The Globe and Mail (Toronto)'s Scores

For 7,298 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7298 movie reviews
  1. Fitfully interesting, occasionally cringe-worthy, this is the sort of stagy production that mixes ribaldry and campy overacting that evokes summer theatre productions.
  2. An odd and irresistible documentary.
  3. Awkward in ways both intended and not, the fourth feature from author and director Rebecca Miller is an attempt at a comic change of pace for the usually earnest Miller.
  4. Essentially a love story, as stripped of sentimentality as the landscape is shorn of green, yet an extraordinary love story nonetheless – powerful and poignant and, even in the midst of hope's imminent extinction, hopeful too.
  5. A convincing, reasonably co-ordinated action movie. Nothing special, but lovers of the genre will enjoy the workouts, especially if they bring night-vision glasses.
  6. Old Dogs is offensive mostly because it wastes time.
  7. The very name Orson Welles stands for genius wasted and betrayed, and the movie offers some foreshadowing of his triumphs and failures to come.
  8. Bursting with potential that never gets realized.
  9. Actress Kristen Stewart – coolly intense, androgynous, and intelligent – remains the series' strongest asset, as Bela, the emotional centre of the story.
  10. A football story that deserves a penalty flag every other play for piling on the sentiment.
  11. Surprisingly funny yarn about a drug-addled cop in the Big Easy.
  12. At 128 minutes – Almodovar's longest film to date – Broken Embraces is an easy film to bid farewell to.
  13. As expected, it has gaping holes where back stories used to be. Still, it's a historical war movie with impressive sweep, strong characterizations and the kind of idiosyncratic flourishes that made Woo such an irresistible storyteller.
  14. As always in Emmerich's rollicking Armageddons, the cannon speaks with an expensive bang, while the fodder gets afforded nary a whimper. Of course, that's just part of disaster's simple recipe: Blow us up, then blow us off.
  15. The tale may be Dahl's, but there's a whole new wag to it – this is decidedly, weirdly and, at best, wonderfully a Wes Anderson movie.
  16. "The Hurt Locker" may be getting all the attention and awards but The Messenger is at least as good and perhaps, given its delicate handling of a sensitive subject, even better.
  17. Richard Curtis, the writer of "Four Weddings and a Funeral," "Notting Hill" and "Love, Actually," goes off-shore and out of his depth with Pirate Radio .
  18. Precious is a bit like having a piano dropped on your head: messy but memorable.
  19. In truth, what follows is less disturbing than intriguing – to audiences hip to the mechanics of horror flicks, it's rare fun to be fooled, and this one is pretty damned clever.
  20. This time, though, Zemeckis has another technical trick up his sleeve – 3-D – and for once the gimmick succeeds.
  21. These Stooges-like antics are more about showing what good sports his stars are than honing any real satiric edge.
  22. Even in a season of apocalyptic films, these facts are really, really scary.
  23. There's a lesson behind Gentlemen Broncos , the new film from director Jared Hess: Don't try to mock above your talent level.
  24. The Boondock Saints II does, from time to time, display a vulgar charm. Or maybe it just wears you out.
  25. Without either the effect of a full concert spectacle, or up close and personal backstage intimacy, This Is It is neither one thing nor the other.
  26. Astro Boy definitely sets himself up for a sequel, and the overall scenario is ripe to explore many current issues. But let's hope the creators trade in the well-used parts for some fresh material.
  27. Amelia is the Mack truck of flight. Heavy and lumbering, it delivers the goods, but there's not an ounce of magic in the thing.
  28. More than anything, the film lacks a rapport with its audience.
  29. The trouble is that Antichrist feels progressively symptomatic of a director losing heart.
  30. Less an adaptation of its source material than a therapeutic response to it.

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