The A.V. Club's Scores

For 10,435 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10435 movie reviews
  1. As long it sticks to that chase, Babylon A.D. remains a sub-passable lead-footed action film with neat scenery.
  2. I Served The King Of England views diabolical events from the sidelines, something like "The Remains Of The Day" reworked as an absurdist comedy.
  3. Loses some of its appeal once the novelty of Miike's conceptual shenanigans wears off.
  4. God-awful.
  5. It's too easy to say Disaster Movie deserves its title, but why put more effort into trashing it than the filmmakers did into writing it?
  6. To some degree, it's trying to find the magic in the everyday, but the attempts to ground it are cringe-inducing and problematic.
  7. Without its mesmerizing lead performance, Traitor easily could have devolved into direct-to-DVD fodder.
  8. It's the perfect end-of-summer film, and a sign that summer needs to end soon.
  9. Faris has mostly logged time in dire vehicles like The House Bunny, which are dumb-dumb to her smart-dumb.
  10. A sports movie like every other, but the excellent, lived-in performances of Cube and Palmer make it a mildly affecting.
  11. Funny excuses an awful lot, and at its best, Hamlet 2 is nothing short of hilarious.
  12. Trouble The Water is infuriating in its depiction of helpless Americans getting left behind, and uplifting in the way it shows the Roberts putting their lives together, but it's also frustrating, because it lacks some focus.
  13. Though the filmmaking is playful at times, the film is essentially 90 percent message, 10 percent movie.
  14. A comedy of sorts, though to Jacobs' credit, he doesn't aim for cheap laughs.
  15. Wilson and a loaded supporting cast are never as funny as they should be.
  16. With its simple-goal-driven plot, its wordy, cutscene-like interludes, and its stiffly modeled characters, it wouldn't even make for a particularly high-end videogame.
  17. Through it all, Vicky Cristina Barcelona remains unaccountably romantic, a confirmation that love, elusive and painful as it can be, is still worth pursuing.
  18. The film still suffers from cheap plasticky design, a klutzy overall look, dim preschooler humor, and a nearly impact-free story that thinks it's clever when it steals cues from 2001.
  19. The film looks to do for reflective surfaces what "Amityville 4" did for killer lamps.
  20. Henry Poole cycles through so many indie film clichés--that it continually skirts self-parody.
  21. Chabrol develops the inevitable confrontation between the two men like a car wreck in slow motion, and getting there takes a little more work than it should; the film takes the form of a thriller, but it doesn't have the pace of one.
  22. Maybe Stiller just seems stilted because he's the only one here who isn't playing to the rafters.
  23. As an acting showcase that builds to some unexpectedly moving moments, Elegy has much to recommend it. Had Coixet found better ways to connect those moments, she might have REALLY had something to rival what Roth does on the page.
  24. A witless reprise of '60s and '70s biker movies.
  25. Red
    Red's dialogue is a bit blunt, its characters are too broadly outlined, and the situation verges on the ludicrous at times, especially in the way these dumb kids keep committing terrible crimes without leaving any evidence. But the movie isn't meant to be an exercise in realism.
  26. The movie is exciting at times, moving at times, and watchable throughout, but fans of The Germs and L.A. punk may start to pine for what's missing around the time Michele Hicks shows up.
  27. As loose and playful as major studio movies get.
  28. Trouble is, it's too rambling and digressive to feel focused, yet too calculating to feel as observational and natural as a good Altman flick.
  29. Video veteran Sanaa Hamri directs with smooth competence, and the leads all go pleasantly through their paces, but there are no surprises.
  30. The paltry amount of live performances is a crime. In some ways, Smith singing "Gloria" live would've been all the context anyone would ever need.

Top Trailers