The Globe and Mail (Toronto)'s Scores

For 7,298 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7298 movie reviews
  1. Living in a part of the world where politics, and the pursuit of politics by warring means, are the rule, director Elia Suleiman is the exception.
  2. To wit, stick that camera down an aquatic cave, wrap a paper-thin plot around it, slap the whole thing up on an IMAX screen and call it a movie. More truth in advertising: Call it a lame movie.
  3. The facts really get in the way of the portrait here, and we are left hungry for more Spacey and more insight into a man with the hubris to wonder if he has disappointed God.
  4. Lanthumos's accomplished and fascinating Dogtooth pushes the notion of parents screwing up their kids into seriously disturbing and darkly comic terrain.
  5. Some of the most memorable performances from great actors are also their worst: Add to that list Anthony Hopkins's turn as a sinister old Jesuit.
  6. Two superb actors etch an unflinching portrait of a young marriage doomed never to grow old.
  7. Has a deliberately minimalist, retro look to it as well.
  8. Though something less than a masterpiece, The Illusionist is a rare animated film of fleeting charms rather than loud noises, aimed more at wistful adults than thrill-hungry kids.
  9. The movie makes for quite a hike. It's also, at times, a bit of a slog.
  10. Not half bad for a formulaic rom-com.
  11. The film itself struggles to do justice to each victim. Turns out three stories are two too many. The Company Men should have been downsized.
  12. Extracting big drama out of small events is Mike Leigh's forte, and with his latest little masterpiece, Another Year, the English director pushes himself to the extreme.
  13. The high point might be the opening scene, before the stars arrive on screen.
  14. Where the hell is the movie?
  15. Throughout, Dorff is doggedly credible as an obtuse actor, but the richer performance here is from Fanning, and it might have been a stronger movie told from her character's point of view.
  16. Country Strong has a pleasant soundtrack of conservative country music, many of the tunes newly written for the movie, some of them performed by old pros and some of them performed by the cast.
  17. The pretty good stuff comes early, when Nic and Ron, weary of wasting women and children, suffer an attack of conscience and desert the Crusades.
  18. For a novel written nearly 300 years ago by a dour Irish cleric with a mad-on about the material world and a satiric mindset dark enough to flirt with misanthropy, it's amazing how well Gulliver's Travels travels. Even Jack Black can't ruin the thing, although not for lack of trying.
  19. A feisty domestic comedy about a curmudgeon with a heart, looking back over his misspent life.
  20. As for Keitel, he pops up in a brief cameo as a housing contractor, with a dump-truck full of sand, the one that De Niro is standing right behind. The pair engage in a heated argument, as they once did so memorably those many years ago, and then the truck dumps that load exactly where you know it must. An esteemed actor gets buried but, what-the-fock, the franchise laughs on.
  21. As usual, the Coens' visual elements are pristine. The contrasting colours in the fire-lit interiors are gorgeous, while cinematographer Roger Deakins keeps the camera close, resisting traditional panoramic views.
  22. While the outdoor sequences were filmed in New Zealand's Woodhill State Forest – the movie's most stunning 3-D moments – Yogi Bear does feature notable "Canadian content" via two Ottawa-born thespians.
  23. Brooks knew how to engineer a well-crafted script. Yet on the evidence here – a stuttering two-hour outing bereft of any rhythm, a bunch of scenes in search of a movie – he's apparently forgotten.
  24. With a curiously stubborn kind of integrity, Tron: Legacy follows what did and didn't work the first time – another weak story with sub-B-movie dialogue, partly compensated for by intensely conceived geometric design and special effects.
  25. The picture makes too many concessions to the Hollywood judges, pulls too many punches. But at least it has real punches to pull, because there's honest sweat here too, and a full complement of those archetypes that lie at the popular heart of the genre.
  26. Don't go down this Rabbit Hole unless you wish to see a superb film that treats a sad topic with unflinching honesty. Don't go down this Rabbit Hole unless you believe that tragedy's grief, when transmuted through art's protective lens, can feel liberating, even joyful in its painful truths.
  27. A taut, gorgeously filmed and enjoyably wicked cinematic treat.
  28. Sad news for Bard watchers: Julie Taymor's adaptation of William Shakespeare's The Tempest is not such stuff as dreams are made on.
  29. The plot is rich, the execution poor.
  30. Manic with an itch.

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