The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. This is a miniature classic, a pulp tragedy. [29 Sep 1990]
    • The Globe and Mail (Toronto)
  2. No, this isn't the Care Bears. But it is a compelling yarn, in a Grimm sort of way, a throwback to a time when storytellers felt freer to tap the emotional currents that run deep and often dark in all children, and when the stories themselves formed a moral maze that trusted the kids to find their own way home.
    • The Globe and Mail (Toronto)
  3. This is an exhilarating picture, the kind that strips away smug complacencies and exposes raw nerves to a bright light. [14 Sep 1990, p.C4]
    • The Globe and Mail (Toronto)
  4. What My Blue Heaven has going for it: one funny premise and two earthly delights, in the comic persons of Steve Martin and Rick Moranis. What My Blue Heaven does not have going for it: anything remotely resembling a cohesive script. [22 Aug 1990, p.C4]
    • The Globe and Mail (Toronto)
  5. What's shocking about The Exorcist III is that it's a civilized albeit undemanding entertainment, more Hitchcock than Hellraiser. [20 Aug 1990]
    • The Globe and Mail (Toronto)
  6. There are some laughs here and the cast is accomplished, but this patchwork comedy is a tad threadbare. The bottom-line school of filmmaking. [18 Aug 1990]
    • The Globe and Mail (Toronto)
  7. The problem with the taboo-busters is that they feel calculated - in the past, Lynch's creepiness seemed casual and natural - and they take Wild at Heart so high it can't come down; the picture repeatedly jacks itself into frenzy only to crash into lethargy.
  8. Air America, starring Mel Gibson's big blue eyes and Robert Downey, Jr.'s big brown biceps, is bland and toothless. [15 Aug 1990]
    • The Globe and Mail (Toronto)
  9. The Two Jakes itself is less tragic than petulant, mired in a self-pitying remembrance of things past. [10 Aug 1990]
    • The Globe and Mail (Toronto)
  10. Once the riffs are over and put into place, Mo' Better Blues is approximately one-third fabulous, one-third boring, and one-third infuriating. [06 Aug 1990]
    • The Globe and Mail (Toronto)
  11. There is a dearth of novelty in Young Guns II, but screenwriter Fusco proceeds as if the material were not familiar and seems to be having a hell of a time exposing it to an audience of teen-agers who wouldn't know John Ford from Ford Fairlane. [03 Aug 1990]
    • The Globe and Mail (Toronto)
  12. Pakula has staged Presumed Innocent with gravity - reverence, almost - and makes the most of the darkly elegaic images provided by cinematographer Gordon Willis. The careful, classical stateliness of the movie, with every picture planned and in its place, is in sharp ironic contrast to the legal chaos it exposes. [27 July 1990]
    • The Globe and Mail (Toronto)
  13. The Unbelievable Truth is just that - epistemology served up with pop panache and a comic twist. [27 Jul 1990]
    • The Globe and Mail (Toronto)
  14. Not nearly that bad, hardly that good - just an amiable, good-natured, fun-loving flick with moments of low comedy that will be remembered for . . . well, hours, maybe. [20 July 1990]
    • The Globe and Mail (Toronto)
  15. A rip-off of The Birds, but not as scary. [21 July 1990]
    • The Globe and Mail (Toronto)
  16. It's an unpredictable, mesmerizing journey nearly every shady second of the way.
  17. Delightfully inventive, consistently funny, clever but not slick, brisk yet never antic, Quick Change is the perfect cinematic date - a summer film for all seasons, the kind of sharp-edged picture that gives lightweight a good name. [14 Jul 1990, p.C3]
    • The Globe and Mail (Toronto)
  18. Consequently, as star vehicles go, Ford Fairlane runs straight over the very guy it's meant to transport. Some will see that as the movie's greatest fault, others as its only virtue. Take your pick, and come out swinging. [13 Jul 1990, p.C1]
    • The Globe and Mail (Toronto)
  19. Not surprisingly, the menage breaks down in the first few frames, depriving us on two counts - we get neither the smart-aleck naivete of yesterday nor the self-conscious slickness of today. [6 July 1990]
    • The Globe and Mail (Toronto)
  20. The deployment of the hardware may be extraordinary, but it doesn't overshadow the human dimension of this summer sequel. [4 July 1990]
    • The Globe and Mail (Toronto)
  21. Days of Thunder relies on charm, loud noise and a few racing sequences to print money with Cocky's visage on the bills: there can be no suspense because there can be no possibility Cocky will lose. [29 Jun 1990, p.C1]
    • The Globe and Mail (Toronto)
  22. For fans of violent but clever action films, RoboCop 2 may be the sultry season's best bet: you get the gore of Total Recall and the satiric smarts of Gremlins 2 The New Batch in one high-tech package held together by modest B-movie strings. [22 June 1990]
    • The Globe and Mail (Toronto)
  23. It's awfully hard to think of Alan Alda as an auteur. There's just nothing remotely distinctive about his feature work, except perhaps a sitcom softness at the centre - forgettably sweet to those who like that sort of thing, forgettably saccharine to those who don't, but forgettable in either case. [22 Jun 1990]
    • The Globe and Mail (Toronto)
  24. A superior sequel to an amusing original. A new batch of slapstick and satire. [16 Jun 1990]
    • The Globe and Mail (Toronto)
  25. The first 48 HRS. was similiarly nasty and violent, and it too was emptier than the inside of an efficient bell jar, but it was funny. Eight years later, director Walter Hill can find nothing to laugh about - the violence in this appalling picture is played out in a mirthlessly misanthropic vacuum. [8 Jun 1990, p.C1]
    • The Globe and Mail (Toronto)
  26. Guilty of gross mellerdrammer & innocent of sophistication... Guilty of being dumber than WWF wrestling & innocent of hypocrisy about its cartoon violence.
  27. If nothing else (and there isn't much else), Part III rises above the wholesale clutter of its immediate predecessor, then contents itself with settling into an easy commercial groove. What remains is amiable kid's stuff, as sweetly forgettable as an orange Popsicle on a summer's day. [25 May 1990, p.C4]
    • The Globe and Mail (Toronto)
    • 31 Metascore
    • 30 Critic Score
    Once it is said that the helicopters are good and the movie is bad, there isn't much left to say about Fire Birds. [26 May 1990]
    • The Globe and Mail (Toronto)
  28. Cadillac Man starts slowly, makes a sharp right turn, accelerates hard, then coasts to a limp finish. The verdict: not a bad run. Stacked up against the typical field of Hollywood comedies, this one places a respectable second - definitely short of the top rank, but a mile ahead of the mirthless pack. [18 May 1990]
    • The Globe and Mail (Toronto)
  29. Obviously a great respecter of rules, John Badham directs with a metronome, here some glossy action, there some witless banter, dispensing the two like different colored Smarties popped from the box. The bird in Bird On A Wire is a turkey. [19 May 1990]
    • The Globe and Mail (Toronto)

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