The Globe and Mail (Toronto)'s Scores

For 7,302 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7302 movie reviews
  1. Rabid is a limp satire with a lacklustre female protagonist, and this shallow remake of a cannibalistic rabies attack film barely leaves a mark.
  2. It isn’t hard to find all the many ways in which this film exhausts both itself and Lisbeth. It is time, already, to give this Girl a rest.
  3. Think of a really bad, uncensored Saturday Night Live comedy sketch. Then make it worse – make it longer.
  4. The unruly pack of subplots make The Shaggy Dog much more convoluted than it needs to be. But Allen's physical comedy as man-becoming-dog, and his non-stop monologue as man-dog, are definitely worth a trip to the matinee.
  5. Maleficent 2: Mistress of Evil is a misfire, despite its wonderful title, which feels plucked straight from an Elvira movie.
  6. Biggs, in particular, seems positively frozen by his imitative efforts -- less Woody than wooden. Ricci is a bit looser, and has the added advantage of hiding behind those saucer-eyes.
    • 43 Metascore
    • 75 Critic Score
    Director John McTiernan (Predator, Die Hard, The Hunt for Red October) is a dab hand at combining stunning scenery, fast-paced action and sharp dialogue and the film easily transcends the weaknesses of its plot. [07 Feb 1992]
    • The Globe and Mail (Toronto)
  7. So if you can get through this headache of a script and Lee’s unwavering commitment to choreographed dance numbers, there are some funny times in store.
  8. A sweet and sloppy jumble of fantasy, sentimentality, comedy and soul-searching that feels like a sitcom that never got past the pilot stage.
  9. Today's Total Recall does nothing to tarnish the image of yesterday's – 22 years from now, I expect it to be hailed as a classic.
  10. Slick and slight.
  11. This is a frustrating film that takes its cutesy title way too literally.
  12. An ill-considered, utterly unnecessary remake of the 1941 pulp classic "The Wolf Man" starring Lon Chaney Jr.
  13. Sappy and predictable.
  14. How's this for a ringing endorsement: Watching Youth Without Youth, Francis Ford Coppola's first film in nearly a decade, is like taking a philosophy exam. A really tiring philosophy exam, where the questions are elegantly phrased but damn confounding and not really conducive to right answers.
  15. Contrast this to "The Iron Lady," a film which managed to be both obnoxiously condescending and flattering to the divisive British leader Margaret Thatcher, and left those of all political stripes irritated. The Lady, devoid of either iron or irony, is merely forgettable, a much deeper insult to its subject.
    • 43 Metascore
    • 63 Critic Score
    This good movie could have been great if writer Akiva Goldsman had been able to -- or been permitted to -- dump the boundaries of the TV source altogether.
  16. Heartstrings are pulled like a puppy’s leash; nothing much unpredictable happens.
    • 43 Metascore
    • 50 Critic Score
    It’s light research, worn heavily, and the romance that ensues feels just as about as studied and slight.
  17. 360
    To their credit, both Meirelles and his cast infuse as much realism into the artifice as they can muster, but it's not nearly enough. The too-neat script boxes them in, and leave us out. In that sense, 360 doesn't so much connect our shrunken world as strangle the life from it – the circle feels like a noose.
  18. While it’s not as much of a slow-burn of psychological torture as Bertino’s original, Chapter 1 sticks to the course and doesn’t let up on its lead characters once.
  19. The plot creaks along reasonably effectively and Sellers' solo sequences - the disguises, the pratfalls and the speech mannerisms - are familiar, but fun. [18 Dec 1982]
    • The Globe and Mail (Toronto)
  20. Price has written a screenplay that may be complex and ambitious to a fault.
  21. Yes, Final Destination 3 is a roller-coaster ride of a movie from start to -- well, only about 10 minutes later. The fun part is over and we settle down to watch a sadistic assembly line of characters making premature exits.
  22. The film is neither heartbreaking nor thrilling, often feeling like a blown-up version of a Hallmark flick-of-the-week, its ambitions far greater than its capabilities.
  23. Director Roger Donaldson ("Smash Palace," "No Way Out," "Species"), working from a script by Leslie Bohem ("Daylight"),does a serviceable job, wrapping his narrative around the big kabooms, but the real interest comes from the extraordinary barrage of sound and spectacle.
  24. Actually, as Eddie Murphy PG comedies go, Meet Dave isn't bad. In fact, it's kind of sweet, innocent almost – kid-friendly in the best sense.
    • 43 Metascore
    • 50 Critic Score
    A low-budget American horror film that's already established itself as a fan favourite, Malevolence flaunts all the trappings of an old-school slasher flick.
  25. The message the movie preaches? The ills of a consumer society, I guess - all those needful things needlessly bought. And the best way to put that preaching into practice? Shut your wallet and pass on this little treat. [27 Aug 1993]
    • The Globe and Mail (Toronto)
  26. Today, the 1985 novel is the No. 1-selling paperback in North America. Sadly, the movie is a bonfire where the novel was a blaze of fireworks.

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