The Globe and Mail (Toronto)'s Scores

For 7,299 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7299 movie reviews
  1. By the time the film reaches its obvious conclusion – by the time Hart expends more energy than Bugs Bunny, by the time the espionage plot twists itself into corners too convoluted for even "Homeland" fans, by the time Thurber exhausts the audience by unleashing cameo after cameo – it’s only Johnson who remains standing tall.
    • 42 Metascore
    • 50 Critic Score
    A potentially incisive character study is buried under layers of fluff in The English Teacher.
  2. Between the swash and the buckle, Reynolds comes up completely dry - the connecting scenes lack any rhythm or pace. And Costner looks every bit as uncomfortable as he sounds - the British actors, especially Rickman, blow him off the screen. [24 June 1991]
    • The Globe and Mail (Toronto)
  3. In an irony, Godard’s certainly aware of (after all, he constructed it), Goodbye is noteworthy for being shot in 3-D, a calling card of the cookie-cutter Hollywood movies it couldn’t have less to do with.
  4. A high-pedigree, low-interest affair that serves mostly as an exercise in postmortem speculation: Why is a project with so many prominent names attached to it so sterile and lifeless?
  5. Robert Downey Jr., the kid who holds his own against James Woods in "True Believer", gives Chances Are what charm it has, but there's no saving this mystical romantic mess. It's fitting that the sexy and funny Downey has been cast as a soul trapped in another body - in Chances Are, he's imprisoned in a sitcom that's all situation and no comedy. [10 March 1989]
    • The Globe and Mail (Toronto)
  6. The whole picture plays like a pop-up book in a welfare agency.
    • 40 Metascore
    • 50 Critic Score
    No one knows why bad things happen to good people. But we do know why bad things happen to good film ideas. They get ruined by poor scripts and indifferent direction. The evidence desemaine– Shrink.
  7. Mediocre movie.
  8. Coming from writers responsible for such material as "Snow Dogs" and "The 6th Day," National Treasure is not so much a no-brainer as a brain-stunner, so audaciously ridiculous you are initially intrigued, then soon irritated by its incoherence.
    • 56 Metascore
    • 50 Critic Score
    Not nearly as smart as it should be.
  9. Beneath the polished surface, Dead Poets Society is moribund at the core - too pat, too safe and too hypocritical, as conformist as the conformity it so easily decries.
  10. A mere action suspense adventure lacking the depths of the original. [14 July 1989]
    • The Globe and Mail (Toronto)
  11. Pretty routine, pretty forgettable. Don't know how else to say this, so best to be frank: I'm just not that into He's Just Not That Into You.
  12. There's a whole lot of "American Beauty" and "The Ice Storm" packed into Lymelife.
  13. The result is nothing if not a curiosity piece.
  14. Leaves us with is sporadic showers of laughs for kids under 10. That's a shame, because the film could have been a delight for everyone, if only it hadn't learned to behave.
  15. The Imaginarium of Doctor Parnassus takes us deep into the imagination of Terry Gilliam, which once was a splendid place to visit. And might prove so again. But not here, because this film is less a coherent exercise of imagination than a haphazard lecture on its importance, a lecture that eventually dwindles into self-indulgence.
  16. The Super Bowl MVP is awarded a trip to Disneyland. Maybe in the future, he should be awarded a part in an Adam Sandler movie. There is no bigger male fantasy land.
    • 43 Metascore
    • 50 Critic Score
    The scenes between Stewart and co-star Nicholas Hoult tend to be long and lingering, even bordering on dull, and the melodramatic music grows bothersome. By the time it reaches its abrupt ending, the only emotion audiences might be left with is boredom.
  17. As the obscenities of wealth accumulate while a large cast of Asian and Eurasian actors render their many silly characters, the source of the laughter becomes troubling.
  18. There’s a scene in a members-only club where Wyatt and Goddard meet, giving the two veteran actors the chance to go eyeball to eyeball for a couple of minutes of barbed dialogue. It almost makes the movie worth it.
  19. Despite some fine performances, what should be a crystalline epic is a sloppy and sentimental tale of family life. Sterling performances in a leaden script. [05 Oct 1990]
    • The Globe and Mail (Toronto)
    • 37 Metascore
    • 50 Critic Score
    Somewhere between its loutish humour and laudable sentiments are the traces of a good buddy movie that could, at the very least, have been harmless summer fun.
  20. The plot and most action sequences here are as cookie-cutter as the community homes Quan’s Gable is selling.
    • 49 Metascore
    • 50 Critic Score
    A bizarre and flawed movie. It serves up the 1991 siege of Vukovar with a crazed Balkan bloodthirstiness that is shocking and sickening to watch, far beyond anything usually seen in an American movie.
  21. The movie meanders on and on, like a bad sexual dream, until you finally wake up mumbling: Stella, please: leave that groove thang alone.
  22. We also know the last time Keanu and Sandra shared the screen together. That was yesterday and Speed. This is today and Snail. I'm not betting on a tomorrow.
  23. This is a fairly well-made picture that's just been fairly well-made too many times before, a knock-off of a thousand other knock-offs.
  24. Notorious isn't, not even remotely.

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