The A.V. Club's Scores

For 10,435 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10435 movie reviews
  1. It's really gory and really dull. Mostly just dull.
  2. While all the "Up" films hold a fascination akin to a Christmas letter from an almost-forgotten friend, 42 Up didn't show much progress from "35 Up." Even fans of the series had to wonder whether the faces of England were going to remain permanently frozen.
  3. There's been a proliferation of "globalization sucks" documentaries over the past couple of years, but few have been as blunt as Black Gold.
  4. Developed by Mitchell and the actors, the characters don't always seem consistent from moment to moment, but a sharp sense of humor and comfortable performances by a committed and--it must be said--remarkably limber cast help smooth over the rough edges.
  5. Mirren begins the film having her portrait painted, looking every inch the monarch and proud to play the part. By the end, she's let the pressure of one week, and maybe a lifetime, show in her eyes.
  6. Tries tremendously hard to win audiences over with manly derring-do, exciting action, and impossible-obstacles-overcome uplift. And it's undeniably compelling for minutes at a time
  7. No one makes it out of this laughless mess unscathed.
  8. As usual, Thornton remains fully committed to the performance. Viewers could make a game of scanning his face for even the slightest hint of warmth. By the end of the film, that may be the surest source of entertainment.
  9. The film feels like an earnest retread over old territory, albeit one that intermittently comes to life thanks to an amazing cast, expressive cinematography by French master Eric Gautier (Irma Vep), and Montiel's obviously heartfelt sentiments.
  10. The documentary dashes any lingering hope that Pixies would ever record a new album, even though it makes no definitive statement to that effect.
  11. The Last King Of Scotland makes a stronger case when it's demonstrating how opulent power-lunches corrupt absolutely.
  12. The movie's more damnable problem is it irrelevance.
  13. There's something almost perversely old-fashioned about Flyboys.
    • 66 Metascore
    • 75 Critic Score
    Some movies simply shouldn't be seen sober or alone.
  14. It's as subtle as a spinning kick, but some films aren't built for subtlety.
  15. Gulager shows that he truly is PGL's most gifted alumnus.
  16. Why do Ewing and Grady feel the need to tip their hand by underscoring it all with creepy ambient music or by using Air America host Mike Papantonio as a Greek Chorus expressing the voice of reason?
  17. A raucous, relevant documentary, capturing the mood of the times and the participants' best anecdotes.
  18. An indie version of Gondry's "Eternal Sunshine of the Spotless Mind," albeit with none of the star power, a quarter of the budget, half the angst, and twice the charm.
  19. Some kind of wonderment.
  20. Old Joy doesn't try for too much, but its subtle victories leave plenty to savor.
  21. Hartnett and co-star Scarlett Johansson--that most fatale of current filmic femmes--are naturals for this kind of noir-hued material, but the pairing of Ellroy and De Palma proves a marriage made in hardboiled heaven.
  22. It's a shallow, treacly movie for children too little to question its many pointless puerilities. But do kids that young really belong in a theater? Keep 'em at home and wait for this to hit cable.
  23. None of their stories are particularly resonant, but the film is really about a grand social experiment gone right, and it succeeds well enough on that front, even while it isn't that convincing in the particulars.
  24. Unfortunately, nothing about Tony Goldwyn's vapid, navel-gazing, claustrophobic adaptation of a 2001 Italian film rings remotely true.
  25. Anyone who's been closely involved with a wedding knows exactly how these beleaguered schmucks feel. Those who haven't may just take Confetti as a lighthearted but convincing argument for elopement.
  26. Foulkrod's film covers little new ground, but some painful truths are worth repeating.
  27. The film boasts compelling performances--from Bruckner, and especially from Stephen Dillane as a wildly pragmatic money-man who radiates well-deserved cynicism. But Bloom is the giant void at the center of the film, and his laughable histrionics pull Haven firmly into camp territory.
  28. There's precious little of Lennon's legendary crankiness on display in The U.S. Vs. John Lennon, a fawning hagiography that diligently shaves away the ex-Beatle's rough edges and knotty idiosyncrasies.
  29. Keeping Mum never really gets going, and it inches to the finish line like a narcoleptic turtle.

Top Trailers