St. Louis Post-Dispatch's Scores
- Movies
- TV
For 1,847 reviews, this publication has graded:
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66% higher than the average critic
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2% same as the average critic
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32% lower than the average critic
On average, this publication grades 3.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 68
| Highest review score: | Asteroid City | |
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| Lowest review score: | The Divergent Series: Insurgent |
Score distribution:
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Positive: 1,361 out of 1847
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Mixed: 317 out of 1847
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Negative: 169 out of 1847
1847
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Williams
There’s much to appreciate here. Like “The Perks of Being a Wallflower,” which had a stronger sense of its place in the world, this coming-of-age movie should appeal to smart, sensitive young people who haven’t been exposed to the better examples of the genre.- St. Louis Post-Dispatch
- Posted Aug 22, 2013
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Joe Williams
Until the sci-fi switcheroo, the versatile supporting cast puts Gary in such a ridiculous light that we can’t help laughing at him. Then suddenly this subversive movie challenges us to laugh at our own assumptions.- St. Louis Post-Dispatch
- Posted Aug 22, 2013
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- Critic Score
That can’t disguise the script’s complete lack of wit or originality, though, or the generally wooden acting.- St. Louis Post-Dispatch
- Posted Aug 20, 2013
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Reviewed by
Joe Williams
Cue the folky music and the two eccentric locals who are the only other characters, and Prince Avalanche is a molehill that dreams it’s a mountain when it’s really, really stoned.- St. Louis Post-Dispatch
- Posted Aug 15, 2013
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Joe Williams
With Whitaker, Daniels and screenwriter Danny Strong pulling the strings, The Butler can take a bow.- St. Louis Post-Dispatch
- Posted Aug 15, 2013
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Joe Williams
To stand out in a crowded marketplace, a sequel can’t just kick ass — it has to blow minds.- St. Louis Post-Dispatch
- Posted Aug 15, 2013
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Joe Williams
As the wife to a wolf of Wall Street, Blanchett shows us a lost sheep both before and after the slaughter. It’s not a pretty picture, but it’s twitching with life.- St. Louis Post-Dispatch
- Posted Aug 8, 2013
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Joe Williams
This vision of a violent future makes Elysium well worth seeing, even as the conventional violence of the thriller finale makes it a missed opportunity.- St. Louis Post-Dispatch
- Posted Aug 8, 2013
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Joe Williams
We're the Millers is nothing but stems and seeds, with less buzz than a bag of oregano.- St. Louis Post-Dispatch
- Posted Aug 6, 2013
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- St. Louis Post-Dispatch
- Posted Aug 1, 2013
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Joe Williams
Savvy filmgoers will know they are getting a stale product as soon as they see the wrapper: one of those vintage muscle cars that screams “stakeout.”- St. Louis Post-Dispatch
- Posted Aug 1, 2013
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Joe Williams
It’s amusing fluff, but from an Oscar-winning dramatist, this return to comedy is a bit of a letdown.- St. Louis Post-Dispatch
- Posted Jul 25, 2013
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Reviewed by
Calvin Wilson
Fruitvale Station has all the impact of a thoroughly researched, well-argued documentary. But Coogler made the right choice in going with drama.- St. Louis Post-Dispatch
- Posted Jul 25, 2013
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Reviewed by
Joe Williams
There’s plenty of talk about sex — even from Brandy’s supportive mom (Connie Britton), who offers her lubricant — but not much nudity or consequence. In The To Do List, sex is just another dubious achievement to outgrow.- St. Louis Post-Dispatch
- Posted Jul 25, 2013
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- St. Louis Post-Dispatch
- Posted Jul 25, 2013
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- St. Louis Post-Dispatch
- Posted Jul 18, 2013
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Reviewed by
Joe Williams
Red 2 is not just a bad movie, it’s bad karma. And the target audience of adult moviegoers who respect the names in its once-vital cast have a bull’s-eye on their collective cranium.- St. Louis Post-Dispatch
- Posted Jul 18, 2013
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Joe Williams
With its forked tongue planted loosely in cheek, this haunted-house flick is enjoyably retro in both style and substance.- St. Louis Post-Dispatch
- Posted Jul 18, 2013
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Joe Williams
Aiming for a middle path between drama and comedy, The Way Way Back is so overloaded with jokes that it could sink in the water hazard, but on the final scorecard, sure enough, it’s in the hole.- St. Louis Post-Dispatch
- Posted Jul 18, 2013
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Joe Williams
Director Lindholm is a graduate of the Dogma school, and he is able to maintain tension with a documentary camera technique, virtually no music and minimal on-screen theatrics.- St. Louis Post-Dispatch
- Posted Jul 12, 2013
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Joe Williams
The movie is an eyeful, especially in 3-D, but even with humans at the helms of the machines, it’s a hollow exercise in homage.- St. Louis Post-Dispatch
- Posted Jul 11, 2013
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Joe Williams
The crescendo of two resonant careers makes the false notes of Unfinished Song forgivable.- St. Louis Post-Dispatch
- Posted Jul 5, 2013
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Kevin C. Johnson
The film is flat and lazy, and the audio mix is so low it sounds as if the audience is barely laughing. His cable comedy specials have better production values.- St. Louis Post-Dispatch
- Posted Jul 3, 2013
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Joe Williams
Except for the dynamite finale, The Long Ranger feels like a long, slow ride to the dump, to the dump, to the dump, dump, dump.- St. Louis Post-Dispatch
- Posted Jul 2, 2013
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Joe Williams
This loony 'toon is dizzy with wonderments, especially in 3-D. The spindly-limbed character design owes more to Charles Addams' family than to Walt Disney's kingdom, while the story and settings evoke James Bond on laughing gas.- St. Louis Post-Dispatch
- Posted Jul 2, 2013
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Joe Williams
These wars being fought in our name may be dirty, but this courageous film reminds us that as long as we have a free press, they don’t have to be secret.- St. Louis Post-Dispatch
- Posted Jun 27, 2013
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Joe Williams
A buddy comedy disguised as a political thriller. It’s full of malarkey, but as a campaign of shock and awe, it’s hard to resist.- St. Louis Post-Dispatch
- Posted Jun 27, 2013
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Joe Williams
After watching the trailers, I was expecting torture, but this smart, subversive movie made me laugh. So shoot me.- St. Louis Post-Dispatch
- Posted Jun 27, 2013
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- St. Louis Post-Dispatch
- Posted Jun 20, 2013
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Reviewed by
Joe Williams
Whether on stage or the screen, Much Ado About Nothing is a pleasure that passes like a midsummer night’s dream.- St. Louis Post-Dispatch
- Posted Jun 20, 2013
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