St. Louis Post-Dispatch's Scores

  • Movies
  • TV
For 1,847 reviews, this publication has graded:
  • 66% higher than the average critic
  • 2% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 3.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Asteroid City
Lowest review score: 0 The Divergent Series: Insurgent
Score distribution:
1847 movie reviews
  1. Rookie of year strikes out in the laughs department. [09 Jul 1993, p.3D]
    • St. Louis Post-Dispatch
  2. In the new Clash of the Titans, the effects are computerized, the hero is questionable and, instead of an owl, we get a turkey.
  3. It's more like a shelved episode of "Touched by An Angel." The sappy script is a disservice to the naturally effervescent Efron, whose character is so mopey he makes Robert Pattinson seem like a song-and-dance man.
  4. FOR ABOUT a half-hour, Troop Beverly Hills brings a lot of funny situations and funny lines. Then it's time to finish the popcorn and settle down for a nap. [24 March 1989, p.3F]
    • St. Louis Post-Dispatch
  5. Anyone old enough to have read Jules Verne or seen the way his work was successfully adapted in the past will suffer worse than the kids in the audience who just came to laugh.
  6. It’s preposterous schlock masquerading as art.
  7. If instead of story and characters, your movie wish list includes projectile vomiting and erection gags, this lump of coal has your name on it.
    • 40 Metascore
    • 38 Critic Score
    Obviously this movie is too dense for most kids under the age of about 8 to follow. Even if you're over 8, way over, the plot still seems overly complicated. [23 Mar 1993, p.3D]
    • St. Louis Post-Dispatch
  8. For sheer waste of talent, if not money, The Burbs deserves to be ranked with Ishtar. A routine slapstick comedy with no cutting edge, and not nearly enough laughs. [21 Feb 1989, p.6D]
    • St. Louis Post-Dispatch
  9. Kingsman is like a high-speed collision between a Jaguar and a jaywalking soccer hooligan. It’s ridiculously out of balance, and when you’re stuck in the middle, it doesn’t seem so funny.
  10. PRESUMABLY this zombie flick is supposed to be funny, since it's about as scary as "Little Women." [18 Jan 1995, p.6F]
    • St. Louis Post-Dispatch
  11. A turgid, overlong comedy. [19 July 1996, p.3E]
    • St. Louis Post-Dispatch
  12. With this unfunny fourth installment, the "Ice Age" franchise has skidded so far into kiddie land that adults who tread there risk extinction.
  13. The message that needs to be posted at the theater door is "No trespassing."
  14. The cheap, indifferent, teen-alien thriller I Am Number Four delivers none of the spectacle of a competent sci-fi film, none of the emotion of an effective teen romance and none of the giggles of a kitsch fiasco.
  15. If cranking out this kind of mediocre, head-scratching blarney is the only option available to Hollywood veterans like Reiner, we have some friendly advice: Open a haberdashery.
  16. This toothless attempt is just dead on arrival.
  17. This movie bogs down under heavy-handed, simplistic preachings about the environment and numerous scenes of utterly gratuitous violence. [23 Feb 1994]
    • St. Louis Post-Dispatch
  18. Given the creator and the cast, "Morgans" is as drearily predictable as a plague of locusts.
  19. Reeves seems less blissed out than conked out, as if he had sustained a heavy blow from a loose surfboard. [27 May 1994, p.3H]
    • St. Louis Post-Dispatch
  20. Sadly, The Last Song is badly out of tune with real filmmaking.
  21. Such a sorrowful attempt to resurrect the marketing magic of "Twilight" that it ought to be titled "Career Eclipse."
    • 48 Metascore
    • 38 Critic Score
    The result is more like a long commercial than a cohesive movie, and the omissions are glaring.
  22. Loud, incoherent and unfunny, Here Comes the Boom is the sound of American culture imploding.
  23. This world is divided between the makers and the takers, and after just a few minutes of Red Dawn, you'll realize there's not much more you can take.
  24. In trying to lift this lame schtick, De Niro, Douglas, Freeman and Kline are stand-up guys, but Last Vegas is a case of erectile dysfunction.
  25. Eastwood also directed, in a plodding, heavy-handed style that leaves little to the imagination and less to the sense of humor. Every scene is as predictable as the chase that precedes or follows it. [07 Dec 1990, p.3F]
    • St. Louis Post-Dispatch
  26. This dead-on-arrival ’toon is some of the worst p.r. for rodents since bubonic plague hit medieval Europe.
  27. There is nothing in Walas' directorial style to raise the movie above the level of a routine gross-out horror movie. Good makeup, though. [19 Feb 1989, p.14H]
    • St. Louis Post-Dispatch
    • 50 Metascore
    • 38 Critic Score
    Painfully dumb. [21 Feb 1989, p.5D]
    • St. Louis Post-Dispatch

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