St. Louis Post-Dispatch's Scores
- Movies
- TV
For 1,847 reviews, this publication has graded:
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66% higher than the average critic
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2% same as the average critic
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32% lower than the average critic
On average, this publication grades 3.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 68
| Highest review score: | Asteroid City | |
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| Lowest review score: | The Divergent Series: Insurgent |
Score distribution:
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Positive: 1,361 out of 1847
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Mixed: 317 out of 1847
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Negative: 169 out of 1847
1847
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Williams
What animates this dramatically constrained film are the lively words and the vitality of nature. An image of butterflies blooming in a bedroom is Keats' worldview in miniature.- St. Louis Post-Dispatch
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Joe Williams
An exciting cloak-and-dagger thriller.- St. Louis Post-Dispatch
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Joe Williams
Succeeds as both advocacy and entertainment by focusing on the family.- St. Louis Post-Dispatch
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Calvin Wilson
Although it has a great look and offers a few thrills, the animated film 9 is one of this year's biggest disappointments.- St. Louis Post-Dispatch
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Joe Williams
While Walt and El Grupo is less than a penetrating analysis, it's more than a Mickey Mouse advertisement.- St. Louis Post-Dispatch
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Joe Williams
Extract has some flavor, but the comedic kick is diluted by flat characters and a thin story.- St. Louis Post-Dispatch
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Joe Williams
There are good movies to be made about romantic obsession, but the premise doesn't work if the crazy stalker isn't juxtaposed with a sympathetic victim.- St. Louis Post-Dispatch
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- St. Louis Post-Dispatch
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Joe Williams
Near the two-minute warning, Big Fan becomes chillingly unpredictable.- St. Louis Post-Dispatch
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Joe Williams
What's most conspicuously missing from this ensemble is some input from the advertisers who subsidize Wintour's tyranny, and the readers who are seduced into buying her beautiful four-pound paperweights.- St. Louis Post-Dispatch
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Joe Williams
Ultimately it's sunk by the hole in the middle: Paul Campbell (presidential aide Billy on "Battlestar Galactica") who substitutes smarm for charm as the archetypal player who gets played.- St. Louis Post-Dispatch
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Joe Williams
Taiwanese director Ang Lee sees the '60s through a rose-colored telephoto lens, but his sympathetic spirit extends the generous message of the hippie era like a passed joint.- St. Louis Post-Dispatch
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Calvin Wilson
After watching Post Grad, you may wonder whether Hollywood will ever stop making generic comedies with zero tolerance for originality.- St. Louis Post-Dispatch
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Joe Williams
With its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.- St. Louis Post-Dispatch
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Calvin Wilson
Has been criticized as endorsing or condoning violence, but that assessment is unfair and inaccurate. If terrorism is to be eliminated, it must be understood, not oversimplified.- St. Louis Post-Dispatch
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Joe Williams
A director whose breakthrough was the story of a madman's last stand has exceeded that feat with the story of an angry man's next step.- St. Louis Post-Dispatch
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Joe Williams
Despite the title, My One and Only is irritatingly repetitive.- St. Louis Post-Dispatch
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Joe Williams
The edginess here isn't merely facile. Goldthwait's movies, including the under-appreciated "Shakes the Clown," are about reclaiming dignity from the dung heap. And he's found a fitting collaborator.- St. Louis Post-Dispatch
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Joe Williams
A miniaturist's masterpiece, the ebb and flow of familial love distilled to its essence.- St. Louis Post-Dispatch
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Joe Williams
The reason District 9 reverberates so loudly is because its moral indignation is cranked to 11.- St. Louis Post-Dispatch
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Reviewed by
Kevin C. Johnson
Davis Guggenheim, the St. Louis director who won an Oscar for "An Inconvenient Truth," mines less controversial material this time around.- St. Louis Post-Dispatch
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Joe Williams
Two incompatible movies duke it out in Bandslam. Although it's the wimpy teen musical that prevails, it's the misfit coming-of-age story that leaves an impression.- St. Louis Post-Dispatch
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Joe Williams
There's little that's new in the retelling, except mellowed musings on Environmentalism 2.0.- St. Louis Post-Dispatch
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Joe Williams
Streep is astonishing, conveying Child's gusto, her quavering voice, even her height.- St. Louis Post-Dispatch
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Joe Williams
This movie may be sickly sweet, but it's harmless; and as a handcrafted antidote to a toxic toy story like "G.I.Joe," Paper Heart has healing properties.- St. Louis Post-Dispatch
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Joe Williams
The sharpest parts of the movie hack through the Hollywood jungle with an insider's certitude. But Apatow is so grounded in the comedy circuit that he can't quite capture the emotional wavelength of the life-and-death drama.- St. Louis Post-Dispatch
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Joe Williams
While it may not be a smorgasbord of red herrings and red meat, Flame and Citron is often chilling.- St. Louis Post-Dispatch
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Calvin Wilson
This isn't just another crime story, and it would be misleading to suggest that it has anything to do with stylish gunplay, exhilarating car chases or brutal fistfights.- St. Louis Post-Dispatch
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