Tampa Bay Times' Scores

  • Movies
For 1,471 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Blair Witch
Score distribution:
1471 movie reviews
  1. Johnson keeps it simple, yet never stupid. Looper is a puzzle engaging your brain, rather than frying it, as one character describes the process. Obviously he has seen enough movies on the subject by 2024 to know how frustrating that is. This one plays fair with the fantasy.
  2. End of Watch is a repellent movie, first for its shaky-cam conceit rendering much of the action incomprehensible, and finally for seeking to entertain viewers through the thuggish execution of a police officer.
  3. Director Robert Lorenz makes a nondescript debut, after assisting Eastwood on several of his directing gigs. The student hasn't learned much from the teacher about economic storytelling or deflecting schmaltz.
  4. This is a rapturous cinematic experience, a spellbinding expression of shrouded ideas and exposed talent, top to bottom.
  5. Save the money you might spend for a ticket to see For a Good Time, Call... and just read a dive bar's restroom wall for free. That's the sub-level of comedy here, with a litany of crude sexual euphemisms and phallic images passed off as jokes.
  6. Arbitrage is a classy soap opera with a charismatic louse at its center, without "Margin Call" didactics, or the misplaced empathy of "The Company Men."
  7. Kind of like Lawless, a movie about bootleggers more violently authentic than previous takes on the subject, from "Thunder Road" to the first half of "The Last American Hero." What Lawless has over those moonshine melodramas is a striking sense of period and setting.
  8. Robot & Frank occasionally strains for emotion and stretches credulity, even for such fantasy circumstances. But it has two hearts - one human, one not - in the right place, and intelligence that is anything but artificial.
  9. If you prefer hipster romantic comedies that are unromantic and not too funny, Lee Toland Krieger's movie may be your grande half-caf caramel mocha frappe.
  10. Working in tandem they (Gordon-Levitt/Shannon) make Premium Rush a movie that's off the chain, as the kids say.
  11. Sparkle may wind up as Ejogo's breakthrough but will forever be remembered as Houston's swan song, and a glimpse of what her next life chapter might have been. What a talent. What a waste.
  12. The movie's erratic pleasures are like its ghosts; now you see them, now you don't.
  13. The word "sappy" comes to mind, constantly. So often that I wanted to make like a tree and leaf. Frankly I'm stumped, wondering exactly who the audience is for such a drab slab of saccharine uplift.
  14. The globetrotting is reined in, the mayhem at each stop just as exciting. Renner is a sturdy action hero, with an interesting face that unlike Damon's appears to have taken a punch or two.
  15. The Campaign is below-the-Beltway humor, stretching obvious targets to raunchy extremes.
  16. As Kay and Arnold lurch toward intimacy, the roles bring out a playful side seldom seen in Streep and practically never in Jones, his signature surliness melting into disarming smiles and tenderness.
  17. Farrell's diction is a noticeable upgrade from Schwarzenegger's but there's also his superior portrayal of sweaty apprehension and killer instinct.
  18. This messy mix of sci-fi horror and post-Superbad raunchiness didn't make me laugh once. Not a single snicker, chortle or smile.
  19. Step Up Revolution is a bad movie with a few good moments, usually when the cast sets aside delusions of acting prowess and does what comes naturally to them.
  20. Hushpuppy carries a lot of emotional weight on her slender shoulders, and Wallis makes one wish to climb into the screen to lighten the load with an embrace. Do not miss this performance, or this quietly astonishing, life-affirming masterpiece.
  21. The Dark Knight Rises declares its importance with each scene but seldom backs up the claims. It is a climax more fitful than fulfilling, solemn to a fault and begging the Joker's question: "Why so serious?"
  22. Gutt is a wonderful villain, something the franchise has lacked, and even performs an original musical number - an Ice Age first, if I'm not mistaken. Dinklage has a sinister voice, and a subtle way of expressing the character's sillier moments.
  23. The rest are hit-and-miss propositions with occasional flashes of wit, and a few standout performances. It's always good to see Judy Davis exchanging barbs with Allen, like when he boasts of having an IQ of 160.
  24. An amoral mosaic of carnage and carnality.
  25. The Amazing Spider-Man is fun, as any summer movie amusement ride can be. But it left me feeling the same as Raimi's version; that groundwork has been dutifully laid for a winning franchise in need of a few surprises.
  26. Ted
    It's often convulsively funny.
  27. These characters don't realize they're funny, and the actors are determined not to push it. Willis fares best, playing against in-control type; Murray fans expecting a comedy explosion won't find it here.
  28. Even when Magic Mike is skimpier than a g-string it soars on daring, as if Soderbergh asked himself who could possibly make a good movie from such offbeat material, answered "I can," and did.
  29. Other than its campy title, not much about Abraham Lincoln: Vampire Hunter is fun.
  30. It's more amusing than you might expect, and ultimately more touching than an eroding society around them deserves.

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