, simple and muscular in one way, but also conveying nuance and sophistication in its depiction of character.- The Guardian
- Posted Apr 2, 2018
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Reviewed by
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- The Guardian
- Posted May 13, 2018
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- The Guardian
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