For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
|---|---|---|
| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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- The Globe and Mail (Toronto)
- Posted Jul 5, 2013
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Reviewed by
Liam Lacey
It’s a hybrid drama/art-history essay about how looking at art recasts our experience of looking at the world.- The Globe and Mail (Toronto)
- Posted Jul 5, 2013
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Reviewed by
Liam Lacey
Eccentric and misguided enough to be almost perversely fascinating, the film doesn’t lack nerve; it’s just not very good.- The Globe and Mail (Toronto)
- Posted Jul 3, 2013
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Reviewed by
Liam Lacey
An animated sequel that, despite not achieving the inspired lunacy of the first movie where Gru literally steals the moon, is smartly calculated to deliver squeals to kids and amusement to accompanying adults.- The Globe and Mail (Toronto)
- Posted Jul 2, 2013
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Reviewed by
Liam Lacey
Formula action films don’t come much more formulaic that this.- The Globe and Mail (Toronto)
- Posted Jun 27, 2013
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As it turns out, making money selling drugs is pretty win-win as far as it goes, but keeping it is another matter. So the title isn’t so much a joke as a bleak comment on a desperately cynical economy: In the drug trade, as well as the dubious “war” declared against it, everybody ultimately loses.- The Globe and Mail (Toronto)
- Posted Jun 27, 2013
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Reviewed by
Rick Groen
In the end, then, just Vanessa Redgrave and Terence Stamp and those voices – their solos contain this picture like carved book-ends, vintage and lovely and still so profoundly of use.- The Globe and Mail (Toronto)
- Posted Jun 27, 2013
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Reviewed by
Liam Lacey
A bit thin on plot, but an unequivocal technical tour de force.- The Globe and Mail (Toronto)
- Posted Jun 27, 2013
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Rick Groen
If this were funny, The Heat would add up to your average buddy-cop comedy. Except that it’s not funny, at least not very and not often.- The Globe and Mail (Toronto)
- Posted Jun 27, 2013
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Reviewed by
Rick Groen
How do you make a movie about shallow people in a shallow culture and not end up with a shallow movie? For writer-director Sofia Coppola, the answer is to dramatize a story “based on actual events,” then to step back and present it as a case study in pure anthropology.- The Globe and Mail (Toronto)
- Posted Jun 21, 2013
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Liam Lacey
The background designs are beautiful and there are plenty of lively sight gags, but magic isn’t in the cards.- The Globe and Mail (Toronto)
- Posted Jun 21, 2013
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Reviewed by
Liam Lacey
Leave it to Brad Pitt, producer and star of World War Z, to try to put the zip back in zombie.- The Globe and Mail (Toronto)
- Posted Jun 20, 2013
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- The Globe and Mail (Toronto)
- Posted Jun 14, 2013
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It’s a pleasant surprise, therefore, to see what Whedon has done with the Bard’s timeless comedy Much Ado About Nothing.- The Globe and Mail (Toronto)
- Posted Jun 14, 2013
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Reviewed by
Liam Lacey
Here are a few adjectives that do not apply to the new Superman movie: Beguiling. Frisky. Nuanced. Quiet. Even the title, Man of Steel, sounds too flighty for this film. Man of Lead, or Man of Plutonium, maybe.- The Globe and Mail (Toronto)
- Posted Jun 13, 2013
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Rick Groen
There are a few laughs at the start of This Is the End, and a couple more at the end of This is the End. As for the endless middle, it’s middling.- The Globe and Mail (Toronto)
- Posted Jun 12, 2013
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For those who have read the book, this contemporary adaptation of a once avant-garde story feels exactly right.- The Globe and Mail (Toronto)
- Posted Jun 12, 2013
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Liam Lacey
The portrait of the ailing artist is bittersweet, but when Helms sings or plays, the look on his face is pure joy.- The Globe and Mail (Toronto)
- Posted Jun 6, 2013
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Reviewed by
Rick Groen
It plays like documented fact, a kind of "7 Up" primer on life’s romantic vicissitudes.- The Globe and Mail (Toronto)
- Posted Jun 6, 2013
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The foundation of a much better movie is buried somewhere beneath the debris that’s too quickly piled on to The Kings of Summer, but there’s something at least strangely organic in its abandonment of a sturdier architectural project.- The Globe and Mail (Toronto)
- Posted Jun 6, 2013
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James Adams
Unfortunately, The East is not a very good movie, hobbled by an excess of plot, a lack of believability and big gaps of logic.- The Globe and Mail (Toronto)
- Posted Jun 6, 2013
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Liam Lacey
Though by no means a good movie, The Internship floats along for fairly well for about half its length, thanks to the easy interplay between the two stars and a certain melancholic topicality.- The Globe and Mail (Toronto)
- Posted Jun 6, 2013
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Rick Groen
So, fans, gear up for rock-em-sock-em action, yet don’t be disappointed if much of the goonery seems a bit tepid and, dare I say, staged.- The Globe and Mail (Toronto)
- Posted Jun 6, 2013
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At once a departure from and a follower of teen-movie form, and the fact of the former almost forgives the fate of the latter.- The Globe and Mail (Toronto)
- Posted Jun 6, 2013
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Erased, I predict, is a word that will be used to describe what happens to your memory of this cloned facsimile of a movie immediately after watching it.- The Globe and Mail (Toronto)
- Posted May 31, 2013
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A potentially incisive character study is buried under layers of fluff in The English Teacher.- The Globe and Mail (Toronto)
- Posted May 31, 2013
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Reviewed by
Liam Lacey
While the story, shorn of its supernatural elements, is mired in abuse and tragedy, its effect is sensual and superficial.- The Globe and Mail (Toronto)
- Posted May 31, 2013
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Reviewed by
Liam Lacey
There’s a fine line sometimes, as "This is Spinal Tap" reminded us, between stupid and clever. Now You See Me wobbles along that tightrope for much of its running time.- The Globe and Mail (Toronto)
- Posted May 30, 2013
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That there are no surprises (jumps, yes, surprises, no) should surprise no one – Will Smith movies must uplift the human spirit and reaffirm our best instincts while reassuring us that our ticket money has been well invested.- The Globe and Mail (Toronto)
- Posted May 30, 2013
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Reviewed by
Rick Groen
An overdose of sympathy makes for a wispy picture, likeable certainly but lacking in crispness and clarity.- The Globe and Mail (Toronto)
- Posted May 23, 2013
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