Spin's Scores

  • Music
For 4,305 reviews, this publication has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Music review score: 70
Score distribution:
4305 music reviews
    • 77 Metascore
    • 83 Critic Score
    She can sound brand-new and busted-down in the same verse, and she sings like a guitar player. [Oct 2004, p.120]
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    • 56 Metascore
    • 42 Critic Score
    This album would be better without Scott screaming about absolute nonsense. [Sep 2004, p.119]
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    • 56 Metascore
    • 42 Critic Score
    They sound like they can't be bothered. [Oct 2004, p.120]
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    • 69 Metascore
    • 58 Critic Score
    They're Old Schooled enough to ace history, but the science they drop is strictly C+. [Sep 2004, p.120]
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    • 78 Metascore
    • 83 Critic Score
    Most of Fortune's tunes revolve around love and politics, which McArdle nails with a combination of wit, cynicism and sorrow. [Nov 2004, p.117]
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    • 63 Metascore
    • 42 Critic Score
    Big-name cameos... can't disguise the fact that this is one more rote chapter in the infamous Queensbridge duo's twilight. [Oct 2004, p.120]
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    • 68 Metascore
    • 67 Critic Score
    A snappier comeback than 1998's Foundation. [Sep 2004, p.120]
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    • 85 Metascore
    • 83 Critic Score
    Gruff stuff... A few rockers lighten the load, but not by much. [Sep 2004, p.120]
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    • 74 Metascore
    • 67 Critic Score
    Imagine if N.E.R.D... were from France and used to make house music before going soft rock. [Aug 2004, p.108]
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    • 84 Metascore
    • 83 Critic Score
    One of the best psych-rock records of our young century. [Sep 2004, p.117]
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    • 71 Metascore
    • 83 Critic Score
    Shift[s] between singer/songwriter Rhett Miller's heartrending country and mojo-fueled power pop. [Sep 2004, p.120]
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    • 56 Metascore
    • 67 Critic Score
    Makes like the spawn of Hole and Hatebreed. [Sep 2004, p.120]
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    • 65 Metascore
    • 67 Critic Score
    Tight, upbeat pop-punk songs reminiscent of early Elastica and late Donnas. [Jul 2004, p.110]
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    • 74 Metascore
    • 75 Critic Score
    Their bread and butter is still exuberantly juvenile pessimism. [Aug 2004, p.107]
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    • 80 Metascore
    • 83 Critic Score
    Gleefully impurist and highly addictive. [Sep 2004, p.122]
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    • 70 Metascore
    • 50 Critic Score
    A joyless slog through mossy folk tedium. [Aug 2004, p.108]
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    • 72 Metascore
    • 75 Critic Score
    With Black Thought carrying the weight, the record buckles. [Aug 2004, p.101]
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    • 75 Metascore
    • 75 Critic Score
    If The Cure feels like a recapitulation of the band's career, it's because they've recorded songs very much like these before. [Aug 2004, p.103]
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    • 52 Metascore
    • 75 Critic Score
    They all sound like pop songs... yet they all feel like country songs. [Aug 2004, p.107]
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    • 81 Metascore
    • 75 Critic Score
    There are flashes of Yankee's shimmer on Ghost, but the album is more elusive, more disjointed. [Jul 2004, p.103]
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    • 71 Metascore
    • 83 Critic Score
    This is the work of noise nerds bent on finding beauty where others see nothing but a tangled mess. [Jul 2004, p.110]
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    • 76 Metascore
    • 91 Critic Score
    He's one of the four or five best MCs breathing. [Aug 2004, p.103]
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    • 88 Metascore
    • 91 Critic Score
    A richly rewarding passage through the last five decades of American music history. [Aug 2005, p.99]
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    • 85 Metascore
    • 91 Critic Score
    An atavistic orgy of recycled riffs and lifelong obsessions. [Sep 2004, p.120]
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    • 70 Metascore
    • 91 Critic Score
    Like running full-tilt through a fun house with smoke machines, tinsel-covered ceilings and a super-size disco ball. [Aug 2004, p.108]
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    • 77 Metascore
    • 67 Critic Score
    A strangely enervated Sonic Youth record, one that exchanges Murray Street's golden-years vigor for a sad sense of duty. [Jul 2004, p.108]
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    • 74 Metascore
    • 50 Critic Score
    Her songs are feeling like Jason Mraz's leftovers. [Jul 2004, p.110]
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    • 70 Metascore
    • 91 Critic Score
    Good records from the Descendents and Bad Religion in one year? Joe Strummer's ghost must be keeping close watch. [Jul 2004, p.110]
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    • 80 Metascore
    • 91 Critic Score
    Lets you better appreciate his knack for weaving glorious pop songs out of change-ups and mixed signals. [Jul 2004, p.109]
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    • 79 Metascore
    • 83 Critic Score
    The rubbed-rawness of Uh Huh Her might seem like backpedaling. But the best tracks use the pleasure principles of Stories to update her old approach. [Jun 2004, p.101]
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