St. Louis Post-Dispatch's Scores
- Movies
- TV
For 1,847 reviews, this publication has graded:
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66% higher than the average critic
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2% same as the average critic
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32% lower than the average critic
On average, this publication grades 3.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 68
| Highest review score: | Asteroid City | |
|---|---|---|
| Lowest review score: | The Divergent Series: Insurgent |
Score distribution:
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Positive: 1,361 out of 1847
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Mixed: 317 out of 1847
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Negative: 169 out of 1847
1847
movie
reviews
- By Date
- By Critic Score
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- St. Louis Post-Dispatch
- Posted Feb 3, 2011
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- St. Louis Post-Dispatch
- Posted Jan 28, 2011
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Reviewed by
Joe Williams
The Illusionist has surprises up its sleeve that are unusually nuanced for an animated movie.- St. Louis Post-Dispatch
- Posted Jan 28, 2011
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Reviewed by
Joe Williams
Even by the sloppy, soulless standards of hit man movies, The Mechanic is a mess.- St. Louis Post-Dispatch
- Posted Jan 28, 2011
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Reviewed by
Kevin C. Johnson
That's right - this is an exorcism movie that those who actually saw "The Exorcist" in theaters can get into.- St. Louis Post-Dispatch
- Posted Jan 27, 2011
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Reviewed by
Joe Williams
Summer Wars has engineered a truce between the familiar and the fantastical.- St. Louis Post-Dispatch
- Posted Jan 21, 2011
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Reviewed by
Calvin Wilson
A foul-mouthed comedy, which isn't necessarily a bad thing. "Bad Santa" (2003) also had plenty of crude language and lewd behavior. The difference is, "Bad Santa" was extremely funny.- St. Louis Post-Dispatch
- Posted Jan 21, 2011
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Joe Williams
You would expect an epic with brains and hearts. Instead we settle for sturdy craft, with a stellar cast struggling to breathe life into the cold material.- St. Louis Post-Dispatch
- Posted Jan 21, 2011
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Reviewed by
Joe Williams
A distinctly European exercise in observational nuance and tonal restraint in which Coppola stretches static images to the breaking point.- St. Louis Post-Dispatch
- Posted Jan 14, 2011
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Calvin Wilson
Might be mistaken for a mere soap opera. But it's actually an emotional symphony.- St. Louis Post-Dispatch
- Posted Jan 14, 2011
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Reviewed by
Joe Williams
It's true that the movie is both emotionally violent and sexually explicit. Yet these scenes from a marriage are crafted with such attention to detail and overarching honesty that Blue Valentine touches the heart.- St. Louis Post-Dispatch
- Posted Jan 14, 2011
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Calvin Wilson
Seth Rogen is the Green Hornet. What else do you need to know?- St. Louis Post-Dispatch
- Posted Jan 14, 2011
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Joe Williams
It's classic sitcom shtick, and The Dilemma is a painful reminder that director Ron Howard was trained in television.- St. Louis Post-Dispatch
- Posted Jan 14, 2011
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Joe Williams
Even with a large cast, groovy clothes and cool pop songs, Hawkins holds our attention with a combination of modesty and moral strength.- St. Louis Post-Dispatch
- Posted Dec 30, 2010
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Reviewed by
Calvin Wilson
Loosely - very loosely - based on the classic Jonathan Swift story, "Gulliver's Travels" begins promisingly but quickly loses its way.- St. Louis Post-Dispatch
- Posted Dec 24, 2010
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Reviewed by
Joe Williams
The King's Speech is the epitome of prestige cinema, an impeccably crafted and emotionally compelling drama that deserves the many laurels it surely will receive.- St. Louis Post-Dispatch
- Posted Dec 24, 2010
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Joe Williams
There's a fascinating story here for a bolder filmmaker, but after so much meandering it's a relief that "All Good Things" must come to an end.- St. Louis Post-Dispatch
- Posted Dec 23, 2010
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Joe Williams
True Grit is just a couple bloody gunfights removed from an old-fashioned Disney yarn. Yet it's still unmistakably a Coen brothers movie, from the stray weirdness of a bearskin-clad dentist to the bulls-eye delights of the dialogue.- St. Louis Post-Dispatch
- Posted Dec 21, 2010
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Reviewed by
Joe Williams
If instead of story and characters, your movie wish list includes projectile vomiting and erection gags, this lump of coal has your name on it.- St. Louis Post-Dispatch
- Posted Dec 21, 2010
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Joe Williams
It's a tart trifle, but in the madding crowd of year-end movies, Tamara Drewe rocks.- St. Louis Post-Dispatch
- Posted Dec 17, 2010
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Reviewed by
Joe Williams
In the infidelity drama Leaving, British reserve gets overtaken by French passion, and the subsequent events have the horrific momentum of a slow-motion car crash.- St. Louis Post-Dispatch
- Posted Dec 17, 2010
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Reviewed by
Joe Williams
Hogancamp's alliance with director Jeff Malmberg in this artful and poignant film marks a victory in the war against the self.- St. Louis Post-Dispatch
- Posted Dec 17, 2010
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Joe Williams
Here, Dan Aykroyd mimics the original voice, but the three-dimensional CGI isn't loose and lively enough to compensate for the unimaginative story.- St. Louis Post-Dispatch
- Posted Dec 17, 2010
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Reviewed by
Calvin Wilson
Director David O. Russell ("Three Kings") delivers a film of staggering impact.- St. Louis Post-Dispatch
- Posted Dec 17, 2010
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Reviewed by
Calvin Wilson
A bit slow to get started, and it's nowhere near as funny as "The Hangover." But it'll make you smile.- St. Louis Post-Dispatch
- Posted Dec 17, 2010
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Reviewed by
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Reviewed by
Joe Williams
It's a triumph of streamlined design, but TRON: Legacy never enters the fourth dimension where it's worth a plugged nickel to humans.- St. Louis Post-Dispatch
- Posted Dec 16, 2010
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Reviewed by
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- St. Louis Post-Dispatch
- Posted Dec 15, 2010
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- St. Louis Post-Dispatch
- Posted Dec 15, 2010
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- Critic Score
This movie is Denzel Washington stopping a speeding train devoid of subtext, blunders and earth-shattering revelations about the human condition. It is precisely as entertaining as it sounds; no more, no less.- St. Louis Post-Dispatch
- Posted Dec 14, 2010
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Reviewed by
Joe Williams
Successful in small doses, but the full regimen needed more testing.- St. Louis Post-Dispatch
- Posted Dec 13, 2010
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Reviewed by