St. Louis Post-Dispatch's Scores
- Movies
- TV
For 1,847 reviews, this publication has graded:
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66% higher than the average critic
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2% same as the average critic
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32% lower than the average critic
On average, this publication grades 3.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 68
| Highest review score: | Asteroid City | |
|---|---|---|
| Lowest review score: | The Divergent Series: Insurgent |
Score distribution:
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Positive: 1,361 out of 1847
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Mixed: 317 out of 1847
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Negative: 169 out of 1847
1847
movie
reviews
- By Date
- By Critic Score
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- St. Louis Post-Dispatch
- Posted Nov 12, 2015
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- St. Louis Post-Dispatch
- Posted Nov 12, 2015
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- Critic Score
Morgan’s writing is occasionally pedestrian, but the sweep of the story, the performances and Gavron’s vision make up for it.- St. Louis Post-Dispatch
- Posted Nov 5, 2015
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- Critic Score
The efforts to stay true to the spirit of Schulz are worth a happy dance for kids and adults alike.- St. Louis Post-Dispatch
- Posted Nov 5, 2015
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- St. Louis Post-Dispatch
- Posted Nov 5, 2015
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Reviewed by
Calvin Wilson
With visual and psychological precision, Abrahamson brilliantly evokes the experience of living outside of everyday reality. And he does so without resorting to either creepiness or sentimentality.- St. Louis Post-Dispatch
- Posted Oct 29, 2015
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Reviewed by
Calvin Wilson
Provocative, intelligent but just a bit underwhelming, Our Brand Is Crisis — inspired by a 2005 documentary of the same name — plays as if the filmmakers started out with Oscar aspirations but ultimately weren’t up to the challenge.- St. Louis Post-Dispatch
- Posted Oct 29, 2015
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With such a strong cast, the film has the right ingredients but it doesn’t quite make a perfect meal.- St. Louis Post-Dispatch
- Posted Oct 29, 2015
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Reviewed by
Calvin Wilson
As original and risk-taking as its subject, Steve Jobs will make you think differently about an American icon.- St. Louis Post-Dispatch
- Posted Oct 22, 2015
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Calvin Wilson
Page is outstanding as a young woman who has finally found happiness, only to see it cruelly slipping away.- St. Louis Post-Dispatch
- Posted Oct 15, 2015
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Calvin Wilson
As the deeply principled Donovan, Hanks deftly balances earnestness and humor. And Rylance’s spirited performance is almost certain to yield an Oscar nomination.- St. Louis Post-Dispatch
- Posted Oct 15, 2015
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Calvin Wilson
Working from a screenplay by Jason Fuchs, director Joe Wright seems overwhelmed by the material, and he fails to make us care about any of the characters.- St. Louis Post-Dispatch
- Posted Oct 8, 2015
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Calvin Wilson
Aside from art-house fare, American movies of recent decades have tended to ignore even the most urgent social problems. Despite its lapses into melodrama, 99 Homes is a thought-provoking exception.- St. Louis Post-Dispatch
- Posted Oct 8, 2015
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Reviewed by
Calvin Wilson
There’s less a sense of hitting plot points than of capturing life on the fly, and Mendelsohn and Reynolds ride that vibe brilliantly.- St. Louis Post-Dispatch
- Posted Oct 6, 2015
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Gail Pennington
A gorgeous film that could inspire a whole new crop of astronauts.- St. Louis Post-Dispatch
- Posted Oct 2, 2015
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Calvin Wilson
Working from a script co-written with Christopher Browne, director Robert Zemeckis (“Forrest Gump”) pulls off a fabulous trick of his own: delivering a mainstream entertainment that has, at its heart, a poetic sensibility.- St. Louis Post-Dispatch
- Posted Oct 1, 2015
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Calvin Wilson
In a way, Stonewall is proof that the gay community has fully made the transition to the mainstream. It’s now subject to the kind of Hollywood nonsense that was previously reserved for heterosexuals.- St. Louis Post-Dispatch
- Posted Sep 24, 2015
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Calvin Wilson
These days, it’s tough to find a comedy that even aspires to sophistication. The Intern entertainingly fills that slot.- St. Louis Post-Dispatch
- Posted Sep 24, 2015
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Calvin Wilson
Oyelowo and Mara achieve terrific chemistry. Perhaps they’ll work together again — in a better film.- St. Louis Post-Dispatch
- Posted Sep 17, 2015
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Calvin Wilson
Best appreciated as a movie about being obsessed — a character trait that’s certainly not limited to chess masters.- St. Louis Post-Dispatch
- Posted Sep 17, 2015
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Calvin Wilson
An ideal showcase for Tomlin, who brings to the film a winning blend of contrariness and effervescence.- St. Louis Post-Dispatch
- Posted Sep 11, 2015
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Calvin Wilson
Mistress America doesn’t quite achieve the magic of “Frances Ha.” But it’s a fresh take on the comic possibilities of friendship among the young.- St. Louis Post-Dispatch
- Posted Aug 27, 2015
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Calvin Wilson
Films often fail to capture the turmoil of being a teenager — but not this one.- St. Louis Post-Dispatch
- Posted Aug 20, 2015
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- St. Louis Post-Dispatch
- Posted Aug 20, 2015
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Reviewed by
Calvin Wilson
What really sets The Man From U.N.C.L.E. apart is its refusal to pander to short attention spans. This is a movie whose charm sneaks up on you, like a spy in the night.- St. Louis Post-Dispatch
- Posted Aug 13, 2015
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Kevin C. Johnson
Credit goes to smart casting of unknowns in the leads, who click uniformly; a packed script that manages not to feel overly long and social commentary that is timeless.- St. Louis Post-Dispatch
- Posted Aug 13, 2015
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Calvin Wilson
Although the story of Sin-Dee and Alexandra might have benefited from a bit more structure, it’s a window into a world of which many people are unaware — but a world that has its share of dreamers.- St. Louis Post-Dispatch
- Posted Aug 6, 2015
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Calvin Wilson
Quite a few filmgoers lament the shortage of movies for adults. Ricki and the Flash goes against that trend with rock ’n’ roll attitude.- St. Louis Post-Dispatch
- Posted Aug 6, 2015
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Calvin Wilson
Phoenix is perfectly cast as the ethically problematic Abe, whose novel approach to lifting himself out of an existential funk lends the story its suspense.- St. Louis Post-Dispatch
- Posted Jul 30, 2015
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Calvin Wilson
Cruise is as watchable as ever, bringing to Hunt a blend of steeliness and vulnerability.- St. Louis Post-Dispatch
- Posted Jul 30, 2015
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