St. Louis Post-Dispatch's Scores

  • Movies
  • TV
For 1,847 reviews, this publication has graded:
  • 66% higher than the average critic
  • 2% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 3.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Asteroid City
Lowest review score: 0 The Divergent Series: Insurgent
Score distribution:
1847 movie reviews
    • 76 Metascore
    • 75 Critic Score
    While Career Girls has an overall somber tone, it is sparked by Leigh's humor and the actresses' - particularly Hannah's - verbal quickness... While the film may not be very satisfying to viewers, it is intriguing to watch Leigh's work and to see the women's characters develop. [22 Aug. 1997, p.6E]
    • St. Louis Post-Dispatch
  1. James Franco is fascinatingly weird as Wiseau, and brother Dave Franco complements him perfectly as a regular guy who has little choice but to go with his flow.
  2. Cunningham's answers to pointed questions about romantic love and religious faith are so open-hearted, we understand that he's bigger than just New York.
  3. Broken Embraces is stylish and sly, an engaging exercise that gives us less than meets the eye.
  4. A sophisticated comedy about New Yorkers who might easily be mistaken for characters in a Woody Allen movie.
  5. Lovely to look at, and Vikander does nothing to derail her inevitable ascension to the A-list. But as a story, it evokes a word that no battlefield nurse would ever apply to her experiences: sterile.
  6. The film is so masterfully controlled, we feel like we’ve eavesdropped on something like life.
  7. Despite accusations of nearly succumbing to spotlighting beefs over beats, the film comes off as an honest representation of a great group that's not to be forgotten.
  8. A rebuke to the genteel period costume dramas that have long reigned as arthouse staples. Working from a screenplay by Alice Birch, director William Oldroyd turns the genre on its head, penetrating the pretty exteriors that conceal wild and dangerous emotions.
  9. When a place and its people are this stylish, we can't help but be drawn to them.
  10. Surrender, earthlings. It’s the Guardians’ world and you’ll be happy to live in it.
  11. With a child’s perspective on war, Lore deserves comparisons with “Empire of the Sun” and “Hope and Glory,” and with a feisty female protagonist it stands virtually alone.
  12. This true story does a great service by honoring the memory of 22 brave men and women and by dramatizing the internal debates within the French population. But in staying true to life, it sacrifices some of the pacing and clarity of a conventional thriller.
  13. These wars being fought in our name may be dirty, but this courageous film reminds us that as long as we have a free press, they don’t have to be secret.
  14. A Monster Calls is the rare film that addresses the mysteries of childhood without succumbing to schmaltz.
  15. Beautifully but simply wrought by director Cindy Meehl, this deft documentary is a poignant reappraisal of what it means to be human.
  16. Has been criticized as endorsing or condoning violence, but that assessment is unfair and inaccurate. If terrorism is to be eliminated, it must be understood, not oversimplified.
  17. We can quibble about the punitive punchline of John Gatins' script, but keeping complexity aloft for so long makes Flight a miraculous feat.
  18. Aside from art-house fare, American movies of recent decades have tended to ignore even the most urgent social problems. Despite its lapses into melodrama, 99 Homes is a thought-provoking exception.
  19. The debut creation of director Ritesh Batra, it’s a lovely little film from a place where the little things linger.
  20. Reitman's movie is triumphant and actually deserves being mentioned in the same breath with those great comedies of 50 years ago. [07 May 1993, p.3G]
    • St. Louis Post-Dispatch
  21. The film confirms it's hard to do brain surgery on a battlefield. But it doesn't take a brain surgeon to think it could go deeper.
  22. Soul Power is both a funk-tastic time capsule and a timeless celebration of the human spirit.
  23. Since the movie never really gets very far beneath the skin of these immensely talented people, their battles and her final victory seldom rise above the level of moderately entertaining melodrama. [11 Jun 1993, p.3G]
    • St. Louis Post-Dispatch
  24. Almost as good as the first film, it has James Stewart in one of his earliest roles. [02 Aug 2005, p.E1]
    • St. Louis Post-Dispatch
  25. Gibney is as dramatic a storyteller as the Hollywood directors with whom he competes for our attention, and he employs a big bag of tricks.
  26. As they build up steam, two powerful actors keep us wondering whether this train is bound for war or peace.
  27. Margin Call has a spectacular cast, and the 24-hour cycle of events gives the movie the compressed dramatic effect of a fine play.
    • 76 Metascore
    • 63 Critic Score
    Gadot proves she is worthy of Wonder Woman’s tiara, but the superhero deserves a great film, not one that’s just better than the others.
  28. A movie that will be discovered, embraced and shared with friends like a favorite record album.

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