The A.V. Club's Scores

For 10,440 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10440 movie reviews
  1. The droll Twilight Zone absurdism is not without its pleasures, many of them comic.
  2. It’s a little corny at times, but it looks good and has heart—and, let’s be honest, Black cowboys are pretty damn cool.
  3. If it’s strictly information that you want, that’s what the Discovery Channel is for. The pleasures of a Herzog doc are unique to him.
  4. Pure popcorn entertainment, superimposing the dynamic synths and narrative efficiency of a John Carpenter movie onto the burnished metal and green fatigues of a World War II adventure.
  5. When it’s firing on all cylinders, Bruised finds the Sirk amid the Stallone, wringing truly grand melodrama out of women reshaping their lives while beating each other senseless.
  6. Hard-to-follow action and a silly, inconsistent tone work against the film, but Hope's reluctant can-do attitude and wry comments keep the energy level up.
  7. Nocturne, like its brittle protagonist, is good enough at what it does to make you wish it were a little better.
  8. A short coming-of-age film that works well within the Small Axe saga, Alex Wheatle has a a richness comparable to any long, drawn-out biopic that’s come from Hollywood of late, thanks to the the nuances McQueen layers into the story.
  9. If Mangrove is contrived in the way lots of legal procedurals are, it also tackles its conventions with a conviction that makes you believe in them all over again.
  10. At times, we might be watching a deadpan workplace comedy; that it’s possible to laugh at this subject matter at all is a testament to its matter-of-fact presentation and maybe also to the extent that this virus has completely seeped into every corner of life.
  11. Macqueen approaches the messy reality of letting go with measured sorrow, unrestrained tenderness, and even moments of joy.
  12. A striking effort in its own right, though not in the ways that make one generation pass a film lovingly down to the next.
  13. Ben Affleck and Ana de Armas, both terrific in their roles, play the couple around whom the film’s meditation on modern sexual relationships revolves, while Lyne proves not only that he can film hot scenes unlike almost anyone in the business, but inject them with a psychological sophistication that complicates their (and our) postcoital bliss.
  14. Teaching the audience about the intricacies of the U.S. immigration system isn’t the point of this film—the point is to make you feel the intangible ache of being where you belong and far away from home at the same time. In that way, the film poetically, heartbreakingly succeeds.
  15. Among the many quirks of this very idiosyncratic comedy is that it really is structured like a thriller or a horror film.
  16. The flubbed ending is more glaring because the film is otherwise so enjoyable and relatable. It’s achingly familiar in its exploration of what seems to the seniors like a final dash toward adulthood and its accompanying freedoms.
  17. Cutler takes on the ambitious task of showing not only Belushi’s impact, but how that impact wound up leading to his own ruin.
  18. It’s a sturdy bridge between two markedly different filmmaking cultures.
  19. It’s a crude, clunky piece of writing, hampered by variable performances and a leading man whose looks of silent resolve are more compelling than his line-readings. Yet the film has the elemental power of a classic immigrant story, revealing a young man’s single-minded, arduous journey to America through black-and-white images that evoke the country’s promise to the huddled masses.
  20. It’s a jarring journey, filled with twists that snap and sting like bear traps, and an endurance test, too, especially for the squeamish.
  21. Madness lacks sympathetic characters and a well-structured plot, but its manic energy takes it far.
    • 73 Metascore
    • 75 Critic Score
    Director Tommy Oliver’s gritty documentary 40 Years A Prisoner not only recounts the violent events that led up to the raid, mixing eyewitness testimony with gripping news footage, but in heartwarming fashion, also presents the tireless pursuit by a son to free his parents.

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