The A.V. Club's Scores

For 10,435 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10435 movie reviews
    • 53 Metascore
    • 67 Critic Score
    The Awakening is both a ghost story and an exploration of mourning and survivor's guilt, though a late twist turns the film away from its delicate merging of these two themes into something both more plotty and stilted.
  1. Slips into the no-man's land between screwball and melodrama, squandering both the comic opportunities of an irrational search for drugs and the raw desperation of a piano prodigy who's held captive by his mother's dysfunction.
  2. It plays with comedy and drama, but keeps failing to commit to one or the other.
  3. The Odd Life Of Timothy Green attempts to stage a modern fairy tale in Middle America. But in spite of an abundance of earnestness, the pixie dust needed to create magic remains out of the film's reach.
    • 58 Metascore
    • 67 Critic Score
    A thoroughly familiar-but flavorful and rousing-shoot-'em-up set among Prohibition bootleggers.
  4. As charming as it is winningly modest, but it's so incredibly slight a stiff wind would knock it into a different hemisphere.
  5. Schreier elicits warm performances from Langella and Susan Sarandon, and even from his robot (voiced by Peter Sarsgaard).
    • 37 Metascore
    • 42 Critic Score
    Not only does the film lack focus in its chosen spectrum of likeable performers, it also feels short of any kind of structure or arc, leaving its subjects to toil along in place for an overlong runtime with no end in sight.
  6. With its minimal settings and focus on the abstract lingo of market transactions, "Margin Call" stands as the new model for how to do Wall Street on a budget, embedding its moral themes in language and complex characters. By comparison, $upercapitalist seems naïve about both the market and the humans who operate in it.
  7. The film's 121-minute running time is similarly cause for concern. Lee can be tight and focused as a gun-for-hire, but he's always viewed personal projects as irresistible invitations to self-indulgence and overreaching. Red Hook Summer is no exception.
    • 38 Metascore
    • 50 Critic Score
    It's a strange stunt of a role for Duchovny, who even when playing characters indulging in sex, drugs, or conspiracy theories, has the air of a savvy urbanite, a quality he can't submerge while trying to act as a perpetually high mystic.
  8. Craigslist Joe takes Garner on a 21st-century hitchhiking trip that not only didn't end in his gruesome murder, but in a month to remember fondly. It's an inspiring experience. For him.
  9. Delpy's work lacks Allen's wry humor and eye-rolling, philosophical acceptance of those characters and their quirks. Her stable of sniping couples and relatives are openly hateful in ways that defy comedy.
  10. Fortunately, it's funny enough that it doesn't have to be subtle. In fact, subtlety would just get in the way.
  11. Gilroy does the unforgivable by turning out a lean thriller at a fatty 135 minutes, mainly by making the conspiracy plot far more complicated than it needs to be.
  12. Ultimately, Meet The Fokkens isn't a documentary about elderly hookers; it's about two women forced into a hard life by circumstance, who tried to make the best of their situation, and are trying still.
  13. Taylor and Frankel go too broad when they try for comic relief - and the on-the-nose soundtrack is borderline criminal - but Hope Springs handles marriage and advanced-age sexuality with a refreshing, down-to-earth candor. In today's Hollywood, that counts as radical.
    • 43 Metascore
    • 58 Critic Score
    360
    Fittingly for its occasional ring imagery, 360 is hollow in the middle.
  14. It's raunchy/sweet in the "American Pie"/"40-Year-Old Virgin" tradition, and as dynamic as a glob of lazy sperm.
  15. If nothing else, the shaggy romantic comedy Celeste And Jesse Forever establishes that Parks And Recreation's Rashida Jones is a movie star.
  16. Genial and pleasant to a fault, the film could benefit from a little more personality.
    • 20 Metascore
    • 16 Critic Score
    This is the third feature Portnoy has conceived and starred in, and while her initiative and ability to find funding for these films is admirable, Assassin's Bullet feels like a shameless, dismal vanity project.
  17. Aside from the corny title, Anthony Baxter's You've Been Trumped is a fine, powerful piece of documentary filmmaking, using old-fashioned vérité techniques - and more than a little audience manipulation - to show how political influence and media savvy help the wealthy exert their will.
  18. The documentary Sushi: The Global Catch tries to be two things at once: an international survey of the way sushi is marketed, prepared, and consumed, and an argument for sustainability, particularly with regard to the bluefin tuna population. These threads are related, but one nonetheless takes away from the other.
  19. Wiseman's Total Recall isn't intellectualized like "Blade Runner," or even that much more sophisticated than his "Underworld" movies.
  20. The subject matter is unrelentingly sordid yet the storytelling is so deadpan and understated that it's difficult, if not impossible, to dismiss it as exploitation or sexist provocation.
  21. Though unabashedly manipulative in its storytelling and structure, Searching For Sugar Man ultimately earns its happy ending and buzzy, crowd-pleasing populist appeal by alchemizing trembling inner-city pain into transcendent international beauty.
  22. Chen can't seem to decide whether he's making a fable or something more down-to-earth, but Sacrifice works either way, if not both at once.
  23. Rites Of Spring does have a real "no idea what's going to happen next" quality, which is rare. Then again, that's because the movie feels haphazard and unfinished: more weed than plant.
    • 61 Metascore
    • 58 Critic Score
    Courageous performances from the leads, who have to bear a lot, both emotionally and physically, still can't transform their characters into more than just symbols for contemporary urban loneliness.

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