The Globe and Mail (Toronto)'s Scores

For 7,298 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7298 movie reviews
  1. Even with new information provided in the film, however, his personality remains not so much elusive as cantankerous, particularly in contrast with the expansiveness of his songs. That gap gives I'm Not There something of a hollow centre.
  2. I wouldn't say this is laugh-out-loud risible, but there are definitely moments. Still, you might want to consider sitting through the uneven thing just to get to the ending, because that's quite something. You may love it, you may hate it, but forget it you won't.
    • 63 Metascore
    • 50 Critic Score
    Occasionally engaging but very chaotic movie.
    • 59 Metascore
    • 63 Critic Score
    If the arrival of Beowulf is any indication, movie actors will soon all be replaced by lifelike, digitally animated facsimiles. The good news is that some of them might still sound like John Malkovich.
  3. These characters don't seem illuminating at all – just damned annoying and, ultimately, dead boring.
  4. Semi-wonderful at best.
  5. Love it, hate it, but be sure to watch it, because this odd and disturbing picture is as different as the war it reflects, and that difference is vast enough to seem profound.
  6. Today, the 1985 novel is the No. 1-selling paperback in North America. Sadly, the movie is a bonfire where the novel was a blaze of fireworks.
  7. As for Vaughn, he seems exhausted by his strenuous efforts to bring a few sparks of spontaneity to such an overcalculated Christmas product.
  8. A tender tale of semi-triumph.
  9. Lions for Lambs appears to have taken its inspiration from Al Gore's stolid "An Inconvenient Truth," using the stage lecture and Power Point presentation in lieu of dramatic momentum.
  10. The Coen brothers adaptation is impeccable, a perfect mirror of McCarthy's prose – sparse, suspenseful, probing and profoundly disturbing.
    • 37 Metascore
    • 25 Critic Score
    P2
    A pointless thriller.
  11. This film offers a child's perspective on the ravages and complexity of war and is also a convincing testament to the healing power of creative expression.
  12. As an epic, American Gangster doesn't cut it. The reputations of Francis Ford Coppola's "The Godfather," Brian De Palma's "Scarface," Martin Scorsese's "Goodfellas" or Michael Mann's "Heat" are safe. At best, American Gangster is no better than a workmanlike imitation of its betters.
  13. Maybe Bee Movie is another ground-breaking show about nothing – a hornet's nest of hype for a fat hive of nothing. If so, pay up and get stung.
  14. Theodore Braun's work may well reach and convert one thousand more Adam Sterlings. Here's hoping it does. There is, however, a difference between a worthy cause and a worthy film.
  15. Whatever glimmers of cleverness Martian Child offers, it all comes to Earth with a thud in the shamelessly manipulative climax.
  16. The problem is not that the director is working but that his latest film is working too hard. Way too hard – this thing is melodrama running a marathon.
  17. If you have an appetite for well-made treacle, then Bella should go down a treat.
  18. In the end, the commercial necessity of wrapping up a family comedy in less than 100 minutes seems to have trumped anything real about Dan's life.
  19. A bit of a docu-mess.
  20. The film's best and most carefully shaded performance belongs to Bacon.
  21. There is no narrative tension in the film, however, just a variety of grisly crucifixions. And the morality tales are blood-stained window dressing.
  22. Like most kiddies games, this one starts out fun and then gets tired. Inevitably, that's when Slade tries to revive our interest by upping the gore quotient.
  23. At the end of The Comebacks, Coach is offered job with a college basketball team called The Sequels - a joke perhaps, but all too horrifying a prospect after watching this dull fumble.
  24. Very few movies end so much better than they begin. For that reason, and only that reason, this is an exceptional picture.
  25. A rarity – a political film that delivers its timely message with a cinematic punch and no undue speechifying.
  26. The result is that, rather than tragedy, this unfolds like a plodding morality tale in which Wrath and Cowardice play out their respective parts.
  27. Apart from the mobile camera and a moderately challenging time-jumping script, this is weepy women's cable-television fare of the tears-and-cuddles variety.

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