For 7,299 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
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| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,355 out of 7299
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Mixed: 1,828 out of 7299
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Negative: 1,116 out of 7299
7299
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Cole
Gass-Donnelly is good at capturing stalled rural lives, from church hymn-sings populated by the elderly, their voices fragile as April snow, to dead-end afternoons at corner cafés, where bored patrons stretch lunch hours with coffee and gossip.- The Globe and Mail (Toronto)
- Posted Jun 28, 2011
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Rick Groen
Speaking as one of the mourners, did I mention how pleasant it is to revisit footage of John Lennon? And to listen to his music which, in this case, comes either in taped performances or laid onto the soundtrack, no fewer than 40 songs drawn almost exclusively from the post-Beatle, pro-Ono phase of his career.- The Globe and Mail (Toronto)
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Reviewed by
Jay Scott
The Dead Zone, from the book by Stephen King, a horror novelist whose prolific output is the scariest thing about him, is academic filmmaking all the way, a crafty Establishment tour de force. [21 Oct 1983]- The Globe and Mail (Toronto)
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Reviewed by
Kate Taylor
Wright's Darkest Hour is filled with many lush examples of the pathetic fallacy, which doesn't totally disguise the awkward truth that this is a film mainly about meetings.- The Globe and Mail (Toronto)
- Posted Dec 7, 2017
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When it sticks to its strengths - broad physical comedy, Pryor's poetic profanity, Wilder's finely tuned panic - See No Evil, Hear No Evil is a modestly amusing comedy. Were it not so concerned about Speaking No Evil, it might be a good deal more. [13 May 1989]- The Globe and Mail (Toronto)
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- Critic Score
True, this film is a suspense exercise with a frightened woman trapped in a house where she stands to lose her life. Some people would not call this kind of thing entertainment, and no one can blame them. Some people would find this story entertaining no matter how shabbily it was produced. [07 Feb 1987]- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Artistic originality is not so common a commodity that you can afford to get too fussy about the details.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
The Summit is a mixture of the inventive and the misguided in its attempt to recreate the circumstances of the August, 2008, disaster on the world’s second-highest mountain, K2, when 11 climbers were killed.- The Globe and Mail (Toronto)
- Posted Oct 25, 2013
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The mild but affable story of an ad man's midlife crisis, King of the Corner is an actor's film in every way.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
In a summer of low movie expectations and worse results, Fantastic Four is a not-so-bad mindless bit of camp escapism that doesn't try to eclipse its dime-store comic book roots.- The Globe and Mail (Toronto)
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Rick Groen
Harsh Times opens with a deadly nightmare and ends with a vast bloodbath -- in between, things get a little gruesome.- The Globe and Mail (Toronto)
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Rick Groen
What began as discomfiting satire soon devolves into silly farce. By the time Friends star Jennifer Aniston pops up as a waitress-cum-love-interest (quite a stretch for her), it's a sure sign we're back within the smug confines of the Tinseltown formula flick.- The Globe and Mail (Toronto)
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Based on the true-life graphic novel by John Backderf (who went to high school with Dahmer), the film ponders whether Dahmer was born a sick puppy or if his environment made him that way. It's a conundrum.- The Globe and Mail (Toronto)
- Posted Nov 9, 2017
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Reviewed by
Barry Hertz
Unfortunately, not even all of McConaughey’s substantial powers can overcome director Stephen Gaghan’s lacklustre vision or the screenwriters’ muddy narrative.- The Globe and Mail (Toronto)
- Posted Jan 26, 2017
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Reviewed by
Rick Groen
This is a movie guaranteed to turn you into a vacillating commitment-phobe, embracing it passionately one moment and then backing off cautiously the next.- The Globe and Mail (Toronto)
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Rick Groen
A mix of credible sociology and tired melodrama, along with a palpable sense of déjà vu. Because the plight of boyz 'n' the hood is a global tragedy, its depiction on the screen has become a global commonplace with its own attendant danger – the tragedy is starting to feel trite.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
A film whose limitations are the same as its appeal: It's a bauble. Running at barely more than 80 minutes, the film is both a travelogue and a commercial for swinging polyglot Europe.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Once in a long while, it even comes tantalizingly close to that rarest of modern film commodities -- ribald wit.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Jay Scott
Whoopi Goldberg can make you laugh and make you cry, and she's attractive and kind of come-hithery in her own bug-eyed way. [10 Oct 1986, p.D1]- The Globe and Mail (Toronto)
Posted Jun 28, 2017 -
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Rick Groen
Windtalkers is to movies what Paris is to weather -- if you don't like the show you're watching, just wait a minute and an entirely different picture will blow into view.- The Globe and Mail (Toronto)
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Barry Hertz
Soderbergh, once again acting as his own cinematographer and editor, pulls out nearly every cinematic trick he has to elevate Koepp’s material, but the film too often tip-toes when it should run: Every narrative and character beat feels muted, as if the tech-thriller is being apologetic for its own place within the genre.- The Globe and Mail (Toronto)
- Posted Feb 9, 2022
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Reviewed by
Liam Lacey
Schreiber has one major casting coup in Eugene Hutz, the New York-based Ukrainian/Gypsy/Punk musician who plays Alex.- The Globe and Mail (Toronto)
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Jennie Punter
An entertaining family comedy full of both tricks and trickery.- The Globe and Mail (Toronto)
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Reviewed by
Ray Conlogue
In the end, a few genuinely funny moments aside, the script is simply too predictable and unvarying to earn the viewer's loyalty.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
The concept is high but everything else is merely fair to middling, one more or less watchable B-movie in megabucks clothing.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Braff's deadpan performance and dry reactions are deft, and his ability to shape a scene to a punctuation point is impressive, but he's all over the place as a writer.- The Globe and Mail (Toronto)
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Reviewed by
Barry Hertz
A classic private-eye tale updated for a multicultural London, director Pete Travis’s noir is entirely watchable, but it’s only because of to Ahmed’s captivating presence.- The Globe and Mail (Toronto)
- Posted Jun 1, 2017
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Reviewed by
Rick Groen
Restoration is a middling thing, indifferent good, albeit much enlivened by Robert Downey Jr., who did act Merivel with the full vigour of his profession. [31 Jan 1996]- The Globe and Mail (Toronto)
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Jay Scott
A patchwork quilt of clashing colors, but it's cozy and warm. [10 Oct 1981]- The Globe and Mail (Toronto)
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