For 7,298 reviews, this publication has graded:
-
48% higher than the average critic
-
3% same as the average critic
-
49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
|---|---|---|
| Lowest review score: | The Mod Squad |
Score distribution:
-
Positive: 4,355 out of 7298
-
Mixed: 1,827 out of 7298
-
Negative: 1,116 out of 7298
7298
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Liam Lacey
Fitfully interesting, occasionally cringe-worthy, this is the sort of stagy production that mixes ribaldry and campy overacting that evokes summer theatre productions.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Read full review
-
-
Reviewed by
Liam Lacey
Awkward in ways both intended and not, the fourth feature from author and director Rebecca Miller is an attempt at a comic change of pace for the usually earnest Miller.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
Essentially a love story, as stripped of sentimentality as the landscape is shorn of green, yet an extraordinary love story nonetheless – powerful and poignant and, even in the midst of hope's imminent extinction, hopeful too.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Cole
A convincing, reasonably co-ordinated action movie. Nothing special, but lovers of the genre will enjoy the workouts, especially if they bring night-vision glasses.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Read full review
-
-
Reviewed by
Liam Lacey
The very name Orson Welles stands for genius wasted and betrayed, and the movie offers some foreshadowing of his triumphs and failures to come.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Read full review
-
-
Reviewed by
Liam Lacey
Actress Kristen Stewart – coolly intense, androgynous, and intelligent – remains the series' strongest asset, as Bela, the emotional centre of the story.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Cole
A football story that deserves a penalty flag every other play for piling on the sentiment.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
Surprisingly funny yarn about a drug-addled cop in the Big Easy.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
At 128 minutes – Almodovar's longest film to date – Broken Embraces is an easy film to bid farewell to.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Cole
As expected, it has gaping holes where back stories used to be. Still, it's a historical war movie with impressive sweep, strong characterizations and the kind of idiosyncratic flourishes that made Woo such an irresistible storyteller.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
As always in Emmerich's rollicking Armageddons, the cannon speaks with an expensive bang, while the fodder gets afforded nary a whimper. Of course, that's just part of disaster's simple recipe: Blow us up, then blow us off.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
The tale may be Dahl's, but there's a whole new wag to it – this is decidedly, weirdly and, at best, wonderfully a Wes Anderson movie.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
"The Hurt Locker" may be getting all the attention and awards but The Messenger is at least as good and perhaps, given its delicate handling of a sensitive subject, even better.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Richard Curtis, the writer of "Four Weddings and a Funeral," "Notting Hill" and "Love, Actually," goes off-shore and out of his depth with Pirate Radio .- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Precious is a bit like having a piano dropped on your head: messy but memorable.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
In truth, what follows is less disturbing than intriguing – to audiences hip to the mechanics of horror flicks, it's rare fun to be fooled, and this one is pretty damned clever.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
This time, though, Zemeckis has another technical trick up his sleeve – 3-D – and for once the gimmick succeeds.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
These Stooges-like antics are more about showing what good sports his stars are than honing any real satiric edge.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Jennie Punter
Even in a season of apocalyptic films, these facts are really, really scary.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
There's a lesson behind Gentlemen Broncos , the new film from director Jared Hess: Don't try to mock above your talent level.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Cole
The Boondock Saints II does, from time to time, display a vulgar charm. Or maybe it just wears you out.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Without either the effect of a full concert spectacle, or up close and personal backstage intimacy, This Is It is neither one thing nor the other.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Jennie Punter
Astro Boy definitely sets himself up for a sequel, and the overall scenario is ripe to explore many current issues. But let's hope the creators trade in the well-used parts for some fresh material.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
Amelia is the Mack truck of flight. Heavy and lumbering, it delivers the goods, but there's not an ounce of magic in the thing.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Cole
More than anything, the film lacks a rapport with its audience.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
The trouble is that Antichrist feels progressively symptomatic of a director losing heart.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Less an adaptation of its source material than a therapeutic response to it.- The Globe and Mail (Toronto)
- Read full review
-
Reviewed by